In the city of Memphis, eighteen-year-old Lee and her boyfriend Vincent make a popular podcast on artists in love, but Lee learns that stories of happily-ever-after love do not always mirror real life.
Acclaimed historian and museum curator Richard Rabinowitz tells the story of his immigrant Jewish family through the everyday objects in their lives, from chairs and bottle openers to bottles of perfume. Vivid, absorbing, and powerfully honest, this is a story of one family and one community but also of emotional touchstones that anchor us all.
A stunning novel of great compassion and insight, from the author of the Stella Prize-shortlisted An Isolated Incident. 'Bold, furious, unapologetic and deeply insightful.' Sofie Laguna, author of Infinite Splendours 'A stunning, immersive novel that will change the conversation about class and about what possessions mean. It's important and funny and sad and beautiful and I absolutely adored it.' Kathryn Heyman, author of Storm and Grace and Fury 'One of the most big-hearted novels I've ever read. Each person fully formed, each scene and new catastrophe rooted in truth.' Bri Lee, author of Eggshell Skull Nic is a forty-three-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice. The person she's closest to in the world is her beloved niece Lena, who she meets for lunch every Sunday. One day Nic fails to show up. When Lena travels to her aunt's house to see if Nic's all right, she gets the shock of her life, and sets in train a series of events that will prove cataclysmic for them both. By the acclaimed author of An Isolated Incident, Love Objects is a clear-eyed, heart-wrenching and deeply compassionate novel about love and family, betrayal and forgiveness, and the things we do to fill our empty spaces.
With contributions from Cheryl Strayed, Mark Cuban, Ta-Nahesi Coates, Melinda Gates, Joss Whedon, James Patterson, and many more -- this fascinating collection gives us a peek into 150 personal treasures and the secret histories behind them. All of us have that one object that holds deep meaning--something that speaks to our past, that carries a remarkable story. Bestselling author Bill Shapiro collected this sweeping range of stories--he talked to everyone from renowned writers to Shark Tank hosts, from blackjack dealers to teachers, truckers, and nuns, even a reformed counterfeiter--to reveal the often hidden, always surprising lives of objects.
Lacey Yeager is young, captivating, and ambitious enough to take the NYC art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.
Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies, this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.
In this important book, a well-known psychoanalyst and feminist makes a case for what she calls "gender heterodoxy"-a highly original view of the similarities and differences between the sexes-and, in the process, illuminates aspects of love, sexuality, aggression, and pornography.
Written for technical managers, project leaders, and applications programmers facing decisions about design and management of large-scale commercial object-oriented software.