Read and Download eBook Full
Author: Thirteen O'Clock Press
Publisher: Lulu.com
Published: 2019-06-24
Total Pages: 176
ISBN-13: 0244796009
DOWNLOAD EBOOKDo you hear that train a-comin'? Comin' round the bend...? Our authors did! Step into an anthology filled with demonic trains and disastrous encounters. Ghosts, time travel, giant spiders, wagon trains, space-transport--whatever you are interested in, we've got you covered. Sit right back and enjoy the ride.
Author: Earl Robinson
Publisher:
Published: 1963
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKAuthor: Franklin Jarlett
Publisher: McFarland
Published: 1997-11-01
Total Pages: 324
ISBN-13: 9780786404766
DOWNLOAD EBOOKThis first in-depth Ryan work has two parts: The biographical provides behind-the-scenes information and never-before-published interviews with Ryan's children. The reference part contains a filmography (70+ films: plot lines, themes, technical aspects, casts, credits, criticism), and a listing of stage appearances, television performances, narrations, guest appearances, recordings and videocassettes.
Author: Robert H. Brinkmeyer, Jr.
Publisher: LSU Press
Published: 2009-01-01
Total Pages: 440
ISBN-13: 9780807133835
DOWNLOAD EBOOKIn the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system. As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie. Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art. The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.
Author: William Coyle
Publisher:
Published: 1962
Total Pages: 362
ISBN-13:
DOWNLOAD EBOOKContains the four poems that Whitman grouped under the title 'Memories of President Lincoln,' source materials pertaining to the relationships ... between Whitman and Lincoln, and a selection of criticism, explication, and biographical data bearing on the poems.
Author: Timothy Gray
Publisher: University of Iowa Press
Published: 2017-05-01
Total Pages: 240
ISBN-13: 160938489X
DOWNLOAD EBOOKRoots rock, Americana, alt country: what are they and why do they matter? Americans have been trying to answer these questions for as long as the music bearing these labels has existed. Music can function as an escape from the outside world or as an explanation of that world. Listeners who identify with the music’s message may shape their social understandings accordingly. Rock critics like Greil Marcus and Peter Guralnick, the titans of rock criticism, tap this fluid dichotomy, considering the personal appeal of roots music alongside national ideals of democracy and selfhood. So too do many other critics, novelists, and fans, explaining to themselves and us how music forms our selves and the communities we seek out and build up. In It’s Just the Normal Noises, Timothy Gray examines a wide array of writing about roots music from the 1960s to the 2000s. In addition to chapters on the genre-defining work of Guralnick and Marcus, he explores the influential writings of Grant Alden and Peter Blackstock, the editors of No Depression magazine, and the writers who contributed to its pages, Bill Friskicks-Warren, Ed Ward, David Cantwell, and Allison Stewart among them. A host of memoirists and novelists, from Patti Smith and Ann Powers to Eleanor Henderson and Dana Spiotta, shed light on the social effects and personal attachments of the music’s many manifestations, from punk to alt country to hardcore. The ambivalent attitudes of rock musicians toward success and failure, the meaning of soul, the formation of alternative communities through magazine readership, and the obsession of Generation X scenes with DIY production values wend through these works. Taking a personal approach to the subject matter, Gray reads criticism and listens to music as though rock ‘n’ roll not only explains American culture, but also shores up his life. This book is for everyone who’s heard in roots rock the sound of an individual and a nation singing themselves into being.
