Beautiful, vivacious Emily and plain, disagreeable Irma, two middle-aged, widowed sisters-in-law, fall in love with younger men, Irma with youthful lawyer Charlie Hopeland and Emily with Count Pontecorvo
The New York Times bestselling craft guide that inspired the hit new TV show, At Home With Amy Sedaris It's often been said that ugly people craft and attractive people have sex. In Simple Times, Amy Sedaris sets the record straight and delivers a book that will forever change the world of crafting. Demonstrating that crafting is one of life's more pleasurable and constructive leisure activities, Sedaris shows that anyone with a couple of hours to kill and access to pipe cleaners can join the elite society of crafters. You will discover how to make popular crafts such as Pompom Ringworms and Seashell Toilet Seat Covers, all while avoiding the most common crafting accidents (sawdust fires, feather asphyxia, pine cone lodged in throat). You will cook your own edible crafts, from a Crafty Candle Salad to Sugar Skulls, with many more recipes and craft ideas that will inspire you to create your very own hastily constructed obscure d'arts. Praise for Simple Times "Amy Sedaris is a kookier, kitschier version of Martha Stewart...Simple Times is an ideal gift for the crafter who has crafted everything." - Associated Press "A wildly cheeky guide." -- InStyle "For anyone who's ever collected hats crocheted together...or simply for fans of Amy Sedaris and her idiosyncratic sense of humor." -- New York Times Book Review
"A touching story of heroism and loss, a testament to the strength of the human spirit and the power of love to transcend the most unthinkable circumstances." —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris From the internationally bestselling author of The Orphan Collector comes a haunting and lyrical tale of love and humanity in a time of unthinkable horror. The debut novel from a powerful voice in historical fiction, this resonant and courageous saga of a young German woman during World War II and the Holocaust is a must-read for fans of The Tattooist of Auschwitz and The Alice Network. “Bloom where you're planted," is the advice Christine Bölz receives from her beloved Oma. But seventeen-year-old domestic Christine knows there is a whole world waiting beyond her small German village. It's a world she's begun to glimpse through music, books—and through Isaac Bauerman, the cultured son of the wealthy Jewish family she works for. Yet the future she and Isaac dream of sharing faces greater challenges than their difference in stations. In the fall of 1938, Germany is changing rapidly under Hitler's regime. Anti-Jewish posters are everywhere, dissenting talk is silenced, and a new law forbids Christine from returning to her job—and from having any relationship with Isaac. In the months and years that follow, Christine will confront the Gestapo's wrath and the horrors of Dachau, desperate to be with the man she loves, to survive—and finally, to speak out. Set against the backdrop of the German homefront, this is an unforgettable novel of courage and resolve, of the inhumanity of war, and the heartbreak and hope left in its wake. "A haunting and beautiful debut novel." —Anna Jean Mayhew, author of The Dry Grass of August "Ellen Marie Wiseman boldly explores the complexities of the Holocaust. This novel is at times painful, but it is also a satisfying love story set against the backdrop of one of the most difficult times in human history." —T. Greenwood, author of Keeping Lucy
"It is one of the very first art books which helped artists develop the aptitude for seeing the inner essence of various natural phenomena."—Shambhala Sun "Red Pine introduces Western readers to both the text itself and the traditions it has inherited."—Virginia Quarterly Review Through a series of brief four-lined poems and illustrations, Sung Po-jen aims at training artistic perception: how to truly see a plum blossom. First published in AD 1238, Guide to Capturing a Plum Blossom is considered the world's earliest-known printed art books. This bilingual edition contains the one hundred woodblock prints from the 1238 edition, calligraphic Chinese poems, and Red Pine's graceful translations and illuminating commentaries. "Tiger Tracks" winter wind bends dry grass flicks its tail along the ridge fearful force on the loose don't try to braid old whiskers Red Pine's commentary: "The Chinese liken the north wind that blows down from Siberia in winter to a roaring tiger. China is home to both the Siberian and the South China tigers. While both are on the verge of extinction, the small South China tiger still appears as far north as the Chungnan Mountains, where hermits have shown me their tracks." Sung Po-jen was a Chinese poet of the thirteenth century. Red Pine (a.k.a. Bill Porter) is one of the world's foremost translators of Chinese poetry and religious texts. His published translations include The Collected Songs of Cold Mountain, Lao-tzu's Taoteching, and Poems of the Masters. He lives near Seattle, Washington.
