Princess Moonfeathers fled the Cherokee Reservation in N. Carolina when she was fourteen years of age. She traveled as far South as she could, and found a beautiful beach area in Key Largo, Fla. This is the story about a most unforgettable character, a remarkable person who triumphed in the face of abuse, estrangement, harassment, and loneliness! Read about her adventures as she Survived and Thrived... coping with the most challenging of experiences with Laughter! Parts of this story have been fictionalized, with the addition of a special Honoring Ritual. Princess died in the Spring of 1992, saved from having to experience the trauma of Hurricane Andrews.
Kids will love this cumulative and hysterical read-aloud that features a free downloadable song "I was walking down the road and I saw... a donkey, Hee Haw And he only had three legs He was a wonky donkey." Children will be in fits of laughter with this perfect read-aloud tale of an endearing donkey. By the book's final page, readers end up with a spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey Download the free song at www.scholastic.com/wonkydonkey.
Interested in preserving her family folklore, Jeannie B. Thomas recorded detailed oral histories from her mother and two grandmothers. While analyzing the tapes of these sessions, she notices the inappropriate laughter often accompanied the retelling of painful stories. In this book, Thomas combines these personal narratives with original scholarship drawing on the work of Mikhail Bakhtin and Julia Kristeva to uncover meaning behind the startling presence of unconventional laughter in women's histories.
Smart, warm, telling, and funny, Funny, Your Don't Look Like a Grandmother is the perfect bouquet for today's grandmother, that active and interesting woman who is old enough to be somebody's grandmother and young enough to run around the world. Lois Wyse's new book, charmingly illustrated by Lilla Rogers, is a collection of wit and wisdom for today's Nana, Grandma, Goo-Goo, or Gran. How can you recognize today's grandmother? Easy, says Wyse. The grandmother is the one who goes out more and complains less than her daughter. In the spirit of Erma Bombeck and Bill Cosby, Lois Wyse tells loving and amusing stories that illustrate the joys of contemporary grandmothering. According to Lois Wyse, "A mother becomes a true grandmother the day she stops noticing the terrible things her children do because she is so enchanted with the wonderful things her grandchildren do." Contemporary grandmothers and their children and grandchildren will see themselves in these reflections of family life that include everything from how it feels to become a grandmother to gentle advice on parenting and career grandmothers. Funny, You Don't Look Like a Grandmother is the first nontraditional book about grandmothers who may not look like grandmothers -- but who love as deeply as the generations of grannies who preceded them.
The Laughing Ghosts is a realization of the self for Meenu poised to find her own truth of ghosts believed to be meandering around and looking up to her to reveal their side of the story. A stray incidence of violence in the vicinity of grown up Meenu, a mother of two children pushes her to reflect upon her joyous childhood which she shared with her neighborhood friends and cousins only to realize that even in those nascent years of her life women around her were suffering however she did find an answer and carried a learning which was kept reserved to her. Each time in her quest as a little girl to find an anchor in a woman from her surroundings to help her identify the very purpose of her existence led to their sad and untimely demise. Not ready to be a slave to the belief of the society attaching a meager and humble purpose to the existence of women i.e. to only live for others, she tries to find her own answers to the questions which no one cared to ask. Eventually she gathered the strength to face the reality with the help of goals of self preservation and salvation by looking around and seeking solace from the stories of challenges faced by women very close to her like her grandmother, mother and aunts. That made her harbor the value that it is important to step back and consciously quit to gather the strength to withstand the eventualities of life. The ghosts of the guilt haunt only the slaved souls but cannot withstand an indomitable spirit that is determined to find its own truth; rather they stand by it to be a part of the laughter of triumph and salvation. Therefore in the situations of self doubt and enigma the inevitable reflections from the past help to purposefully connect with the present to find your own answers. This lesson was true then and shall continue to be the truth.
