Edgar Rice Burroughs wrote this tale of confused identity and royal intrigue in 1914 and 1915, as World War I was getting ready to happen: it means to be an homage to Anthony Hope's _Prisoner of Zenda._ But, of course, it isn't Hope writing, but Burroughs: the events that led to the war inform the book, and it speaks to the real events happening as Burroughs wrote. That makes it a very different story from Hope's almost-whimsical novel. Part of the reason Burroughs left such a lasting mark on the world is because he was engaged in the events that surrounded him; the news troubled him deeply and personally. As well it might! He was writing, as he always did, on fantastical topics; but it is the fantastic nature of the twentieth century that is the real text of the man's career. The events that shape our own times now inform the work at hand: Edgar Rice Burroughs is generally described as a "Pulp Writer" -- that's code for a successful hack -- but the truth is that he was much, much more.
Year of the Mad King: The Lear Diaries, is Antony Sher's account of researching, rehearsing and performing one of Shakespeare's greatest roles: King Lear. His honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and the production as a whole. Also included are a selection of his paintings and sketches, many reproduced in full color.
#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Don’t miss the thrilling sneak peek of George R. R. Martin’s A Song of Ice and Fire: Book Six, The Winds of Winter Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his landmark series—as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. A DANCE WITH DRAGONS In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever. Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice. From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. Praise for A Dance with Dragons “Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, A Dance with Dragons is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times
In the tradition of The Mists of Avalon and Mythago Wood, J. Robert King weaves an epic tale of Avalon, Excalibur, the Once and Future king, and the magician Merlin as he draws on the ideas and writings of Joseph Campbell to shape and interpret the legendary Arthurian mythos. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
30 years into his reign, the King of England starts to go a little mad; his court hires a new, radical doctor to try to cure him, but what he really needs in the love of a good queen.
Literary Criticism. Art Criticism. DECOMPOSITIONS collects Eric Basso's essay on art and literature in one volume. In the pivotal essay "Annihilation," Basso takes a short story by a forgotten Hungarian writer as the springboard to a searing dissection of Rembrandt, alchemy, Stephane Mallarme, Edgar Allan Poe and Rene Daumal, closing with a new interpretation of Kafka's The Castle. Eric Basso "remains one of the most interesting writers in the country, someone whose work does not fit conveniently into categories.but whose poetry, fiction and dramatic writing extend our sense of what terms like modernism and postmodernism mean"-Stephen-Paul Martin.
Laurie R. King’s New York Times bestselling series featuring Mary Russell and Sherlock Holmes is “the most sustained feat of imagination in mystery fiction today” (Lee Child)! The last thing Mary Russell and her husband, Sherlock Holmes, need is to help an old friend with her mad, missing aunt. Lady Vivian Beaconsfield has spent most of her adult life in one asylum after another, since the loss of her brother and father in the Great War. Although her mental state seemed to be improving, she’s now disappeared after an outing from Bethlem Royal Hospital . . . better known as Bedlam. Russell wants nothing to do with the case—but she can’t say no. To track down the vanished woman, she must use her deductive instincts and talent for subterfuge—and enlist her husband’s legendary prowess. Together, the two travel from the grim confines of Bedlam to the murky canals of Venice—only to find the shadow of Benito Mussolini darkening the fate of a city, an era, and a tormented English lady of privilege. Praise for Island of the Mad “Full of lush details and clever twists.”—Booklist “Once again validates Laurie R. King as the preeminent Holmes writer working today.”—Bookreporter “A truly memorable mystery . . . Laurie King brings her always amazing imagination to the page to enthrall readers, as only she can do.”—Suspense Magazine “Superb . . . shocking . . . Come for the mystery, stay for the sightseeing, the gibes at fascism, and the heroine’s climactic masquerade as silent film star Harold Lloyd.”—Kirkus Reviews “There’s no shortage of entertainment. . . . If you are a fan of the series, you won’t be disappointed!”—San Francisco Book Review “Well-plotted . . . This ranks as one of the better recent installments in this popular series.”—Publishers Weekly
From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.
All Lustadt was in an uproar. The mad king had escaped. Little knots of excited men stood upon the street corners listening to each latest rumor concerning this most absorbing occurrence. Before the palace a great crowd surged to and fro, awaiting they knew not what. For ten years no man of them had set eyes upon the face of the boy-king who had been hastened to the grim castle of Blentz upon the death of the old king, his father. There had been murmurings then when the lad's uncle, Peter of Blentz, had announced to the people of Lutha the sudden mental affliction which had fallen upon his nephew, and more murmurings for a time after the announcement that Peter of Blentz had been appointed Regent during the lifetime of the young King Leopold, "or until God, in His infinite mercy, shall see fit to restore to us in full mental vigor our beloved monarch." But ten years is a long time. The boy-king had become but a vague memory to the subjects who could recall him at all. There were many, of course, in the capital city, Lustadt, who still retained a mental picture of the handsome boy who had ridden out nearly every morning from the palace gates beside the tall, martial figure of the old king, his father, for a canter across the broad plain which lies at the foot of the mountain town of Lustadt; but even these had long since given up hope that their young king would ever ascend his throne, or even that they should see him alive again. Peter of Blentz had not proved a good or kind ruler. Taxes had doubled during his regency. Executives and judiciary, following the example of their chief, had become tyrannical and corrupt. For ten years there had been small joy in Lutha.
