Despite Charlotte Brontë's entreaty to her lifelong friend Ellen Nussey to burn her correspondence, very little seems to have been destroyed, and in this fully annotated edition, based as far as possible on original manuscripts, many confidential and outspoken letters are published in full for the first time. As well as Charlotte's own letters from 1829 to 1847, a handful of important letters and diary extracts by her friends and family illuminate the writer's correspondence. This volume covers the period from her childhood up to the publication and review of Jane Eyre.
In this volume we share Charlotte Bronte's experience for four crucial years. The success of Jane Eyre and the strange power of Wuthering Heights made the 'brothers Bell' the 'universal theme of conversation'; but privately the family endured the deaths of Branwell Bronte in September andEmily in December 1848, followed by Anne's in May 1849. Haunted by the fear that she also would succumb, Charlotte found salvation in writing Shirley, published in October 1849, and comfort in her friendship and correspondence with Ellen Nussey, with her publishers-especially George Smith-with MrsGaskell, and (for a time) Harriet Martineau. She may also have received a proposal of marriage from Smith, Edler's manager, James Taylor.
A BRONTË ENCYCLOPEDIA “This lively, absorbing, meticulously researched compendium is a rich resource both for the general reader and for the specialist Brontë scholar. It contains much to enlighten and surprise even those who think they know the Brontës well.” Heather Glen, University of Cambridge “Aficionados of all things Brontë must have this encyclopedia on their desks. Even those with just a passing interest in Brontë or literary research can become trapped in this book for hours. Looking up one entry leads to looking up another, and then another. This book has references to the important and the arcane and the obscure, references to places the Brontës visited, people they knew; in short, everything.” English Literature in Transition 1820–1920 A Brontë Encyclopedia is a complete guide to the life and work of the most notable literary family of the 19th century. Comprising approximately 2000 alphabetically arranged entries, this authoritative volume: Brings to light the significant people and places that influenced the Brontës’ lives Defines and describes the Brontës’ fictional characters and settings Incorporates original literary judgments and analyses of characters and motives Includes coverage of Charlotte’s unfinished novels and her and Branwell’s juvenile writings Features a full range of illustrations A Brontë Encyclopedia is the most original and accessible work of its kind.
In a brilliant combination of biography, literary criticism, and history, The Bronté Myth shows how Charlotte, Emily, and Anne Bronté became cultural icons whose ever-changing reputations reflected the obsessions of various eras. When literary London learned that Jane Eyre and Wuthering Heights had been written by young rural spinsters, the Brontés instantly became as famous as their shockingly passionate books. Soon after their deaths, their first biographer spun the sisters into a picturesque myth of family tragedies and Yorkshire moors. Ever since, these enigmatic figures have tempted generations of readers–Victorian, Freudian, feminist–to reinterpret them, casting them as everything from domestic saints to sex-starved hysterics. In her bewitching “metabiography,” Lucasta Miller follows the twists and turns of the phenomenon of Bront-mania and rescues these three fiercely original geniuses from the distortions of legend.
'You said I killed you - haunt me, then!' Wuthering Heights is one of the most famous love stories in the English language. It is also one of the most potent revenge narratives. The intense and unbreakable bond between the fiery Catherine Earnshaw and the foundling Heathcliff has startled and fascinated readers since its first publication in 1847. Of uncertain parentage and ethnicity, Heathcliff comes to Wuthering Heights as a child when Catherine's father finds him wandering alone through the slave-trading port of Liverpool. After Mr Earnshaw's death, Heathcliff and Catherine find refuge in each other when the household falls into the hands of Catherine's dissolute older brother. Their bond deepens as they escape together from the violence and stern religion of their home to the Yorkshire moors. But the story of Catherine and Heathcliff's attachment transforms from intimacy to strife when Catherine marries the refined Edgar Linton. The ensuing story of violence and thwarted passion is one of the most powerful tales of the gothic tradition, a literary mode from which Emily Brontë wrings all of its terrifying potential. A regional novel with a global reach, a work of sensational effects with a startling ethical core, Wuthering Heights is both a romantic melodrama and wrenching study of the difficulty of escaping from the legacies of violence. This edition reproduces the authoritative Clarendon text, with revised and expanded notes and a selection from the poems of Emily Brontë.
