Originally published in 1975, The Machiavellian Moment remains a landmark of historical and political thought. Celebrated historian J.G.A. Pocock looks at the consequences for modern historical and social consciousness arising from the ideal of the classical republic revived by Machiavelli and other thinkers of Renaissance Italy. Pocock shows that Machiavelli's prime emphasis was on the moment in which the republic confronts the problem of its own instability in time, which Pocock calls the "Machiavellian moment." After examining this problem in the works of Machiavelli, Guicciardini, and Giannotti, Pocock turns to the revival of republican ideology in Puritan England and in Revolutionary and Federalist America. He argues that the American Revolution can be considered the last great act of civic humanism of the Renaissance and he relates the origins of modern historicism to the clash between civic, Christian, and commercial values in eighteenth-century thought. This Princeton Classics edition of The Machiavellian Moment features a new introduction by Richard Whatmore.
Details the experiences of the first generation of Americans who inherited the independent country, discussing the lives, businesses, and religious freedoms that transformed the country in its early years.
The significance of Machiavelli's political thinking for the development of modern republicanism is a matter of great controversy. In this volume, a distinguished team of political theorists and historians reassess the evidence, examining the character of Machiavelli's own republicanism and charting his influence on Marchamont Nedham, James Harrington, John Locke, Algernon Sidney, John Trenchard, Thomas Gordon, David Hume, the Baron de Montesquieu, Benjamin Franklin, George Washington, John Adams, Thomas Jefferson, James Madison, and Alexander Hamilton. This work argues that while Machiavelli himself was not liberal, he did set the stage for the emergence of liberal republicanism in England. By the exponents of commercial society he provided the foundations for a moderation of commonwealth ideology and exercised considerable, if circumscribed, influence on the statesmen who founded the American Republic. Machiavelli's Liberal Republican Legacy will be of great interest to political theorists, early modern historians, and students of the American political tradition.
In the "Critique of Hegel's Philosophy of Right,” the young Marx elliptically alludes to a "true democracy" whose advent would go hand in hand with the disappearance of the state. Miguel Abensour’s rigorous interpretation of this seminal text reveals an “unknown Marx” who undermines the identification of democracy with the state and defends a historically occluded form of politics. True democracy does not entail the political and economic power of the state, but it does not dream of a post-political society either. On the contrary, the battle of democracy is waged by a demos that invents a public sphere of permanent struggles, a politics that counters political bureaucracy and representation. Democracy is "won" by a people forewarned that any dissolution of the political realm in its independence, any subordination to the state, is tantamount to annihilating the site for gaining and regaining a genuinely human existence. In this explicitly heterodox reading of Marx, Miguel Abensour proposes a theory of "insurgent" democracy that makes political liberty synonymous with a living critique of domination.
A NEW YORK TIMES EDITORS’ CHOICE In a series of poignant vignettes, a preeminent historian makes a compelling case for Machiavelli as an unjustly maligned figure with valuable political insights that resonate as strongly today as they did in his time. Whenever a tempestuous period in history begins, Machiavelli is summoned, because he is known as one for philosophizing in dark times. In fact, since his death in 1527, we have never ceased to read him to pull ourselves out of torpors. But what do we really know about this man apart from the term invented by his detractors to refer to that political evil, Machiavellianism? It was Machiavelli's luck to be disappointed by every statesman he encountered throughout his life—that was why he had to write The Prince. If the book endeavors to dissociate political action from common morality, the question still remains today, not why, but for whom Machiavelli wrote. For princes, or for those who want to resist them? Is the art of governing to take power or to keep it? And what is “the people?” Can they govern themselves? Beyond cynical advice for the powerful, Machiavelli meditates profoundly on the idea of popular sovereignty, because the people know best who oppresses them. With verve and a delightful erudition, Patrick Boucheron sheds light on the life and works of this unclassifiable visionary, illustrating how we can continue to use him as a guide in times of crisis.
Counsels parents on how to manage a rambunctious family, sharing the author's successes with experimenting with such tactics as instilling a fear of consequences, withholding unnecessary details, and using gentle manipulation.
