The Lady of Lyons; Or, Love and Pride. a Play
The Lady of Lyons; Or, Love and Pride. a Play

Author: Edward Bulwer Lytton Lytton, Sir

Publisher: Palala Press

Published: 2016-05

Total Pages: 74

ISBN-13: 9781355043409

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Lady of Lyons Love and Pride
The Lady of Lyons Love and Pride

Author: Edward Bulwer Lytton

Publisher: Forgotten Books

Published: 2015-06-25

Total Pages: 31

ISBN-13: 9781330198247

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Excerpt from The Lady of Lyons Love and Pride: A Play in Five IvlSS- BEArSEAKT 1 st dress.- Brown ridingfrock -with cape striped silk waistcoat broiNii clotli breeclios striped silk stockings shoes steeple crowned hat with broad brim hair rather long white cravat. 2 nd dress.- Bine body coat of the period nankeen breeches white silk stockings c., three-cornered hat. Glavis. 1 st dress: Pnrple coat striped waistcoat silk breeches stockings three-cornered hat. 2:id dress: striped silk long tailed-coat cravat. Damas. 1 st dress: Blue broad-skirted coat epaulets leather breechestop boots with brown leather tops undress cap iron grey hair moustache cane. 2 nd dress; Three-cornered hat, a, nd white and red feathers sword and sabretache tri-colonred sash. Deschappelles. Embroidered coat waistcoat black silk breeches aad stockings powdered hair. 2 rt;l dress: Plain plnmb coloured cloth suit. Landlord. Cloth coat, waistcoat and breeches striped stockings and shoes apron. Oeficers. Dark blue body coats with broad skirts epaulets swords three-cornered laced hats with tri-coloured cockades light breeches top boots. Gaspar. Blue blouse, loose trousers, and Pi-ench cap. Claude. Isf (Jmss :Light blouse-belt white gaiters and trousers. 2 nd dress: Embroidered body coat witli broad skirts satin breeches-white silk stockings and shoes with buckles powdered hair and gold laced three-cornerod hat. 3 rd dress.- Travelling cloak. 4-th dress: Same as first dress. 5 th dress: Full uniform, same as Damas, long hair. Madam. Handsome striped silk dress powder. 2 nd dress.- Travelling mantle and hat. Zrd dress: silk dress. Pauline. 1 st dress: Handsome light silk dress sash laco scarf, 2 nd dress: Plain muslin. Widow.-French widows cap black dress white apron. Janet. Striped French dress. Stage Dieections. RxiTS And Enteances. U.moans Riqht; L.Left,; D.P. Boor !a Flat; Ft. D.Right Dor; L.D. icrtDoor; S.E. Second Entrance; U.S. Upper Entrance; M.D. Middle Door; L.U. E.Left Uppc,- Entrance; R.V.E. Eujht Upper Entrance; L.S. E.Left Second Entrance; F.S. Prompt Side;0. P.Opposite Prompt. Rel.tive Positions. R.means Ei glit; L.iet;C. Centre;R. C.Right of Centre;!,. C.Left of Centre. tR. Rc. C.LC. L.t The Reader is supposed to he on the Stage, facing the Audience.: Those passages marked with inverted commas, are omitted in tlic representation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.