The Latino Continuum and the Nineteenth-Century Americas
The Latino Continuum and the Nineteenth-Century Americas

Author: Carmen E. Lamas

Publisher: Oxford University Press

Published: 2021-03-09

Total Pages: 294

ISBN-13: 0192644920

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The Latino Continuum and the Nineteenth-Century Americas argues that the process of recovering Latina/o figures and writings in the nineteenth century does not merely create a bridge between the US and Latin American countries, peoples, and literatures, as they are currently understood. Instead, it reveals their fundamentally interdependent natures, politically, socially, historically, and aesthetically, thereby recognizing the degree of mutual imbrication of their peoples and literatures of the period. Largely archived in Spanish, it addresses concerns palpably felt within (and integral to) the US and beyond. English-language works also find a place on this continuum and have real implications for the political and cultural life of hispanophone and anglophone communities in the US. Moreover, the central role of Latina/o translations signal the global and the local nature of the continuum. For the Latino Continuum embeds layered and complex political and literary contexts and overlooked histories, situated as it is at the crossroads of both hemispheric and translatlantic currents of exchange often effaced by the logic of borders-national, cultural, religious, linguistic and temporal. To recover this continuum of Latinidad, which is neither confined to the US or Latin American nation states nor located primarily within them, is to recover forgotten histories of the hemisphere, and to find new ways of seeing the past as we have understood it. The figures of the Félix Varela, Miguel Teurbe Tolón, Eusebio Guiteras, José Martí and Martín Morúa Delgado serve as points of departures for this reconceptualization of the intersection between American, Latin American, Cuban, and Latinx studies.

The Routledge Hispanic Studies Companion to Nineteenth-Century Latin America
The Routledge Hispanic Studies Companion to Nineteenth-Century Latin America

Author: Agnes Lugo-Ortiz

Publisher: Taylor & Francis

Published: 2024-10-29

Total Pages: 476

ISBN-13: 1040096298

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The Routledge Hispanic Studies Companion to Nineteenth-Century Latin America provides a unique, comprehensive, and critical overview of Latin American studies in the nineteenth century, including the major regions and subfields. The essays in this collection offer a complex, yet accessible transdisciplinary overview of the heterogeneous and asynchronous historical, political, and cultural processes that account for the becoming of Latin America in the nineteenth century—from Mexico and the Caribbean Basin to the Southern Cone. The thematic division of the book into six parts allows for a better understanding of the ways in which different themes are interrelated and affords readers the opportunity to draw their own connections among subfields. The volume assembles a robust sample of recent and innovative scholarship on the subject, reformulating from fresh perspectives commonly held views on the issues that characterized the era. Additionally, it provides an overarching analysis of the field and introduces cutting-edge concepts all within one expansive volume, opening the dialogue about topics that share common denominators and modeling how those topics can be approached from a variety of perspectives. The innovative volume will be of interest to students and scholars of Latin American studies and Spanish studies. Readers unfamiliar with the period will acquire a comprehensive view of its complexities, while specialists will discover new interpretations and archives.

Writing Pain in the Nineteenth-Century United States
Writing Pain in the Nineteenth-Century United States

Author: Thomas Constantinesco

Publisher: Oxford University Press

Published: 2022-02-17

Total Pages: 277

ISBN-13: 0192668129

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Writing Pain in the Nineteenth-Century United States examines how pain is represented in a range of literary texts and genres from the nineteenth-century US. It considers the aesthetic, philosophical, and ethical implications of pain across the works of Ralph Waldo Emerson, Harriet Jacobs, Emily Dickinson, Henry James, Elizabeth Stuart Phelps, and Alice James, as the national culture of pain progressively transformed in the wake of the invention of anesthesia. Through examining the work of nineteenth-century writers, Constantinesco argues that pain, while undeniably destructive, also generates language and identities, and demonstrates how literature participates in theorizing the problems of mind and body that undergird the deep chasms of selfhood, sociality, gender, and race of a formative period in American history. Writing Pain in the Nineteenth-Century United States considers first Emerson's philosophy of compensation, which promises to convert pain into gain. It also explores the limitations of this model, showing how Jacobs contests the division of body and mind that underwrites it and how Dickinson challenges its alleged universalism by foregrounding the unshareability of pain as a paradoxical measure of togetherness. It then investigates the concurrent economies of affects in which pain was implicated during and after the Civil War and argues, through the example of James and Phelps, for queer sociality as a response to the heteronormative violence of sentimentalism. The last chapter on Alice James extends the critique of sentimental sympathy while returning to the book's premise that pain is generative and the site of thought. By linking literary formalism with individual and social formation, Writing Pain in the Nineteenth-Century United States eventually claims close reading as a method to recover the theoretical work of literature.

