The Letters of Sarah Elizabeth Jackson (1910-1922)
The Letters of Sarah Elizabeth Jackson (1910-1922)

Author: Barbara Wall

Publisher: University of Adelaide Press

Published: 2018-03-31

Total Pages: 258

ISBN-13: 1925261565

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‘My sister was a wonderful woman’. So wrote George Canning Jackson on 7 February 1964. His sister, Sarah Elizabeth Jackson (known to friends and family by her second name, Elizabeth), had died of consumption on 14 January 1923, aged thirty-two. Canning Jackson was writing to Dr Helen Mayo, to whom he sent all the letters written by Elizabeth that he had been able to find. These letters were later deposited in the Rare Books and Special Collections section of the Barr Smith Library in the University of Adelaide, and are here presented in with an introduction by Barbara Wall. Elizabeth had a remarkable influence on the young men and women of Adelaide, especially those connected with the University of Adelaide. Her exceptional personality, her extraordinary powers of thinking and communicating, her thoughtfulness, her devotion to the causes of women and children, her passion for redressing wrongs, her wit and delight in nonsense all shine through these letters, and help us to understand the outstanding impact and influence she had on her contemporaries.

Who's who in America
Who's who in America

Author: John W. Leonard

Publisher:

Published: 1928

Total Pages: 2504

ISBN-13:

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Vols. 28-30 accompanied by separately published parts with title: Indices and necrology.

American Cinematographers in the Great War, 1914–1918
American Cinematographers in the Great War, 1914–1918

Author: James W. Castellan

Publisher: Indiana University Press

Published: 2015-02-09

Total Pages: 322

ISBN-13: 0861969219

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A history of American cameramen covering the news of World War I, from the dangerous front line and the risk of execution to red tape and censorship. At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914–1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties. “The first book to explore the work and working conditions of American cinematographers active on the different fronts of the First World War. It is a pioneering study which has already attracted a good deal of attention in the academic and archive world.” —Historical Journal of Film, Radio and Television

The Fabric of Civil War Society
The Fabric of Civil War Society

Author: Shae Smith Cox

Publisher: LSU Press

Published: 2024-02-21

Total Pages: 286

ISBN-13: 0807181633

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Military uniforms, badges, flags, and other material objects have been used to represent the identity of Americans throughout history. In The Fabric of Civil War Society, Shae Smith Cox examines the material culture of America’s bloodiest conflict, offering a deeper understanding of the war and its commemoration. Cox’s analysis traces the influence of sewn materials throughout the Civil War and Reconstruction as markers of power and authority for both the Union and the Confederacy. These textiles became cherished objects by the turn of the century, a transition seen in veterans replacing wartime uniforms with new commemorative attire and repatriating Confederate battle flags. Looking specifically at the creation of material culture by various commemoration groups, including the Grand Army of the Republic, the Woman’s Relief Corps, the United Confederate Veterans, and the United Daughters of the Confederacy, Cox reveals the ways that American society largely accepted their messages, furthering the mission of their memory work. Through the lens of material culture, Cox sheds new light on a variety of Civil War topics, including preparation for war, nuances in relationships between Native American and African American soldiers, the roles of women, and the rise of postwar memorial societies.

Marsden Hartley's Maine
Marsden Hartley's Maine

Author: Donna M. Cassidy

Publisher: Metropolitan Museum of Art

Published: 2017-03-13

Total Pages: 186

ISBN-13: 1588396134

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Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.