Ireland -- a land of remarkable light, rugged natural beauty, and warm people eager to share their rich heritage of music, folklore, literature, and history. For two decades, Ron Rosenstock's Ireland trips have earned a reputation as a wonderful exploration of the art of photography and of Ireland itself. This book contains twenty-six beautifully reproduced black-and-white photographs of land and seascapes from the West of Ireland. The introduction by Paul Caponigro echoes the spirit of the book.
Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland's Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.
Island light is magical. And none more so than Ireland's. Ireland's light floods the landscape, luring the senses with a restless presence. The water surrounding and carving through the island reflects back to us the ever-changing movement of the wind-blown clouds and light. Stop for a minute and the settings change: what was straight is bent, light is dark, still is in motion. It is as though an unseen hand directs the wind, the clouds, and the light to harness our attention. Ireland: A Luminous Beauty is a collection of stunning full-color photographs by some of Ireland's finest landscape photographers with concise text blending history, myth, and a sense of place. Many of the photographs were taken in the early morning light or as the sun set. That hour after sunrise and before sunset, with the sun low in the sky, is known to photographers as the golden hour and favored for its soft, diffused light. We take a journey to one of the most beautiful places in the world. From the ancient stone monuments of the Boyne Valley to the treacherous stone steps of Skellig Michael; from the distinctive columns of the Giant's Causeway and the spectacularly sited Dunluce Castle ruins to lush, green countryside and fields of heather; from the limestone of the Burren (the rockiest part of Ireland) to exuberant stretches of flowers and gardens; from a moody sea and crashing surf to massive stone cliffs battered by the relentless pounding of the waves, and from steely rivers to tranquil lakes, it's all here. The Irish respond to this dramatic environment by transforming it into one that solidifies and enriches their own sense of place. We all have this instinct to create our own space, but the Irish have made an art of it. Through the ancient, natural, and cultivated landscapes, surrounded by history and legend, we discover and celebrate the spirit of Ireland and its luminous beauty.
In the nineteenth century, here in Ireland, we started to walk away decisively from a native language that was a way of seeing and knowing things. In the twentieth century we started to walk away from a religion that in many of its ideas and practices was a folk religion. In this century we are walking away from local accents, from the big open vowels upon which so many of our poems depend for their full auditory effect. Overall, in line with revolutionary ambitions elsewhere in the world, we have moved from rites that related us to time and eternity to rights within a body politic. Could it be that we have moved too far, too fast? The Chinese say that the sage is to be found not walking ahead of humanity, finding a way for it, but behind it, picking up the inestimable treasures it leaves behind it in its flight into an ever-receding future. While he doesn't claim to be a sage, here too is where we find Moriarty, walking hundreds, even thousands, of years behind us, picking up things. As its centenary approaches, Invoking Ireland offers an alternative to the 1916 Easter Rising Proclamation. Here Moriarty proposes not a Republic but anEnflaith, reinstituting a Birdreign in which all things live ecumenically with all things, uniting man with nature, magic and the divine. Standing shamanically and mystically with the heroes of political thinkers, among them Plato, St Augustine and Rousseau.
Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
'From the moment I crossed the mountain I fell in love. With the place, which was more beautiful than any place I'd ever seen. With the people I met there. And with a way of looking at life that was deeper, richer and wiser than any I'd known before. When I left I dreamt of clouds on the mountain. I kept going back.' We all lead very busy lives and sometimes it's hard to find the time to be the people we want to be. Twelve years ago Felicity Hayes-McCoy left the hectic pace of the city and returned to Ireland to make a new life in a remarkable house on the stunning Dingle peninsula. Beautifully written, this is a life-affirming tale of rediscovering lost values and being reminded of the things that really matter.
NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.
How diaspora activism in the Irish land movement intersected with wider radical and reform causes The Irish Land War represented a turning point in modern Irish history, a social revolution that was part of a broader ideological moment when established ideas of property and land ownership were fundamentally challenged. The Land War was striking in its internationalism, and was spurred by links between different emigrant locations and an awareness of how the Land League’s demands to lower rents, end evictions, and abolish “landlordism” in Ireland connected with wider radical and reform causes. Changing Land offers a new and original study of Irish emigrants’ activism in the United States, Argentina, Scotland, and England and their multifaceted relationships with Ireland. Niall Whelehan brings unfamiliar figures to the surface and recovers the voices of women and men who have been on the margins of, or entirely missing from, existing accounts. Retracing their transnational lives reveals new layers of radical circuitry between Ireland and disparate international locations, and demonstrates how the land movement overlapped with different types of oppositional politics from moderate reform to feminism to revolutionary anarchism. By including Argentina, which was home to the largest Irish community outside the English-speaking world, this book addresses the neglect of developments in non-Anglophone places in studies of the “Irish world.” Changing Land presents a powerful addition to our understanding of the history of modern Ireland and the Irish diaspora, migration, and the history of transnational radicalism.
A New York Times Editors' Choice "[An] intelligent, funny, and remarkably assured first novel. . . . [Andrew Ridker establishes] himself as a big, promising talent. . . . Hilarious. . . . Astute and highly entertaining. . . . Outstanding." --The New York Times Book Review "With humor and warmth, Ridker explores the meaning of family and its inevitable baggage. . . . A relatable, unforgettable view of regular people making mistakes and somehow finding their way back to each other." --People (Book of the Week) "[A] strikingly assured debut. . . . A novel that grows more complex and more uproarious by the page, culminating in an unforgettable climax." --Entertainment Weekly (The Must List) A Real Simple Best Book of the Year (So Far) Named a Most Anticipated Book of 2019 by The Millions and PureWow A vibrant and perceptive novel about a father's plot to win back his children's inheritance Arthur Alter is in trouble. A middling professor at a Midwestern college, he can't afford his mortgage, he's exasperated his much-younger girlfriend, and his kids won't speak to him. And then there's the money--the small fortune his late wife, Francine, kept secret, which she bequeathed directly to his children. Those children are Ethan, an anxious recluse living off his mother's money on a choice plot of Brooklyn real estate, and Maggie, a would-be do-gooder trying to fashion herself a noble life of self-imposed poverty. On the verge of losing the family home, Arthur invites his children back to St. Louis under the guise of a reconciliation. But in doing so, he unwittingly unleashes a Pandora's box of age-old resentments and long-buried memories--memories that orbit Francine, the matriarch whose life may hold the key to keeping them together. Spanning New York, Paris, Boston, St. Louis, and a small desert outpost in Zimbabwe, The Altruists is a darkly funny (and ultimately tender) family saga that confronts the divide between baby boomers and their millennial offspring. It's a novel about money, privilege, politics, campus culture, dating, talk therapy, rural sanitation, infidelity, kink, the American beer industry, and what it means to be a "good person."
