Tamerlane and Other Poems is the first published work by American writer Edgar Allan Poe. The short collection of poems was first published in 1827. Today, it is believed only 12 of approximately 50 copies of the collection still exist. The poems were largely inspired by Lord Byron, including the long title poem "Tamerlane", which depicts a historical conqueror who laments the loss of his first romance. Like much of Poe's future work, the poems in Tamerlane and Other Poems include themes of love, death, and pride.
In The Lane and Other Poems, readers are transported to a unique setting: opposite a sobering-up unit in the heart of Adelaide's CBD. Amidst the nightly commotion and close encounters with the rawness of humanity, one might expect tales of chaos. Yet, these poems are imbued with the serenity of nature, the whisper of trees, and the vast expanse of the sky. The moon, a recurring muse, casts its gaze upon the world below, often reflecting on the crowns of human heads. While the collection does not shy away from the grittier aspects of life, presenting poignant portraits of individuals in turmoil, it also captures moments of genuine connection. The author’s interactions with many of these souls, from casual conversations to a memorable embrace and blessing from an African spiritualist, add depth and humanity to the narrative. This anthology is a testament to finding beauty and connection in unexpected places, and the resilience of the human spirit amidst adversity.
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
Sheree Fitch's best-selling adult poetry collection explores the shadows that never penetrate the sunlit world of her children's books. With over 5,000 copies sold of the first edition, this second edition 10 years later and 13 poems wiser adds depth and texture to the original collection; like a fine cognac, it has become richer with the passing years. Sheree Fitch's refreshingly direct lyrics explore the harsh realities of women's lives and the many kinds of shelter they create for themselves and give to each other. The title suite is peopled by battered wives, single mothers, women who are poor and perhaps homeless, and exhausted caregivers, with each woman speaking in her own voice. The new poems in "Moonsongs" express a decade's personal development, not in the form of answers, but in the form of more pointed questions. In This House Are Many Women and Other Poems demonstrates Fitch's poetic depth and versatility. But whether she writes passionately of victims and workers in a woman's shelter, finds epiphanies in family life, or examines the uncertainties of romantic love, Fitch never loses her sense of humour. Who else but the creator of Mable Murple could conjure up Diana, the domestic acrobat who transforms her home into a circus or Eve, the mother of us all, offering child-rearing tips?
In the story of the earth, geologists tell us that around 12,000 years ago the planet shifted from the Pleistocene to the Holocene. There probably were poets to sing about that change, but of what they sang, we have no records. Even earlier, paintings on cave walls point toward an artistic response from our upstart species. These early artists painted the Pleistocene's last great ice age herds thundering past. Now John Lane's traveling geologist sings a dawning epoch's blues. The Anthropocene is upon us, and his poems show how humans believe they have become "the planet's boss, the big chief, the emperor of air, diesel fuel,/bow thrusters, and tax shelters..." And if you don't believe the times are changing, consider these poems-full of dead-on-the-road groundhogs and radial tires, carbon-spewing adventure travel, masturbating parrots, and mounds and mounds of garbage-as twenty-first-century objective correlatives John Keats might recognize. But all is not collapse out there. The puny human voice William Faulkner praised in his Nobel acceptance speech sings amidst the 6th Great Extinction. These lyrics and narratives deposit the pleasures of contemporary poetry in the carbon record.
This volume represents the accumulated richness of fifty years' work by one of Canada's most important poets, Patrick Lane. Here, the reader can see how he developed from an engaged recorder of hard experience--even traumatic violence--into a master poet whose meditations on nature, human frailty, and love allow him to balance the world's suffering with stunning moments of transcendent beauty and a vision of peace. He expresses himself in a variety of forms and tones--in turn despairing and rejoicing, tender and brutal, imagistic and elegiac, deeply personal and universal. As Nicholas Bradley observes, in an afterword written for this volume, "The journey that Lane's works trace has been long and hard, but, as this collection demonstrates, his poems achieve both understanding and grace." Edited by two distinguished scholars of Canadian literature, this long-overdue book gathers a lifetime of work. Ranging from Letters from a Savage Mind (1966) to Witness (2010), this collection contains more than four hundred poems (many revised for this publication) and demonstrates the breadth of Lane's achievement.
MICHAEL COADY'S "One Another is a welcome and worthy successor to his much-loved "All Souls. Poetry, prose, and illustration are integrated in a cumulative work of gravity and compassion. The title poem is prelude to a set of variations on motifs of community, mortality and memory, emerging from an intimately known anchorage of place. The writer's voice is joined by a chorale of "overheard" communal tones, in oral mode and various moods. The book's inclusive reach finds room for play, as in 'Textament, ' or its guest versions of 'The Gift of Tongues.' A personal crisis deepens perspective and heralds renewal in 'The Place of Hurt and Healing.' The human interplay of unsung lives and destinies suffuses "One Another "in the carnal war / with time that's always lost / but never conceded."
The beat and language of reggae arose from the Jamaican countryside and the sidewalks of Kingston, but they're basic for the poets represented in Wheel and Come Again. This remains true even though the poets' personal worlds range from the street to the university and from the tropics to Toronto, New York, and London. Wheel and Come Again features works by 28 poets of Caribbean origin; some remain in the islands, and others have migrated to North America and Britain. The book includes works by Canadian poets such as Rachel Manley, Afua Cooper, Lillian Allen, Olive Senior, and Clifton Joseph; UK poets including Linton Kwesi Johnson and Jean "Binta" Breeze; US writers Rohan B. Preston, Fred d'Aguiar, and others; and Island poets such as Anthony MacNeill and Lorna Goodison.
This epic poem gives an account of a Turkic ruler named Tamerlane, who conquered kingdoms to win power, while giving up that which his heart desired most. Despite the fact that his first published works were books of poetry, during his lifetime Edgar Allan Poe was recognized more for his literary criticism and prose than his poetry. However, Poe’s poetic works have since become as well-known as his famous stories, and reflect similar themes of mystery and the macabre. “Tamerlane” is one of Poe’s earliest works and gave its name to his first published book—Tamerlane and Other Poems. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
When the teacher tells his class that they can hear the poetry of science in everything, a student is struck with a curse and begins hearing nothing but science verses that sound very much like some well-known poems.