Grandfather Merion is an old widower who marries a kind-hearted young woman of eighteen who had been orphaned out west. He brings her back home east and calls her "Little Grandmother." But his granddaughter, Rachel, who lives with him, does not take kindly to having another woman around the house, especially one nearly her own age!
I need a new bum! Mine's got a crack. I can see in the mirror a crack in the back. What to do when you need a new bum? Should you get one that's blue or yellow spotted? A Chevy bum, a rocket bum that's all fire and thrust, or a robo-bum? The options are endless - but wait, Dad's bum crack is showing too? Maybe this is contagious.
When a developer asks Peter to assess a prime piece of Queensland real estate ? the Pickersgill Peninsula Showgrounds ? he jumps at the chance. It will give him time out from having to be with the family he loves. And it will take him back to his childhood home; to his parents, his twin sister, Pearl, and his brother, Gary, the TV weatherman. Over these few days, he will come to realise that sometimes when you go back to where you came from you find out how much you actually have, and how much you could lose. He just has to make his mind up, and listen to the advice that?s given by, of all people ? the King of Hot Dogs. But will he? 'For a novel that has so few pretensions, this is a skilfully constructed story that manages to be insightful, understated and very funny simultaneously' - Sydney Morning Herald 'William McInnes is insightful, thoughtful and funny. He has a flair for fiction as much as memoirs and non-fiction, as The Laughing Clowns will attest' - The Daily Telegraph
The village of Satama on Broom Island was founded by Finns escaping tsarist rule in the early l900s. The name, Satama, means harbor or haven. But Satama proved to be anything but. What really happened to the Lemerriant family in the fire of 1927? Who is killing the residents of Broom Island? Is it really a rogue cougar? Why do the children chant, "Beware the laughing blackbirds and the Loogy-Roo...If they don’t stop laughing, then they’ve come for you." A sleepy community with a dark past awakened by the arrival of young 10 year old Gabrielle Choate.
2019 PEN/E.O. Wilson Literary Science Writing Award Finalist "Science book of the year"—The Guardian One of New York Times 100 Notable Books for 2018 One of Publishers Weekly's Top Ten Books of 2018 One of Kirkus's Best Books of 2018 One of Mental Floss's Best Books of 2018 One of Science Friday's Best Science Books of 2018 “Extraordinary”—New York Times Book Review "Magisterial"—The Atlantic "Engrossing"—Wired "Leading contender as the most outstanding nonfiction work of the year"—Minneapolis Star-Tribune Celebrated New York Times columnist and science writer Carl Zimmer presents a profoundly original perspective on what we pass along from generation to generation. Charles Darwin played a crucial part in turning heredity into a scientific question, and yet he failed spectacularly to answer it. The birth of genetics in the early 1900s seemed to do precisely that. Gradually, people translated their old notions about heredity into a language of genes. As the technology for studying genes became cheaper, millions of people ordered genetic tests to link themselves to missing parents, to distant ancestors, to ethnic identities... But, Zimmer writes, “Each of us carries an amalgam of fragments of DNA, stitched together from some of our many ancestors. Each piece has its own ancestry, traveling a different path back through human history. A particular fragment may sometimes be cause for worry, but most of our DNA influences who we are—our appearance, our height, our penchants—in inconceivably subtle ways.” Heredity isn’t just about genes that pass from parent to child. Heredity continues within our own bodies, as a single cell gives rise to trillions of cells that make up our bodies. We say we inherit genes from our ancestors—using a word that once referred to kingdoms and estates—but we inherit other things that matter as much or more to our lives, from microbes to technologies we use to make life more comfortable. We need a new definition of what heredity is and, through Carl Zimmer’s lucid exposition and storytelling, this resounding tour de force delivers it. Weaving historical and current scientific research, his own experience with his two daughters, and the kind of original reporting expected of one of the world’s best science journalists, Zimmer ultimately unpacks urgent bioethical quandaries arising from new biomedical technologies, but also long-standing presumptions about who we really are and what we can pass on to future generations.