The Latino Nineteenth Century
The Latino Nineteenth Century

Author: Rodrigo Lazo

Publisher: NYU Press

Published: 2016-11-08

Total Pages: 387

ISBN-13: 1479871923

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A retelling of U.S., Latin American, and Latino/a literary history through writing by Latinos/as who lived in the United States during the long nineteenth century Written by both established and emerging scholars, the essays in The Latino Nineteenth Century engage materials in Spanish and English and genres ranging from the newspaper to the novel, delving into new texts and areas of research as they shed light on well-known writers. This volume situates nineteenth-century Latino intellectuals and writers within crucial national, hemispheric, and regional debates. The Latino Nineteenth Century offers a long-overdue corrective to the Anglophone and nation-based emphasis of American literary history. Contributors track Latino/a lives and writing through routes that span Philadelphia to San Francisco and roots that extend deeply into Mexico, the Caribbean, Central and South Americas, and Spain. Readers will find in the rich heterogeneity of texts and authors discussed fertile ground for discussion and will discover the depth, diversity, and long-standing presence of Latinos/as and their literature in the United States.

Latinx Revolutionary Horizons
Latinx Revolutionary Horizons

Author: Renee Hudson

Publisher: Fordham Univ Press

Published: 2024-05-07

Total Pages: 205

ISBN-13: 1531507204

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A necessary reconceptualization of Latinx identity, literature, and politics In Latinx Revolutionary Horizons, Renee Hudson theorizes a liberatory latinidad that is not yet here and conceptualizes a hemispheric project in which contemporary Latinx authors return to earlier moments of revolution. Rather than viewing Latinx as solely a category of identification, she argues for an expansive, historicized sense of the term that illuminates its political potential. Claiming the “x” in Latinx as marking the suspension and tension between how Latin American descended people identify and the future politics the “x” points us toward, Hudson contends that latinidad can signal a politics grounded in shared struggles and histories rather than merely a mode of identification. In this way, Latinx Revolutionary Horizons reads against current calls for cancelling latinidad based on its presumed anti-Black and anti-Indigenous framework. Instead, she examines the not-yet-here of latinidad to investigate the connection between the revolutionary history of the Americas and the creation of new genres in the hemisphere, from conversion narratives and dictator novels to neoslave narratives and testimonios. By comparing colonialisms, she charts a revolutionary genealogy across a range of movements such as the Mexican Revolution, the Filipino People Power Revolution, resistance to Trujillo in the Dominican Republic, and the Cuban Revolution. In pairing nineteenth-century authors alongside contemporary Latinx ones, Hudson examines a longer genealogy of Latinx resistance while expanding its literary canon, from the works of José Rizal and Martin Delany to those of Julia Alvarez, Jessica Hagedorn, and Leslie Marmon Silko. In imagining a truly transnational latinidad, Latinx Revolutionary Horizons thus rewrites our understanding of the nationalist formations that continue to characterize Latinx Studies.

Fictions of Finance at the End of an American Century
Fictions of Finance at the End of an American Century

Author: Richard Godden

Publisher: Oxford University Press

Published: 2023-06-19

Total Pages: 289

ISBN-13: 0192693611

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Fictions of Finance at the End of an American Century explores how an economy determines the language of those who live among its imperatives—and how it makes available to them the stories that they can and cannot tell, and the manner of their telling. Read closely, fictional narrative may expose the historical structures that determine literary language use, and that of language more generally. The study, the fourth in a quartet of studies addressing the emergence and decline of a Fordist regime of capitalist accumulation, offers an account of 'the sub-semantic whispering' that haunts the literature of the financial turn—which is to say, an account of how the complexities of words and their histories register an expanding industrial economy's organizing contradictions and failures. Reading in the light of deindustrialization and the rise of US finance capital after 1973, it deploys and elaborates on a materialist theory of language that explains how syntactic as well as semantic structures register a financializing economy's core contradictions, those associated particularly with debt, risk, and volatility. The volume listens for the under-heard syntactical breaks that punctuate language under the global hegemony of finance, breaks that express the unuttered in all utterance, taking as its exemplary texts primarily works by Bret Easton Ellis, Jayne Anne Phillips, and David Foster Wallace.