This volume provides a new context for women’s writing from the seventeenth through the end of the nineteenth century, highlighting the significant role of the parsonage and the parson himself for women’s education in those centuries. Cindy K. Renker and Susanne Bach's collection of essays is the first of its kind on the education, lives, and works of highly accomplished daughters of Protestant clergymen. Since this volume only represents a limited number of women raised and educated in parsonages, it will surely encourage more investigation of other women writers, translators, educators, etc. with similar backgrounds. Moreover, since this book takes a comparative and transnational approach by focusing on different regions of Europe and different centuries. This collection of essays is thus aimed at scholars in multiple fields such as British literature, German studies, gender studies, the history of women’s education, and social and cultural history.
A fascinating and thorough account of Charlotte and Emily Brontë's formative stay in Brussels during 1842-43The Brontës' time in Belgium, five years before they became best-selling authors, is the least-known episode of their lives, but is a fascinating and important one. The book follows in the tracks of the sisters in Brussels, describing their life in the city: though the school where they came to study French has now disappeared, there is still a lot to be seen of the city the sisters knew; two of Charlotte's four novels (Villette and The Professor) are also based on her spell abroad, which was pivotal to her both as a writer and personally, since she fell in love with her teacher Constantin Heger. Charlotte's moving and harrowing letters to Heger—a respectable married man—are reproduced in full here and belie the common image of her as the motherly and strait-laced Brontë. Also including maps of the period, extracts from Villette reflecting real-life experiences in Brussels and translations of the sisters' little-known "Belgian essays," what emerges is a complete portrait of a slice of literary history—as well as a haunting evocation of a time and a place that came to haunt the Brontës themselves.
This book explores the business practices of the British publishing industry from 1843-1900, discussing the role of creative businesses in society and the close relationship between culture and business in a historical context. Marrisa Joseph develops a strong cultural, social and historical discussion around the developments in copyright law, gender and literary culture from a management perspective; analysing how individuals formed professional associations and contract law to instigate new processes. Drawing on institutional theory and analysing primary and archival sources, this book traces how the practices of literary businesses developed, reproduced and later legitimised. By offering a close analysis of some of publishing’s most influential businesses, it provides an insight into the decision-making processes that shaped an industry and brings to the fore the ‘institutional story’ surrounding literary business and their practices, many of which can still be seen today.
For the first time a major novel by Charlotte Brontë appears in an edition based directly on the author's manuscript. Like her other mature work, The Professor owes much to her relationship with M. Heger, her Brussels schoolmaster. The first of her full-length novels, it is of special interest since it was written comparatively soon after her experiences in Brussels in the early 1840s, but not published until 1857, after her death. A full introduction gives an account of its composition, analyses the manuscript, and describes the circumstances of its eventual publication, in an inaccurate form, under the editorship of A. B. Nicholls. Appendices include an unused `Preface' - one of Charlotte Brontë's attempts to `recast' the novel - and a list of substantive variants between the manuscript and the first edition. Her last fragmentary novel, `Emma', begun after Villette, is now transcribed directly from the author's rough draft, instead of from the polished and revised text produced by Nicholls, George Smith, and Thackeray for the Cornhill Magazine in 1860. The volume contains full indexes to Biblical and literary allusions in Charlotte Brontë's four major novels, thus giving a fascinating guide to the nature and extent of her reading. The editors also make use of continuing research by providing a list of additions and corrections to all previous volumes in the Clarendon Brontë series.
A Companion to the Brontës brings the latest literary research and theory to bear on the life, work, and legacy of the Brontë family. Includes sections on literary and critical contexts, individual texts, historical and cultural contexts, reception studies, and the family’s continuing influence Features in-depth articles written by well-known and emerging scholars from around the world Addresses topics such as the Gothic tradition, film and dramatic adaptation, psychoanalytic approaches, the influence of religion, and political and legal questions of the day – from divorce and female disinheritance, to worker reform Incorporates recent work in Marxist, feminist, post-colonial, and race and gender studies
