Poetic Salvage

Poetic Salvage

Author: Tara Prescott

Publisher: Bucknell University Press

Published: 2016-12-19

Total Pages: 293

ISBN-13: 1611488133

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Mina Loy—poet, artist, exile, and luminary—was a prominent and admired figure in the art and literary circles of Paris, Florence, and New York in the early years of the twentieth century. But over time, she gradually receded from public consciousness and her poetry went out of print. As part of the movement to introduce the work of this cryptic poet to modern audiences, Poetic Salvage: Reading Mina Loy provides new and detailed explications of Loy’s most redolent poems. This book helps readers gain a better understanding of the body of Loy’s work as a whole by offering compelling close readings that uncover the source materials that inspired Loy’s poetry, including modern artwork, Baedekertravel guides, and even long-forgotten cultural venues. Helpfully keyed to the contents of Loy’s Lost Lunar Baedeker, edited by Roger Conover, this book is an essential aid for new readers and scholars alike. Mina Loy forged a legacy worthy of serious consideration—through a practice best understood as salvage work, of reclaiming what has been so long obscured. Poetic Salvage: Reading Mina Loy dives deep to bring hidden treasures to the surface.


Caroling Dusk

Caroling Dusk

Author: Countee Cullen

Publisher:

Published: 1927

Total Pages: 272

ISBN-13:

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"For this anthology, Cullen selected the work of thirty-eight poets to, as he put it, "bring together a miscellany of deeply appreciated but scattered verse." The collection includes Paul Laurence Dunbar, often credited as the first Black poet to make a deep and lasting impression on the literary world; James Weldon Johnson, the author of what is referred to now as the Black National Anthem; W. E. B. Du Bois; Jessie Faucet; Sterling A. Brown; Arna Bontemps; Langston Hughes and Cullen's own work. The poets were all known within the literary world and widely published. Each poem is accompanied by autobiographical notes, with the exception of three. The decorations in this book are by African American painter and graphic artist, Aaron Douglas"--J. Willard Marriott Library blog, viewed June 3, 2022.


Curious Disciplines

Curious Disciplines

Author: Sarah Hayden

Publisher: University of New Mexico Press

Published: 2018

Total Pages: 368

ISBN-13: 0826359329

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Foregrounding Loy's critical interrogation of Futurist, Dadaist, Surrealist, and "Degenerate" artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy's importance in an entirely novel way.


The Feminist Avant-Garde in American Poetry

The Feminist Avant-Garde in American Poetry

Author: Elisabeth A. Frost

Publisher: University of Iowa Press

Published: 2005-04

Total Pages: 275

ISBN-13: 1587294346

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The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.


The Lost Lunar Baedeker

The Lost Lunar Baedeker

Author: Mina Loy

Publisher: Farrar, Straus and Giroux

Published: 2015-01-27

Total Pages: 260

ISBN-13: 1466890045

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Mina Loy's technique and subjects - prostitution, menstruation, destitution, and suicide - shock even some modernists and she vanished from the poetry scene as dramatically as she had appeared on it. Roger Conover has resuced the key texts from the pages of forgotten publications, and has included all of the futurist and feminist satires, poems from Loy's Paris and New York periods, and the complete cycle of "Love Songs," as well as previously unknown texts and detailed notes.


Mina Loy

Mina Loy

Author: Jennifer R. Gross

Publisher: Princeton University Press

Published: 2023-05-23

Total Pages: 232

ISBN-13: 0691239843

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"Mina Loy (1882-1966) was one of the most inscrutable artists and poets of the twentieth century. Born in London and formally trained as an artist in London, Munich, and Paris, Loy was elected as a member of the Salon d'Automne in Paris at the age of 23. Her modernist enlightenment came through her introduction to the Italian Futurists, and her subsequent structurally startling and provocative poetry and manifesto-writing brought her immediate notoriety and the embrace of the American avant-garde. Upon her arrival in New York in 1916 she was featured as the prototype of the "Modern Woman" in a profile in the New York Evening Sun. Her writings were published in Camera Work, Little Review, Rogue, and elsewhere, and her art was included in the groundbreaking 1917 Independents' Exhibition. She was Marcel Duchamp's date for the Blind Man's Ball-a friendship that lasted throughout their lives, as Duchamp organized Loy's final exhibition in 1955. Today, Loy is remembered primarily as a poet. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her career, including her visual work. The book follows Loy on her transatlantic passage to America as an immigrant in 1936 and features over 50 of her paintings, drawings, and constructions alongside a selection of her poetry and writings, all of which reveal her omnivorous creativity as an image-maker, author, and cultural arbiter. These works are complemented by extensive, never-before-assembled archival materials that provide context for her art within the arc of her extraordinary life. Contributing authors will show how indispensable of a force she was in introducing Italian futurism to America, radicalizing the aspirations of feminism, expanding the aesthetics of surrealism, and presaging American pop art through her assemblage constructions. Introducing the full breadth of Loy's creative expression-painting, drawing, poetry, prose, art criticism, and fashion design-Mina Loy presents the remarkable vision of this iconoclast"--


Modernism, Technology, and the Body

Modernism, Technology, and the Body

Author: Tim Armstrong

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 324

ISBN-13: 9780521599979

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This book is a study of the relations between the body and its technologies in modernism. Tim Armstrong traces the links between modernist literary texts and medical, psychological and social theory across a range of writers, including Yeats, Henry James, Eliot, Stein, and Pound. Armstrong shows how modernist texts enact experimental procedures which have their origins in nineteenth-century psychophysics, biology, and bodily reform techniques, but within a context in which the body is reconceived and subjected to new modes of production, representation and commodification. Drawing on a wide range of disciplines, Armstrong challenges the received oppositions between technology and literature, the instrumental and the aesthetic, by demonstrating the leaky boundaries and complex interconnections between these domains. This book offers a cultural history of modernism as it negotiated the enduring fact of the human body in a period of rapid technological change.


Modernism and Mourning

Modernism and Mourning

Author: Patricia Rae

Publisher: Bucknell University Press

Published: 2007

Total Pages: 324

ISBN-13: 9780838756171

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The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work. Drawing from recent developments in the theory and cultural history of mourning, its contributors explore the various ways in which modernist writers repudiate Freud's famous injunction to mourners to work through their grief, endorsing instead a resistant, or melancholic mourning that shapes both their themes and their radical experiments with form. The emerging picture of the pervasive influence of melancholic mourning in modernist literature casts new light on longstanding critical arguments, especially those about the politics of modernism. It also makes clear the pertinence of this literature to the present day, in which the catastrophic losses of 9/11, of retaliatory war, of racially motivated genocide, of the AIDS epidemic, have made the work of mourning a subject of widespread interest and debate. Patricia Rae is Head of the Department of English at Queen's University.