Telegraph letter writers, that most astute body of political commentators, are probably not alone in thinking that politics has taken some strange turns in recent years. The first coalition government since 1945 has led the country from the subprime to the ridiculous, lumbering from Leveson to Libya, riots to referendums, pasty-gate to pleb-gate, Brooks to Bercow, the Bullingdon Club to the Big Society. Five years is a long time in politics. Fortunately for us, it has also been a most fertile period for the Telegraph's legion of witty and erudite letter writers, who have their own therapeutic way of dealing with the pain. An institution in their own right, theirs is a welcome voice of sanity in a world in which the lunatics appear finally to have taken over the asylum.
Believe it or not, this is probably the first book to attempt to identify the original sources of some of the English language's most common expressions. We might think we know who first said famous for fifteen minutes, annus horribilis, the cold war and let them eat cake. It's a no brainer, you might say, but Max Cryer has a surprise or two in ...
Batman Unauthorized explores Batman's motivations and actions, as well as those of his foes. Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive and a really well-made suit. One of the most recognized superheroes ever created, Batman has survived through campy TV shows and films, through actors such as Adam West, Michael Keaton and Christian Bale. Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City covers expansive territory ranging from the silly to the solemn. Why is the Joker so good at pushing Batman's buttons? What does Batman's technology say about the times? Why are Batman's villains crazier than average? And why is Batman the perfect, iconic American hero?
Studies of opera, film, television, and literature have demonstrated how constructions of madness may be referenced in order to stigmatise but also liberate protagonists in ways that reinforce or challenge contemporaneous notions of normality. But to date very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance, Nicola Spelman identifies links between the anti-psychiatry movement and representations of madness in popular music of the 1960s and 1970s, analysing the various ways in which ideas critical of institutional psychiatry are embodied both verbally and musically in specific songs by David Bowie, Lou Reed, Pink Floyd, Alice Cooper, The Beatles, and Elton John. She concentrates on meanings that may be made at the point of reception as a consequence of ideas about madness that were circulating at the time. These ideas are then linked to contemporary conventions of musical expression in order to illustrate certain interpretative possibilities. Supporting evidence comes from popular musicological analysis - incorporating discourse analysis and social semiotics - and investigation of socio-historical context. The uniqueness of the period in question is demonstrated by means of a more generalised overview of songs drawn from a variety of styles and eras that engage with the topic of madness in diverse and often conflicting ways. The conclusions drawn reveal the extent to which anti-psychiatric ideas filtered through into popular culture, offering insights into popular music's ability to question general suppositions about madness alongside its potential to bring issues of men's madness into the public arena as an often neglected topic for discussion.
“Wow, a totally gripping, fantastic book . . . I was captured . . . twists and turns that keep you engrossed . . . you won’t want to put it down.” —Amazon reviewer, five stars A morbid discovery and a missing daughter set an ex-cop and her PI partner on a desperate search for answers . . . Billie Wilde left the police force to team up with PI Ellis Darque—but when a skeleton in a wedding dress is unearthed in Ellis’s new house, followed by another body in the garden, Billie begins to realise her new outsider status has its disadvantages. But Ellis’s arrest is not the only thing to worry about. Aside from an emerging case of multiple deaths connected to each other only by tattoos on the corpses, Ellis’s daughter has failed to return from a volunteering stint at an orphanage. When Maya finally sends a video message—and uses a code phrase to communicate she is in danger—Ellis makes a desperate journey to Europe and beyond. But will the answers to the mystery lie much closer to home? With Buried Dreams, the acclaimed author of the Billie Wilde thrillers begins a riveting new series of crime, corruption and two dedicated investigators in the gritty north of England.
The largest, most comprehensive, and most entertaining reference of its kind, The Dictionary of Clichés features more than four thousand unique clichés and common expressions. Author Christine Ammer explores the phrases and terms that enliven our language and uncovers expressions that have long been considered dead. With each entry, she includes a thorough definition, origin of the term, and an insightful example. Some of the clichés brought into the limelight include: • Blood is thicker than water • Monkey see, monkey do • Brass tacks • Burn the midnight oil • Change of heart • Moral fiber • By the book Whether clichés get under your skin or make you happy as a clam, The Dictionary of Clichés goes the extra mile to provide an essential resource for students, teachers, writers, and anyone with a keen interest in language. And that’s food for thought.
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
An exhaustive, day-by-day diary-like study of modern music, "Post Punk Diary" details every day of Punk's existence in the early 1980s with the minutiae of musical history, graphics, and photographs. "It's a top-notch fan book".--"Rolling Stone".
