Through the eye-witness and contemporary biographical accounts, this book provides valuable insight into the late-12th century world. The extracts, many previously untranslated, expose one of the most controversial figures of the Middle Ages. Written as the shock of Becket's murder in 1170 reverberated around Europe, the accounts provide vivid testimony to the most dramatic events of his life. They show how he became champion of the church and enemy of the king, fled into exile to lead a life of asceticism and political agitation, and returned to face martyrdom before the altar of his own cathedral.
A revisionist new biography reintroducing readers to one of the most subversive figures in English history—the man who sought to reform a nation, dared to defy his king, and laid down his life to defend his sacred honor NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KANSAS CITY STAR AND BLOOMBERG Becket’s life story has been often told but never so incisively reexamined and vividly rendered as it is in John Guy’s hands. The son of middle-class Norman parents, Becket rose against all odds to become the second most powerful man in England. As King Henry II’s chancellor, Becket charmed potentates and popes, tamed overmighty barons, and even personally led knights into battle. After his royal patron elevated him to archbishop of Canterbury in 1162, however, Becket clashed with the King. Forced to choose between fealty to the crown and the values of his faith, he repeatedly challenged Henry’s authority to bring the church to heel. Drawing on the full panoply of medieval sources, Guy sheds new light on the relationship between the two men, separates truth from centuries of mythmaking, and casts doubt on the long-held assumption that the headstrong rivals were once close friends. He also provides the fullest accounting yet for Becket’s seemingly radical transformation from worldly bureaucrat to devout man of God. Here is a Becket seldom glimpsed in any previous biography, a man of many facets and faces: the skilled warrior as comfortable unhorsing an opponent in single combat as he was negotiating terms of surrender; the canny diplomat “with the appetite of a wolf” who unexpectedly became the spiritual paragon of the English church; and the ascetic rebel who waged a high-stakes contest of wills with one of the most volcanic monarchs of the Middle Ages. Driven into exile, derided by his enemies as an ungrateful upstart, Becket returned to Canterbury in the unlikeliest guise of all: as an avenging angel of God, wielding his power of excommunication like a sword. It is this last apparition, the one for which history remembers him best, that will lead to his martyrdom at the hands of the king’s minions—a grisly episode that Guy recounts in chilling and dramatic detail. An uncommonly intimate portrait of one of the medieval world’s most magnetic figures, Thomas Becket breathes new life into its subject—cementing for all time his place as an enduring icon of resistance to the abuse of power.
This seven-volume work, published 1875-85, brings together all Latin materials concerning the life and fall of Thomas Becket (c.1120-70). Volume 1 contains the collection of miracles compiled by William of Canterbury, who was present at the scene of Becket's murder.
Who was Thomas Becket? The answer is as complex as he was. Deacon; priest; archbishop; sometime royal chancellor; friend of the king; troublemaker; penitent; exile; turbulent enemy of the king; unyielding, ungrateful wretch; shepherd; martyr; saint; enigma. Thomas Becket: Defender of the Church reintroduces this enigmatic saint and invites us to consider his background, his influences, his progress in ambition and office, and his personal struggle for holiness. Fr. John S. Hogan transports us to twelfth-century Europe, the era that formed Thomas - times full of grandeur and chaos, complex relationships and political intrigue, sinfulness and virtue. Along the way, this biography reveals the relevance Thomas's life and struggle have to our own day. As secularism seeks to destroy faith, Catholics can turn to Saint Thomas for help. His is the story of every Christian; though the time and circumstances may differ, the struggle remains the same. Nine hundred years after his death, Saint Thomas Becket remains a man and a saint for our times. Ambition's servant The king's servant Servant of Christ
The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture. Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail. This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age. Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London. Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.
Thomas Becket, Archbishop of Canterbury by William Holden Hutton, first published in 1910, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
In January 1888, workmen excavating in the eastern crypt of Canterbury Cathedral discovered the bones of a skeleton many believed to be that of the martyred archbishop, Thomas Beckett. This book traces the full history of `Beckett's bones', from their alleged destruction by Henry VIII's commissioners during the Reformation to the present day. Includes fascinating observations, such as the unexpected discovery by workmen in 1865 of Dante's bones concealed in a wooden box a short distance from his empty tomb.
Sir Thomas More (1478-1535), venerated in the Catholic Church as Saint Thomas More, was an English lawyer, social philosopher, author, statesman, and noted Renaissance humanist. He was also a councilor to Henry VIII, and Lord High Chancellor of England from October 1529 to 16 May 1532. He wrote Utopia, published in 1516, about the political system of an imaginary, ideal island nation. Content: "Sir Thomas More" by Henri Brémond "The Life of Thomas More" by William Roper Collected Letters of Thomas More
The murder of Thomas Becket in Canterbury Cathedral in 1170 is one of the most famous events in English history, creating shock waves which reverberated across Europe. His shrine at Canterbury (destroyed in 1538) became the most famous in Christendom, and after his canonisation the cult of St Thomas of Canterbury was the most important of any English saint. Millions of pilgrims have made the journey to Canterbury Cathedral to visit the shrine and the site of the martyrdom. In modern times his life and death have been celebrated in music, literature, theatre and film. The story of Becket's life and work shows why it has continued to fascinate and enthral across the centuries. A brilliant young man, he studied in London and Paris, and after entering the service of Archbishop Theobald of Canterbury, in Bologna and Auxerre. He accompanied Theobald to Rome to enlist the support of Pope Eugenius III for Henry Plantagenet's claim to the English throne, and after Henry's accession as Henry II in 1154 Thomas became the new king's Chancellor. Becket's relations with Henry deteriorated after 1162, when he unwillingly accepted the position of Archbishop of Canterbury, and championed the rights of the Church in opposition to the wishes of the king. The conflict between the two men reached its tragic climax on the evening of 29th December 1170, when Thomas was murdered by four of Henry's knights in a side chapel of his own cathedral. . Here is a popular introduction to the life and work of this important English saint. Michael Green has spent most of his life in Kent, and in retirement took a degree in Social Science at Canterbury Christ Church University College. Married for fifty years and an active member of the Church of St Thomas of Canterbury.
T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times