"Kiernan's sharp-eyed biography brings back a woman who, far into her 90s, relished the dance of life." —O, The Oprah Magazine This biography, based on firsthand knowledge and interviews with Mrs. Astor’s friends and the heads of New York’s great cultural institutions, gives us back the woman so loved and admired. At the age of 51, Brooke Astor wedded the notoriously ill-tempered Vincent Astor, who died in 1959. In a highly publicized courtroom battle, she fought off an attempt to break Vincent’s will, which left $67 million to the Vincent Astor Foundation. As the foundation’s president, Mrs. Astor would use this legacy to benefit New York City. She would personally visit every grant applicant and charm anyone she met. At her hundredth birthday, princes and presidents honored her, but in 2006 a grandson petitioned the courts to have his father removed as Brooke’s guardian. Once again an Astor court battle became the stuff of headlines.
Silver Medalist in the Independent Publisher Book Awards! Silver Medalist in the Midwest Book Awards! From a childhood marked by loneliness and want, M. Roy Wilson forged an extraordinary life of accomplishment and acclaim. His accomplishments include the presidencies of four universities, dean of two medical schools, and deputy director of one of the National Institutes of Health’s twenty-seven Centers and Institutes. Through this inspiring and deeply personal story of struggle and success, Wilson shares insights gleaned through his life experiences, many of which helped others reach their highest potential as students, faculty, physicians and people. Born to a Japanese mother and Black father, much of M. Roy Wilson’s childhood in Japan was marked by parental absence, sexual abuse, extended periods as a runaway, physical confrontations and frequent moves. He was often forced to play the role of caregiver to his younger sister, and together they grew to depend on each other for support until their teenage years. Under the guidance of his high school English teacher, Wilson turned his life around and obtained an MD from Harvard Medical School. His adult life as a physician was ironically beset with significant health challenges, including diagnoses of cardiomyopathy that rendered him uninsurable, a potentially blinding eye disease, and cancer that at first was thought to be terminal. Having developed a veneer of invulnerability as a child, he kept these medical diagnoses a secret until now. Like the plum tree that blooms even during dark and dreary times, Wilson overcame his childhood challenges and later, his health issues, to achieve distinction in medicine, higher education, and global health research. The journey to this unlikely outcome is an engrossing tale of outside forces that shape racial and cultural identity, the importance of mentorship and friendship, and the lasting impact of an unstable and often heartbreaking family dynamic.
The frequent appearance of androgyny in Ming and Qing literature has long interested scholars of late imperial Chinese culture. A flourishing economy, widespread education, rising individualism, a prevailing hedonism--all of these had contributed to the gradual disintegration of traditional gender roles in late Ming and early Qing China (1550-1750) and given rise to the phenomenon of androgyny. Now, Zuyan Zhou sheds new light on this important period, offering a highly original and astute look at the concept of androgyny in key works of Chinese fiction and drama from the sixteenth to the eighteenth centuries. The work begins with an exploration of androgyny in Chinese philosophy and Ming-Qing culture. Zhou proceeds to examine chronologically the appearance of androgyny in major literary writing of the time, yielding novel interpretations of canonical works from The Plum in the Golden Vase, through the scholar-beauty romances, to The Dream of the Red Chamber. He traces the ascendance of the androgyny craze in the late Ming, its culmination in the Ming-Qing transition, and its gradual phasing out after the mid-Qing. The study probes deviations from engendered codes of behavior both in culture and literature, then focuses on two parallel areas: androgyny in literary characterization and androgyny in literati identity. The author concludes that androgyny in late Ming and early Qing literature is essentially the dissident literati's stance against tyrannical politics, a psychological strategy to relieve anxiety over growing political inferiority.