Author: Merrill D. Peterson
Publisher: Oxford University Press
Published: 1995-06-01
Total Pages: 493
ISBN-13: 0199880026
DOWNLOAD EBOOKLincoln's death, like his life, was an event of epic proportions. When the president was struck down at his moment of triumph, writes Merrill Peterson, "sorrow--indescribable sorrow" swept the nation. After lying in state in Washington, Lincoln's body was carried by a special funeral train to Springfield, Illinois, stopping in major cities along the way; perhaps a million people viewed the remains as memorial orations rang out and the world chorused its sincere condolences. It was the apotheosis of the martyred President--the beginning of the transformation of a man into a mythic hero. In Lincoln in American Memory, historian Merrill Peterson provides a fascinating history of Lincoln's place in the American imagination from the hour of his death to the present. In tracing the changing image of Lincoln through time, this wide-ranging account offers insight into the evolution and struggles of American politics and society--and into the character of Lincoln himself. Westerners, Easterners, even Southerners were caught up in the idealization of the late President, reshaping his memory and laying claim to his mantle, as his widow, son, memorial builders, and memorabilia collectors fought over his visible legacy. Peterson also looks at the complex responses of blacks to the memory of Lincoln, as they moved from exultation at the end of slavery to the harsh reality of free life amid deep poverty and segregation; at more than one memorial event for the great emancipator, the author notes, blacks were excluded. He makes an engaging examination of the flood of reminiscences and biographies, from Lincoln's old law partner William H. Herndon to Carl Sandburg and beyond. Serious historians were late in coming to the topic; for decades the myth-makers sought to shape the image of the hero President to suit their own agendas. He was made a voice of prohibition, a saloon-keeper, an infidel, a devout Christian, the first Bull Moose Progressive, a military blunderer and (after the First World War) a military genius, a white supremacist (according to D.W. Griffith and other Southern admirers), and a touchstone for the civil rights movement. Through it all, Peterson traces five principal images of Lincoln: the savior of the Union, the great emancipator, man of the people, first American, and self-made man. In identifying these archetypes, he tells us much not only of Lincoln but of our own identity as a people.
Author: Roger Kahn
Publisher: Diversion Books
Published: 2012-10-28
Total Pages: 338
ISBN-13: 1938120493
DOWNLOAD EBOOKThe seventh game of the World Series is about to be played, and more than the world championship is at stake. A man's destiny is on the line. Johnny Longboat, one of baseball's greatest pitchers, is taking the mound for the New York Mohawks in what may be his final game. With millions of eyes upon him, only he is aware of the conflicts tormenting him. At forty-one, Johnny is a man trying to make sense of his past while fearing what the future could bring when his playing career ends. As the deciding seventh game of a bitterly fought World Series suspensefully moves, inning by inning, toward its dramatic climax, and before the seventh game is over, Johnny Longboat is ready to make some hard choices. He's ready to find out just how much strength is left in his arm—and in his soul. Praise for Roger Kahn: "As a kid, I loved sports first and writing second, and loved everything Roger Kahn wrote. As an adult, I love writing first and sports second, and love Roger Kahn even more." —Pulitzer Prize winner, David Maraniss "He can epitomize a player with a single swing of the pen." —Time magazine "Roger Kahn is the best baseball writer in the business." —Stephen Jay Gould, New York Review of Books "A work of high moral purpose and great poetic accomplishment. The finest American book on sports." —James Michener on The Boys of Summer "Kahn has the almost unfair gift of easy, graceful writing." —Boston Herald
Author: William C. Hughes
Publisher: Scarecrow Press
Published: 2004
Total Pages: 192
ISBN-13: 9780810851757
DOWNLOAD EBOOKIn 1952 CBS, in conjunction with the Ford Foundation, launched Omnibus, a remarkable experiment in television. The objective was to raise the programming standards of an emerging medium that figured to profoundly influence American life. The centerpiece of Omnibus during its inaugural season was "Mr. Lincoln," a series of five films about the early life of our foremost political icon. James Agee, the distinguished American author, was the principal creator of "Mr. Lincoln." At the time, his scripts were hailed as 'the most beautiful writing ever done for television," and even today Agee's characterization of Lincoln remains " among the finest--perhaps the finest--film about Abraham Lincoln ever made." Regrettably, this important and sensitive work, a revealing expression of American culture at mid-century, has been consigned to the archives and has not been available to the public for many years. Author William Hughes aims to keep alive Agee's neglected masterpiece, placing "Mr. Lincoln" in the context of the period's prevailing ideology (Cold War liberalism) and conveying the institutional framework in which the work originated. In addition, Hughes takes into account Agee's personal experiences, his social and political views, and his related writings (for and about film), all of which came into play when he reworked the Lincoln legend for the television age. Based on extensive archive research and an interview with Norman Lloyd, who directed the five films, this book fully documents the cultural and historical importance of "Mr. Lincoln."
Author: Alistair Cooke
Publisher: Grove Press
Published: 2007
Total Pages: 356
ISBN-13: 9780802143327
DOWNLOAD EBOOKAlistair Cooke, a newly naturalized American citizen, shares his observations of American life in the year following the 1941 bombing of Pearl Harbor.
