Everyone knows the name Buffalo Bill, but few these days know what he did or, in some cases, didn't do. Was he a Pony Express rider? Did he serve Custer at the Battle of Little Big Horn? Did he scalp countless Native Americans, or did he defend their rights? This, the first significant biography of Buffalo Bill Cody for younger readers in many years, explains it all. With copious archival illustrations and a handsome design, Presenting Buffalo Bill makes the great showman come alive for new generations. Extensive back matter, bibliography, and source notes complete the package. This title has Common Core connections.
William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.
Army scout, buffalo hunter, Indian fighter, and impresario of the world-renowned "Wild West Show," William F. "Buffalo Bill" Cody lived the real American West and also helped create the "West of the imagination." Born in 1846, he took part in the great westward migration, hunted the buffalo, and made friends among the Plains Indians, who gave him the name Pahaska (long hair). But as the frontier closed and his role in "winning the West" passed into legend, Buffalo Bill found himself becoming the symbol of the destruction of the buffalo and the American Indian. Deeply dismayed, he spent the rest of his life working to save the remaining buffalo and to preserve Plains Indian culture through his Wild West shows. This biography of William Cody focuses on his lifelong relationship with Plains Indians, a vital part of his life story that, surprisingly, has been seldom told. Bobby Bridger draws on many historical accounts and Cody's own memoirs to show how deeply intertwined Cody's life was with the Plains Indians. In particular, he demonstrates that the Lakota and Cheyenne were active cocreators of the Wild West shows, which helped them preserve the spiritual essence of their culture in the reservation era while also imparting something of it to white society in America and Europe. This dual story of Buffalo Bill and the Plains Indians clearly reveals how one West was lost, and another born, within the lifetime of one remarkable man.
For more than thirty years, William F. “Buffalo Bill” Cody entertained audiences across the United States and Europe with his Wild West show. Scores of books have been written about Cody’s fabled career as a showman, but his involvement in the film industry—following the dissolution of his traveling show—is less well known. In Buffalo Bill on the Silver Screen, Sandra K. Sagala chronicles the fascinating story of Cody’s venture into filmmaking during the early cinema period. In 1894 Thomas Edison invited Cody to bring some of the Wild West performers to the inventor’s kinetoscope studio. From then on, as Sagala reveals, Cody was frequently in the camera’s eye, eager to participate in the newest and most popular phenomenon of the era: the motion picture. In 1910, promoter Pliny Craft produced The Life of Buffalo Bill, a film in which Cody played his own persona. After his Wild West show disbanded, Cody fully embraced the film business, seeing the technology as a way to recoup his financial losses and as a new vehicle for preserving America’s history and his own legacy for future generations. Because he had participated as a scout in some of the battles and skirmishes between the U.S. Army and Plains Indians, Cody wanted to make a film that captured these historical events. Unfortunately for Cody, The Indian Wars (1913) was not a financial success, and only three minutes of footage have survived. Long after his death, Cody’s legacy lives on through the many movies that have featured his character. Sagala provides a useful appendix listing all of these films, as well as those for which Cody himself took an active role as director, producer, or actor. Published on the eve of the centennial anniversary of The Indian Wars, this engaging book offers readers new insights into the legendary figure’s life and career and explores his lasting image in film.
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
William Frederick Cody (February 26, 1846 - January 10, 1917), known as Buffalo Bill, was an American soldier, bison hunter, and showman. He was born in Le Claire, Iowa Territory (now the US. state of Iowa), but he lived for several years in his father's hometown in modern-day Mississauga, Ontario, Canada, before the family returned to the Midwest and settled in the Kansas Territory. Buffalo Bill started working at the age of 11, after his father's death, and became a rider for the Pony Express at age 15. During the American Civil War, he served the Union from 1863 to the end of the war in 1865. Later he served as a civilian scout for the US. Army during the Indian Wars, receiving the Medal of Honor in 1872.
Winner of the 2018 Ohioana Book Award for Nonfiction The little-known but uniquely American story of the unlikely friendship of two famous figures of the American West—Buffalo Bill Cody and Sitting Bull—told through the prism of their collaboration in Cody's Wild West show in 1885. “Splendid… Blood Brothers eloquently explores the clash of cultures on the Great Plains that initially united the two legends and how this shared experience contributed to the creation of their ironic political alliance.” —Bobby Bridger, Austin Chronicle It was in Brooklyn, New York, in 1883 that William F. Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. It was a great success, and for four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration, in “a compelling narrative that reads like a novel” (Orange County Register). “Thoroughly researched, Deanne Stillman’s account of this period in American history is elucidating as well as entertaining” (Booklist), complete with little-told details about the two men whose alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85.” Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West show. When Cody died in 1917, a large contingent of Native Americans attended his public funeral. An iconic friendship tale like no other, Blood Brothers is a timeless story of people from different cultures who crossed barriers to engage each other as human beings. Here, Stillman provides “an account of the tragic murder of Sitting Bull that’s as good as any in the literature…Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully” (Kirkus Reviews, starred review).
