A century before Jack the Ripper there was the London Monster, whose knife attacks on women caused unprecedented alarm, terror, and uproar. Through chance combined with vigilante effort, a young Welshman, Rhynwick Williams, was arrested as the Monster and committed to prison after a sensational trial at the Old Bailey. However, doubts about Williams' guilt persisted, and some writers asserted that there never was a Monster at all. Over 200 years later, Bondeson (author of A Cabinet of Medical Curiosities and The Feejee Mermaid and Other Essays in Natural and Unnatural History) unearthed new clues to this fascinating case, which lies somewhere between fact and urban legend. Annotation copyrighted by Book News Inc., Portland, OR
Summer, 1840. Edgar Allan Poe arrives in London to meet his friend C. Auguste Dupin, in the hope that the great detective will help him solve a family mystery. For Poe has inherited a mahogany box containing sheathes of letters that implicate his grandparents in some of London’s most heinous and scandalous crimes – those committed by the so-called London Monster who, for two years, terrorized the city’s streets, stalking attractive, well-to-do young women, slicing their clothing and their derrières. Unable, or perhaps unwilling, to accept that his grandparents – actors who struggled to make a living on the London stage – led a clandestine and nefarious double life, Poe and Dupin set out to prove the missives forgeries. But as they delve deeper into the city’s secrets, and past horrors emerge, they start to suspect that they too are being watched and preyed upon. And if they are, might their stalkers be connected to the London Monster?
Between 1788 and 1790 a bizarre serial attacker known as the London Monster assaulted more than 50 women. During his two-year reign of terror the London Monster became a psychopathic celebrity, both celebrated and condemned in plays, newspapers and caricatures. The farcical search for the Monster culminated in the arrest and trial of a young Welshman named Rhynwick Williams, who despite good alibis, was condemned. The story has remarkable parallels to our time: a police force unable to find their man, a tabloid press frenzy that sold newspapers and generated a climate of fear, a need to convict someone at all costs, even if the evidence was questionable...
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
A “lovely, suspenseful, lyrical” ghost story set in Jack the Ripper’s London from the Edgar and PEN Award-winning author of Icefall (Kirkus Reviews). London 1888, and Jack the Ripper is terrorizing the people of the city. Evelyn, a young woman disfigured by her dangerous work in a matchstick factory with nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in London Hospital. Evelyn wanted to be locked away from the world, like he is, shut away from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred, who does not recoil from her, and who understands her pain. When the murders begin, however, Joseph and Evelyn are haunted nightly by the ghosts of the Ripper’s dead, setting Evelyn on a path to facing her fears and uncovering humanity’s worst nightmares, in which the real monsters are men. “[A] grisly fantasy . . . Evelyn—all grit, anger, and distrust—is a complex and engaging character, the slums and slang of Victorian-era London are carefully delineated, and the eventual revelation of Leather Apron’s identity and fate will leave readers gasping.” —Publishers Weekly “This historical fiction blends horror with mystery and results in wonderfully crafted storytelling with strong, well-drawn characters . . . A great read for fans of history, true crime, or ghost stories.” —School Library Journal “Kirby’s character development, particularly his portrayal of the extraordinary Mr. Merrick, is consistently impressive. Austen devotees are sure to appreciate Kirby’s commitment to the gothic entanglements of Northanger Abbey.” —Booklist
'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.
Summer, 1840. Edgar Allan Poe sails from Philadelphia to London to meet his friend C. Auguste Dupin, with the hope that the great detective will help him solve a family mystery. For Poe has inherited a mahogany box containing a collection of letters allegedly written by his grandparents, Elizabeth and Henry Arnold. The Arnolds were actors who struggled to make a living on the London stage, but the mysterious letters suggest that the couple has a more clandestine and nefarious lifestyle, stalking well-to-do young women at night, to slice their clothing and derrières. Poe hopes to prove the missives forgeries; Dupin wonders if perhaps they are real, but their content fantasy. Soon Poe is being stalked by someone who knows far more about his grandparents and their crimes than he does. And then he remembers disturbing attacks made upon him as a child in London—could the perpetrators be connected?