Earthquake and the Invention of America
Earthquake and the Invention of America

Author: Anna Brickhouse

Publisher: Oxford University Press

Published: 2024-10-10

Total Pages: 369

ISBN-13: 0198914164

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Earthquake and the Invention of America: The Making of Elsewhere Catastrophe explores the role of earthquakes in shaping the deep timeframes and multi-hemispheric geographies of American literary history. Spanning the ancient world to the futuristic continents of speculative fiction, the earthquake stories assembled here together reveal the emergence of a broadly Western cultural syndrome that became an acute national fantasy: elsewhere catastrophe, an unspoken but widely prevalent sense that catastrophe is somehow "un-American." Catastrophe must be elsewhere because it affirms the rightness of "here" where conquest, according to the syndrome's logic, did not happen and is not occurring. The psychic investment in elsewhere catastrophe coalesced slowly, across centuries; varieties of it can be found in various European traditions of the modern. Yet in its most striking modes and resonances, elsewhere catastrophe proves fundamental to the invention of US-America--which is why earthquake, as the exemplary elsewhere catastrophe, is the disaster that must always happen far away or be forgotten. The book's eight chapters and epilogue range from Plato to the Puritans, from El Inca Garcilaso de la Vega and Voltaire to Herman Melville and N.K. Jemisin, examining along the way the seismic imaginings of Edgar Allan Poe, James Fenimore Cooper, Frederick Douglass, Emily Dickinson, and Jose Martí, among other writers. At the core of the book's inquiries are the earthquakes, historical and imagined, that act as both a recurrent eruptive force and a provocation for disparate modes of critical engagement with the long and catastrophic history of the Americas.

Social Catholicism for the Twenty-First Century?--Volume 1
Social Catholicism for the Twenty-First Century?--Volume 1

Author: William F. Murphy

Publisher: Wipf and Stock Publishers

Published: 2024-09-12

Total Pages: 365

ISBN-13: 1666788619

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This first of two volumes introduces the tradition of social Catholicism, not only in its earlier realizations, but regarding how a contemporary renewal might address the crisis in which constitutional democracies and the postwar liberal order are under assault by populist and even neo-fascist movements that could soon usher in a frighteningly dark future unless a broad movement in defense of constitutional democracy quickly arises. In this context, some of the most influential voices among American Catholics are focused on criticizing “liberal democracy,” on advocating a “postliberal order” and the establishment of a Catholic “integralist” state, or on insisting that abortion should be the primary sociopolitical concern for Catholics, treating these threats to democracy as largely irrelevant. This volume shows the rich tradition of social Catholicism, and how the Social Doctrine of the Church came to appreciate the key tenets of constitutional democracy. As Pope Benedict XVI wrote, this social doctrine leads us to “take a stand for the common good,” to take the “institutional” or “political path of charity,” to be “solicitous for” the “institutions that give structure to the life of society, juridically, civilly, politically and culturally.” It engages some of the most influential contemporary Catholic thinkers and argues that they too should recognize the grave threats facing the human family and join in working to defend and renew our constitutional democracy.

Sensationalism and the Jew in Antebellum American Literature
Sensationalism and the Jew in Antebellum American Literature

Author: David Anthony

Publisher: Oxford University Press

Published: 2023-08

Total Pages: 209

ISBN-13: 0192871730

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This book examines the charged but mostly overlooked presence of the sensational Jew in antebellum literature. This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. Each chapter examines a different form of sensationalism (urban gothic; sentimental city mysteries; anti-Tom plantation narratives; etc.), and a different set of anxieties (threats to class status; collapsing regional identity; the uncertain status of Whiteness and other racial categories; etc.). Throughout, the sensational Jew acts both as a figure of proteophobia (fear of disorder and ambivalence), and as the figure who embodies in uncanny form a more fulfilling and socially coherent form of identity that predates the modern liberal selfhood of the post-Enlightenment world. The sensational Jew is therefore a revealing figure in antebellum culture, as well as an important antecedent to contemporary antisemitism in the US.

Climate and the Picturesque in the American Tropics
Climate and the Picturesque in the American Tropics

Author: Michael Boyden

Publisher: Oxford University Press

Published: 2022-11-07

Total Pages: 225

ISBN-13: 0192694448

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The biggest challenge of the twenty-first century is to bring the effects of public life into relation with the intractable problem of global atmospheric change. Climate and the Picturesque in the American Tropics explains how we came to think of the climate as something abstract and remote rather than a force that actively shapes our existence. The book argues that this separation between climate and sensibility predates the rise of modern climatology and has deep roots in the era of colonial expansion, when the American tropics were transformed into the economic supplier for Euro-American empires. The book shows how the writings of American travellers in the Caribbean registered and pushed forward this new understanding of the climate in a pivotal period in modern history, roughly between 1770 and 1860, which was fraught with debates over slavery, environmental destruction, and colonialism. Offering novel readings of authors including J. Hector St. John de Crevecœur, Leonora Sansay, William Cullen Bryant, Nathaniel Hawthorne, Sophia Peabody, Ralph Waldo Emerson, and James McCune Smith in light of their engagements with the American tropics, this book shows that these authors drew on a climatic epistemology that fused science and sentiment in ways that citizen science is aspiring to do today. By suggesting a new genealogy of modern climate thinking, Climate and the Picturesque in the American Tropics thus highlights the urgency of revisiting received ideas of tropicality deeply ingrained in American culture that continue to inform current debates on climate debt and justice.