"It is better to be feared than loved, if you cannot be both." The Prince, written by Niccolò Machiavelli, is a groundbreaking work in the genre of political philosophy, first published in 1532. It offers a direct and unflinching examination of power and leadership, challenging conventional notions of morality and ethics in governance. This work will leave you questioning the true nature of authority and political strategy. Machiavelli's prose captures the very essence of human ambition, forcing readers to grapple with the harsh realities of leadership. This is not just a historical treatise, but a blueprint for navigating the political power structures of any era. If you're seeking a deeper understanding of political leadership and the dynamics of influence, this book is for you. Sneak Peek "Since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved." In The Prince, Machiavelli draws on historical examples and his own diplomatic experience to lay out a stark vision of what it takes to seize and maintain power. From the ruthlessness of Cesare Borgia to the political maneuvering of Italian city-states, Machiavelli outlines how a leader must be prepared to act against virtue when necessary. Every decision is a gamble, and success depends on mastering the balance between cunning and force. Synopsis The story of The Prince delves into the often brutal realities of ruling. Machiavelli provides rulers with a pragmatic guide for gaining and sustaining power, asserting that the ends justify the means. The book is not just a reflection on how power was wielded in Renaissance Italy but a timeless manual that offers insight into political consulting, political history, and current political issues. Its relevance has endured for centuries, influencing leaders and thinkers alike. Machiavelli emphasizes that effective rulers must learn how to adapt, deceive, and act decisively in pursuit of their goals. This stunning, classic literature reprint of The Prince offers unaltered preservation of the original text, providing you with an authentic experience as Machiavelli intended. It's an ideal gift for anyone passionate about political science books or those eager to dive into the intricacies of power and leadership. Add this thought-provoking masterpiece to your collection, or give it to a loved one who enjoys the best political books. The Prince is more than just a book – it's a legacy. Grab Your Copy Now and get ready to command power like a true Prince. Title Details Original 1532 text Political Philosophy Historical Context
Taking points of departure from Quentin Skinner and J. G. A. Pocock, Paul Strohm deploys superior powers of textual and linguistic analysis to uncover a 'pre-Machiavellian moment': an historical phase which saw political discourse deployed with unprecedented slipperiness and subtlety; a time when it was thought possible not just to follow Fortune, but to jam her turning wheel. That this should have occurred in the fifteenth century, a period regarded as too dull, tradition-bound, or chaotic for significant discursive innovation, is just one of the surprises of this remarkable book. Little-regarded writers such as Fortescue and Pecock, Whethamstede and Warkworth, emerge as figures of compelling interest; John Lydgate, once dismissed as Chaucer's dullest successor, opens paths to the Mirror for Magistrates and to the heart of Shakespearean history. This book is recommended to scholars and students of medieval and Renaissance history and literature and to all those fascinated by languages of conspiracy, destiny, and government. -David Wallace, University of Pennsylvania
Historians of political thought have argued that the real Machiavelli is the republican thinker and theorist of civic virtù. Machiavellian Rhetoric argues in contrast that Renaissance readers were right to see Machiavelli as a Machiavel, a figure of force and fraud, rhetorical cunning and deception. Taking the rhetorical Machiavel as a point of departure, Victoria Kahn argues that this figure is not simply the result of a naïve misreading of Machiavelli but is attuned to the rhetorical dimension of his political theory in a way that later thematic readings of Machiavelli are not. Her aim is to provide a revised history of Renaissance Machiavellism, particularly in England: one that sees the Machiavel and the republican as equally valid--and related--readings of Machiavelli's work. In this revised history, Machiavelli offers a rhetoric for dealing with the realm of de facto political power, rather than a political theory with a coherent thematic content; and Renaissance Machiavellism includes a variety of rhetorically sophisticated appreciations and appropriations of Machiavelli's own rhetorical approach to politics. Part I offers readings of The Prince, The Discourses, and Counter-Reformation responses to Machiavelli. Part II discusses the reception of Machiavelli in sixteenth-and seventeenth-century England. Part III focuses on Milton, especially Areopagitica, Comus, and Paradise Lost.
