"Antonio Machado (1875-1939) was a member of Spain's famous "Generation of '98," and one of the great poets of the twentieth century. Intensely introspective and mediative, his poetry is grounded in the Spanish landscape and deeply influenced by his wife's early death, his own uprootedness, and the civil war and severe poverty which afflicted Spain."--BOOK JACKET.
This book offers a much needed reappraisal of a major twentieth-century Spanish poet, Antonio Machado (1875-1939), offering compelling arguments why his poetry should have a more vital profile not only within the precincts of Hispanism but also alongside the most significant twentieth-century poets of Europe and America, seeking to open up new perspectives for the interpretation of his poetry. The unifying concepts, as the title suggests, are landscape and transformation. Landscape, a topic barely broached in Spanish poetry before Machado, is a central thematic concern in his poetry.
Antonio Machado, a school teacher and philosopher and one of Spain's foremost poets of the twentieth century, writes of the mountains, the skies, the farms and the sentiments of his homeland clearly and without narcissism: "Just as before, I'm interested/in water held in;/ but now water in the living/rock of my chest." "Machado has vowed not to soar too much; he wants to 'go down to the hells' or stick to the ordinary," Robert Bly writes in his introduction. He brings to the ordinary—to time, to landscape and stony earth, to bean fields and cities, to events and dreams—magical sound that conveys order, penetrating sight and attention. "The poems written while we are awake&…are more original and more beautiful, and sometimes more wild than those made from dreams," Machado said. In the newspapers before and during the Spanish Civil War, he wrote of political and moral issues, and, in 1939, fled from Franco's army into the Pyrenees, dying in exile a month later. When in 1966 a bronze bust of Machado was to be unveiled in a town here he had taught school, thousands of people came in pilgrimage only to find the Civil Guard with clubs and submachine guns blocking their way. This selection of Machado's poetry, beautifully translated by Bly, begins with the Spanish master's first book, Times Alone, Passageways in the House, and Other Poems (1903), and follows his work to the poems published after his death: Poems from the Civil War (written during 1936 – 1939).
With an insightful introduction by Thomas Moore, this volume presents the wisdom and philosophy of one of Spain's most important poets. Born in 1875, Machado, along with Juan Ramon Jimenez and Miquel de Unamuno, formed the famed "generation of 1898," which ushered in a new Spanish poetics. In this series of brief poems, Machado utilizes traditional Spanish verse forms to create a wide-ranging collection. "Machado, in these Sappho-like fragments, takes us down not only the road less traveled but the road not seen, where transformation and transfiguration come not from self-made millions but from changing 'love into theology'"--Thomas Rain Crowe
Echoing one of the great Spanish poets of the twentieth century, the author crafts a series of beautiful poems that document his spiritual journey while at the same time paying homage to the style of Antonio Machado. Original.
Drawing on letters, illustrations, engravings, and neglected manuscripts, Christopher Iannini connects two dramatic transformations in the eighteenth-century Atlantic world--the emergence and growth of the Caribbean plantation system and the rise of natural science. Iannini argues that these transformations were not only deeply interconnected, but that together they established conditions fundamental to the development of a distinctive literary culture in the early Americas. In fact, eighteenth-century natural history as a literary genre largely took its shape from its practice in the Caribbean, an oft-studied region that was a prime source of wealth for all of Europe and the Americas. The formal evolution of colonial prose narrative, Ianinni argues, was contingent upon the emergence of natural history writing, which itself emerged necessarily from within the context of Atlantic slavery and the production of tropical commodities. As he reestablishes the history of cultural exchange between the Caribbean and North America, Ianinni recovers the importance of the West Indies in the formation of American literary and intellectual culture as well as its place in assessing the moral implications of colonial slavery.
Recent years have seen the arrival of new approaches to writing about landscape. Partly to do with new eco-sensibilities, this is however also due to a realisation that landscape writing need not be confined to literary tourism, and to the injection of radical poetic styles. This is the first volume to engage with this new wave of writing.
While the state of the environment is a very current issue, passion and concern for the world around us is nearly as old as the world itself. Poetry for the Earth brings together a cross-section of some of the most beautiful and haunting poetry ever written in tribute to--or in mourning for--our magnificent landscapes.