“This book is an excellent deep dive into California’s wild edibles, revealing a real affection for and intimate familiarity with our state’s flora.” —Iso Rabins, founder of ForageSF California offers a veritable feast for foragers, and with Judith Larner Lowry as your trusted guide you will learn how to safely find and identify an abundance of delicious wild plants. The plant profiles in California Foraging include clear, color photographs, identification tips, guidance on how to ethically harvest, and suggestions for eating and preserving. A handy seasonal planner details which plants are available during every season. Thorough, comprehensive, and safe, this is a must-have for foragers in the Golden State.
Readers will learn about what Mount Rushmore is, how it was built, and the faces that are carved into the side of the mountain. The title is complete with historical and modern images, bolded glossary terms, a More Facts page, and a picture glossary. Aligned to Common Core Standards and correlated to state standards. Abdo Kids Junior is an imprint of Abdo Kids, a division of ABDO.
When city girl about town Roxanne Barns reluctantly accepts a holiday invite to her best friend Eve's birthday party in the Scottish Highlands, the last thing she expects is to fall for the very person she's been dreading seeing again-the feisty Highlander, Alice Campbell. The moment Alice learns that Roxanne is visiting her home hamlet of Newland, she couldn't be more suspicious or defensive. A warm welcome is certainly not the plan, let alone falling in love. Despite Eve's warnings that Roxanne is not relationship material, Alice can't ignore her growing attraction. She absolutely trusts Eve's judgment, but taking her advice just might break Alice's heart. Highland Whirl reunites readers with the characters and landscape of Highland Fling in an emotionally enthralling story of trust, friendship, family, and love.
In this engaging and authoritative book, historian John Larner provides a fresh view of the enigmatic Marco Polo, who, despite a deliberate cultivation of impersonality, continues today to engage the attention of readers. 17 illustrations, 12 in color.
Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles-based artist Liz Larner's (born 1960) wall-based ceramic works. Larner's process explores the natural compression and fragmentation of the body and of ceramic forms themselves. Fired and coated with pigment and resin, each ceramic work fits into one of six categories: inflexion, caesura, subduction, mantle, passage and calefaction. Resembling magnificently colored ancient tablets or sculptural specimens of the mineral world, the pieces have fissures and cracks that evoke geological processes. With a photo-essay by Catherine Opie, an essay by curator and writer Jenelle Porter, and an interview between Larner and Aspen Art Museum Director Heidi Zuckerman, this is an accessible entry into the work of an eminent female artist whose practice continues to radically enliven contemporary sculpture.
First published in 1977 and now reprinted in its original form, A Source-book of Scottish Witchcraft has been the most authoritative reference book on Scottish Witchcraft for almost thirty years. It has been invaluable to the specialist scholar and of interest to the general reader. It provides, but provides much more than, a series of lists of the 'names and addresses' of long-dead witches. However, although it is widely quoted and held in high esteem, few copies were ever printed and most are owned by libraries or similar institutions. Until now, it has been difficult to obtain and even more difficult to buy. In 1938, George F. Black, a Scotsman who was in charge of New York Public Library, published A Calendar of Cases of Witchcraft in Scotland 1510-1727. This was a fairly comprehensive compilation of brief accounts of references, in printed sources, to Scottish witchcraft cases. The Source-book built upon this study but went beyond it by including, through an examination of actual ancient manuscripts, information on previously unpublished cases. It also presented the material in a more systematic way in relation, where known, to the names of the accused witches, their sex, their fate, the place of the case, its date and the type of court that dealt with it. Some such information is presented in the form of tables. Transcriptions of documents pertaining to witchcraft trials- such as examples of the evidence of supposed witnesses, and other salient legal documents - including, for instance, an ancient account of when and why the testimony of female witnesses might be legally acceptable in Scottish courts - are also presented.
Eve Eddison describes her ideal woman to her best friend, Roxanne, over pints in their local pub a few days before she travels to the Scottish Highlands. There she falls head over heels for an enigmatic local, Moira Burns, and the usually reticent Eve wants more than a holiday romance. Forestry officer Moira Burns has no intention of letting go—either of past pain or for present pleasure. If that means she misses out on her chance at happiness, so be it. Convinced Eve is headed for heartbreak, Roxanne advises her to let Moira go…but has Eve found her ideal woman at last? From the breathtaking Highlands of Scotland to the buzz of a Leicester gay bar, family and friendship are tested to breaking point, as letting go proves painfully hard.
William Larner (1812-1850) is believed to have been born in Kentucky or England. He married twice: (1) Mary Jennings, at Carrollton, Green Co., Illinois and (2) Elizabeth Masters (Pearson) at Carrollton, Texas. He relocated his family to Carrollton, Dallas Co., Texas. family members lived in Texas, Missouri, Oklahoma and elsewhere.
Newly appointed art curator Molly Goode is committed to diversifying her museum’s collection. When Georgina Wright, the museum’s aloof benefactor, asks for Molly’s help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, even if it means spending time with the standoffish financier. But passions soon flare as the women uncover the heartbreaking story of doomed lesbian love behind the watercolor painted by Josephine’s lover, Edith Hewitt. As their love blossoms, Molly is determined to display Edith’s portrait of Josephine and to tell their story in the museum, but she needs the influential Georgina to help convince the board. When an unforeseen twist in the painting’s provenance forces Georgina to confront her own painful past, will history repeat itself, or can Molly and Georgina’s love prevail?
For many years the European witch craze of the 16th and 17th centuries was considered a subject of almost bad taste to study. Then came World War II and a genocide which was the greatest convulsion of evil the world had ever seen. Scholars realized that the witch cult was still with us.
