The story of one man's attempt to understand Alzheimer's disease as its progression slowly changed the personality of his mother. This is the hillariously funny, and often heart-breakingly sad story of a family's fight against dementia. A tale of love, joy, humanity and despair that will make you want to laugh and cry at the same time. This true story is full of wonderful characters, the Whistling Woman, who never said a word, Captain John,who thought he lived on a boat, the little man in the red bandana who had just had his brain cleaned, the Irish Band that lived in the house, and of course, the Little Girl in the Radiator, whose special secret was the key to the whole mystery. Over 25 million people in the world have dementia, and if each one has only three other family members who try to take care of them, then over 100 million people are directly or indirectly affected by a disease no-one fully understands. This book is for anyone who has an elderly relative.
A touching tale of love, loss and family, The Little Girl in the Radiator is the sometimes heartbreaking story of a man's struggle to care for his mother after her diagnosis with Alzheimer's. Martin Slevin's mother was a highly active, very intelligent and fiercely independent woman who ran her own business. But after her diagnosis, Martin moves back home to care for her. Together they embark on a journey through the various stages of the condition. But one question plagues Martin: who is the little girl in the radiator who his mum has daily conversations with?
Galina was born into a world of horrors. So why does she mourn its passing? SHORTLISTED: Impress Prize LONGLISTED: Bath Novel Award LONGLISTED: Grindstone Novel Award It is December 1941, and eight-year-old Galina and her friend Vera are caught in the siege of Leningrad, eating soup made of wallpaper, with the occasional luxury of a dead rat. Galina's artist father Mikhail has been kept away from the front to help save the treasures of the Hermitage. Its cellars could now provide a safe haven, provided Mikhail can navigate the perils of a portrait commission from one of Stalin's colonels. Nearly forty years later, Galina herself is a teacher at the Leningrad Art Institute. What ought to be a celebratory weekend at her forest dacha turns sour when she makes an unwelcome discovery. The painting she embarks upon that day will hold a grim significance for the rest of her life, as the old Soviet Union makes way for the new Russia and Galina's familiar world changes out of all recognition. Warm, wise and utterly enthralling, Molly Gartland's debut novel guides us from the old communist world, with its obvious terrors and its more surprising comforts, into the glitz and bling of 21st-century St Petersburg. Galina's story is at once a compelling page-turner and an insightful meditation on ageing and nostalgia. 'A beautifully written book that takes you right into the characters' world. Highly recommended' LUCINDA HAWKSLEY
15-year-old Iris Anderson is only too happy to lend a hand at her father's detective agency. The only problem is . . . he doesn't want her help. Iris quickly masters the art of deception in this YA novel for fans of Veronica Mars.
"A collection of Lucy's early comics. This book is populated with experiments, assignments, and style attempts in a collection of short pieces that range from the charming to the obscene. Enjoy her later work? Take a glimpse through some of the foundations that established Lucy's drawing and writing style in this collection of her student works"--provided by publisher.
Dorothy Preston’s debut memoir, Getting Off the Radiator: A Story of Shame, Guilt, and Forgiveness, is the story of a child growing up in a twenty-eight-room mansion infested with roaches and overrun with hippies, thieves, drug abusers, alcoholics, and a murderer. The youngest of seven children abandoned by their father, Preston watched while her mother struggled to keep food on the table and a roof over their heads while also diving deeper into the bottle, standing in line for welfare, and renting rooms in their home for income. Given the cast of characters who passed through the house and the absence of parental guidance, the family lived the life of a twisted fairy tale in which shame, guilt, and anger played leading roles. Preston recounts her journey through childhood into adulthood, her years waging battles with her difficult past, overcoming adversity, practicing forgiveness, and cherishing the love of a family whose bonds cannot be broken. Beautifully written and accompanied by intimate family photographs, this is a memoir that breaks open what it means to live with a difficult past while struggling to embrace a hopeful future.
The #1 New York Times Bestseller A bestselling book that is inspiring the nation: “We have written here about terrible things that we never wanted to think about again . . . Now we want the world to know: we survived, we are free, we love life.” Two women kidnapped by infamous Cleveland school-bus driver Ariel Castro share the stories of their abductions, captivity, and dramatic escape On May 6, 2013, Amanda Berry made headlines around the world when she fled a Cleveland home and called 911, saying: “Help me, I’m Amanda Berry. . . . I’ve been kidnapped, and I’ve been missing for ten years.” A horrifying story rapidly unfolded. Ariel Castro, a local school bus driver, had separately lured Berry, Gina DeJesus, and Michelle Knight to his home, where he kept them chained. In the decade that followed, the three were raped, psychologically abused, and threatened with death. Berry had a daughter—Jocelyn—by their captor. Drawing upon their recollections and the diary kept by Amanda Berry, Berry and Gina DeJesus describe a tale of unimaginable torment, and Pulitzer Prize–winning Washington Post reporters Mary Jordan and Kevin Sullivan interweave the events within Castro’s house with original reporting on efforts to find the missing girls. The full story behind the headlines—including details never previously released on Castro’s life and motivations—Hope is a harrowing yet inspiring chronicle of two women whose courage, ingenuity, and resourcefulness ultimately delivered them back to their lives and families.
This fourth book about the Hatford brothers and the Malloy sisters begins shortly before Christmas, three months after the Malloys move to Buckman, WV. As the holiday season approaches, the boys and girls continue to play pranks on one another and begin to learn the consequences of their actions. Caroline Malloy and Wally Hatford are partners for their fourth-grade December project and discover that, instead of annoying one another, they need to learn how to work together in order to receive a passing grade. Told in their alternating viewpoints, the story moves quickly, continuing the mischief and humor of the previous novels. Readers will be especially taken with precocious and dramatic Caroline, who will stop at nothing for revenge. While it is not necessary to read the first three books, fans of the series will enjoy references to the characters' past pranks and will delight in the promise of future additions to this ongoing battle between these rivals.
When Kit Corrigan arrives in New York City, she doesn't have much. The city doesn't welcome her with open arms. Kit gets a bit part as a chorus girl in a Broadway show, but she knows that's not going to last. She needs help - and then it comes, from an unexpected source. But as time goes on, Kit starts to wonder who she can really trust...
In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.
