My name is Kyara, and I am a banshee. My job? Bringing the dead to the other side. I expected to become a healer... ...But fate bestowed me with a curse. Cause, yeah. Being a Banshee is a curse. I'm hated by my friends and family, and I'm kind of stuck in the Realm of Silver, the last place I want to be. But if I don't accept my job and take souls to their next stop, well, things will get bad fast. The wicked ones will drown the world in darkness, while the rest? I don't even want to know. What I really want is to gather the strength I need to become who I want to be. Is it even possible to do my job with all this pressure from... everybody? Prepare for an epic adventure! Reserve your copy today!
The bestselling poet Malcolm Guite chooses forty poems from across the centuries that express the universal experience of loss and reflects on them in order to draw out the comfort, understanding and hope they offer. Some of the poems will be familiar, many will be new, but together they provide a sure companion for the journey across difficult terrain. Some of Malcolm’s own poetry is included, written out of his work as a priest with the dying and the bereaved and giving to the volume a powerful authenticity. The choice of forty poems is significant and reflects an ancient practice still observed in some European and Middle Eastern societies of taking extra-special care of a bereaved person in the forty days following a death – our word quarantine come from this. They explore the nature and the risk of love, the pain of letting go and look toward glimpses of resurrection.
With Jung’s Red Book as their point of departure, two leading scholars explore issues relevant to our thinking today. In this book of dialogues, James Hillman and Sonu Shamdasani reassess psychology, history, and creativity through the lens of Carl Jung’s Red Book. Hillman, the founder of Archetypal Psychology, was one of the most prominent psychologists in America and is widely acknowledged as the most original figure to emerge from Jung’s school. Shamdasani, editor and cotranslator of Jung’s Red Book, is regarded as the leading Jung historian. Hillman and Shamdasani explore a number of the issues in the Red Book—such as our relation with the dead, the figures of our dreams and fantasies, the nature of creative expression, the relation of psychology to art, narrative and storytelling, the significance of depth psychology as a cultural form, the legacy of Christianity, and our relation to the past—and examine the implications these have for our thinking today.
A Brave Lament encourages the scandalous invitation into the belly of grief. Pain matters and is the doorway to knowing God more fully. With heart-wrenching grief assessable through poetic writings, hope is found in the most unlikely place, in the pain itself. This book undertakes the enormous task of stepping into our own heartache with the tragic loss of our son, Jackson Brave Bauman while inviting the reader into their own stories of sorrow for the sake of collectively healing our wounds. The following pages have sustained us; these words have been bread and water to our soul may they be the same to you. -Andrew & Christy
A. L. Lloyd was nothing if not versatile, ethnomusicologist, journalist, radio and television broadcaster, and translator. It is as the author of Folk Song in England, also reissued in Faber Finds, that he is best known, but, in this his centenary year (2008) Faber Finds is also celebrating him as a translator. 1937 was A. L. Lloyd's "annus mirabilis" as a translator. In it he published both his translations of Lorca - Lament for the Death of a Bullfighter - and Kafka's Metamorphosis. There aren't many who can translate with equal facility from Spanish and German. Not only did A. L. Lloyd do that, his translations were both firsts, the first translation of Lorca into English and the first English translation of Kafka's most famous story. On first publication A. L. Lloyd's Lorca translation was widely praised with V. S. Pritchett especially commending it in "The New Statesman."
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.
The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.
At the age of thirty-nine, Christian theologian Todd Billings was diagnosed with a rare form of incurable cancer. In the wake of that diagnosis, he began grappling with the hard theological questions we face in the midst of crisis: Why me? Why now? Where is God in all of this? This eloquently written book shares Billings's journey, struggle, and reflections on providence, lament, and life in Christ in light of his illness, moving beyond pat answers toward hope in God's promises. Theologically robust yet eminently practical, it engages the open questions, areas of mystery, and times of disorientation in the Christian life. Billings offers concrete examples through autobiography, cultural commentary, and stories from others, showing how our human stories of joy and grief can be incorporated into the larger biblical story of God's saving work in Christ.
