"Drawing extensively on recently opened Moscow archives, McMeekin chronicles Munzenberg's political career throughout the 1920s and 1930s. He describes how Munzenberg parlayed his friendship with Lenin into a media empire, leveraging his corporate ventures against the currency of his reputation in the Kremlin. He explains how Munzenberg's mysterious financial manipulations outraged Social Democrats and lent rhetorical ammunition to the Nazis and how, by the last years of the Weimar Republic, Munzenberg and his Nazi counterpart Joseph Goebbels were firing off reckless propaganda salvos, feeding a destructive spiral of lies that poisoned the political atmosphere irrevocably.".
Willi Münzenberg was a towering figure in the anti-fascist movement during the first half of the twentieth century. He was acquainted with many of the leading left wing activists and thinkers of his day including Lenin, Rosa Luxemburg, Karl Liebknecht, and Karl Radek. He also played a foundational role in several important transnational organisations such as the Socialist Youth International, the largest anti-war movement in opposition to the First World War, the International Workers’ Relief organisation, and the League against Colonialism and for National Independence. As a film distributor and promoter, he brought modern Soviet films to western Europe. As a publicist and manager, he built up the most influential left-wing media empire in the Weimar Republic and initiated the pioneering use of photography and photo montage. He was also a long-time member of the Reichstag. He was a pioneer in the use of a variety of media and the way he gained the support and collaboration of progressive politicians, artists and intellectuals ensured that he would become the leading, and most effective, opponent of Hitler’s and Goebbels’ propaganda machine, as he exposed the venality and brutality of the Nazis. Late in life, his turn against Stalinism almost certainly led to his mysterious death. This is the first detailed biography in English to give coverage to the full range of Münzenberg's activism. There are valuable lessons to be learnt from the book about the best ways to counter fascism which are powerfully relevant to our contemporary political situation. It should be of great interest to activists, scholars and those studying the history of the radical left.
The story of how Lenin and Stalin's propaganda agent, Willi Munzenberg, manipulated the Western intellectuals and politicians into effectively collaborating with the Soviet Union.
Examines the emergence of anti-imperialist internationalism during the interwar years from the perspective of India's first Prime Minister, Jawaharlal Nehru.
Born in 1879, Eugen Varga was an immensely prolific writer who would become the most prominent Marxist economist in the Soviet Union – ‘Stalin’s economist’. This volume contains a wide and representative selection of his works written over a period of almost 40 years.
A prominent civil servant, scientist, and intellectual, Taghi Erani was a pivotal figure in interwar Iran. Witness to two of the major political upheavals in the twentieth century—the rise of Pahlavi and the collapse of the Weimar Republic—he turned from fundamental science to leftwing activism and pacifism, leading to his arrest and death in prison. Younes Jalali traces his journey from Tehran to Berlin, where in the 1920s he crossed paths with the greatest German scientists and scholars of his day, including Max Planck, Albert Einstein, and Friedrich Rosen, and published seminal works on psychology and political philosophy. In the 1930s, as Reza Shah pursued rapprochement with the Third Reich, Taghi Erani was caught up in a crackdown on left-wing and pro-labor activists. His life and death offer a unique lens through which to view modern Iranian intellectual and political history.
The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.
