A systematic catalogue; after an introduction and brief summary of research the author lists the material, arranging it typologically. He follows this with a wide-ranging discussion of problems concerning material and technique, decoration, function, foreign affinities, distribution and chronology. Very good illustrations.
At the heart of this study of the history of the sword and dagger in Canaan between c.1550 and 1000 BC lies a catalogue of 190 examples, all of which are illustrated. The catalogue supports a detailed discussion of typology. Ten types are identified by their tang and hilt shape as well as their cultural influences from Egypt and the Aegean. A final synthesis considers technological and social aspects of the daggers and swords, usually found as grave goods, such as what they reveal about Canaanite burial customs, metalworking and contact with Egypt.
"Late Bronze Age tombs in Greece and their attendant mortuary practices have been a topic of scholarly debate for over a century, dominated by the idea of a monolithic culture with the same developmental trajectories throughout the region. This book contributes to that body of scholarship by exploring both the level of variety and of similarity that we see in the practices at each site and thereby highlights the differences between communities that otherwise look very similar. By bringing together an international group of scholars working on tombs and cemeteries on mainland Greece, Crete, and in the Dodecanese we are afforded a unique view of the development and diversity of these communities. The papers provide a penetrative analysis of the related issues by discussing tombs connected with sites ranging in size from palaces to towns to villages and in date from the start to the end of the Late Bronze Age. This book contextualizes the mortuary studies in recent debates on diversity at the main palatial and secondary sites and between the economic and political strategies and practices throughout Greece. The papers in the volume illustrate the pervasive connection between the mortuary sphere and society through the creation and expression of cultural narratives, and draw attention to the social tensions played out in the mortuary arena"--
In this book, Kramer-Hajos examines the Euboean Gulf region in Central Greece to explain its flourishing during the post-palatial period. Providing a social and political history of the region in the Late Bronze Age, she focuses on the interactions between this 'provincial' coastal area and the core areas where the Mycenaean palaces were located. Drawing on network and agency theory, two current and highly effective methodologies in prehistoric Mediterranean archaeology, Kramer-Hajos argues that the Euboean Gulf region thrived when it was part of a decentralized coastal and maritime network, and declined when it was incorporated in a highly centralized mainland-looking network. Her research and analysis contributes new insights to our understanding of the mechanics and complexity of the Bronze Age Aegean collapse.
While "corridor houses" such as the House of the Tiles at Lerna have provoked widespread discussion about the origins of social stratification in Greece, few settlements of the Early Bronze Age (ca. 3100 to 2000 B.C.) have been thoroughly excavated. This important study integrates the presentation and analysis of the archaeological evidence from a single settlement that flourished on Tsoungiza Hill in the Nemea Valley from the Final Neolithic until the end of the Early Helladic period. The first section details the stratigraphy, architecture, deposits, and ceramics of each of the five major periods represented. The second section contains specialist reports on all aspects of material culture including figurines and ornaments, textiles and crafts, metal analyses, chipped and ground stone, and faunal and palaeobotanical remains.
The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.
Classical Greeks considered the Mycenaean civilization to be the basis of their glorious and heroic heritage, but its material existence was not confirmed until the excavations of Heinrich Schliemann in the late nineteenth century. In the ensuing years, as with the field of archaeology in general, emphasis has shifted from revealing monuments and finding treasure to dealing with less glamorous, more scientifically-oriented investigations concerning aspects such as social and political organization, economic functions and settlement patterns. With its more than 2000 entries, this reference work serves as both an introduction to and a summary of the study of ancient Mycenaean civilization. Considerably expanded from the first edition, there are 500 new entries representing materials published since 1991. The largest part of the book is made up of annotated bibliography entries arranged topically with introductory material for each section. The book also includes a general introduction to Mycenaean civilization, a glossary, and author, place and subject indexes.
Of Odysseys and Oddities is about scales and modes of interaction in prehistory, specifically between societies on both sides of the Aegean and with their nearest neighbors overland to the north and east. The 17 contributions reflect on tensions at the core of how we consider interaction in archaeology, particularly the motivations and mechanisms leading to social and material encounters or displacements. Linked to this are the ways we conceptualize spatial and social entities in past societies (scales) and how we learn about who was actively engaged in interaction and how and why they were (modes). The papers provide a broad chronological, spatial and material range but, taken together, they critically address many of the ways that scales and modes of interaction are considered in archaeological discourse. Ultimately, the intention is to foreground material culture analysis in the development of the arguments presented within this volume, informed, but not driven, by theoretical positions.
