Animals and Early Modern Identity
Animals and Early Modern Identity

Author: PiaF. Cuneo

Publisher: Routledge

Published: 2017-07-05

Total Pages: 427

ISBN-13: 1351576437

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Animals were everywhere in the early modern period and they impacted, at least in some way, the lives of every kind of early modern person, from the humblest peasant to the greatest prince. Artists made careers based on depicting them. English gentry impoverished themselves spending money on them. Humanists exercised their scholarship writing about them. Pastors saved souls delivering sermons on them. Nobles forged alliances competing with them. Foreigners and indigenes negotiated with one another through trading them. The nexus between animal-human relationships and early modern identity is illuminated in this volume by the latest research of international scholars working on the history of art, literature, and of sixteenth- and seventeenth-century Germany, France, England, Spain, and South Africa. Collectively, these essays investigate how animals - horses, dogs, pigs, hogs, fish, cattle, sheep, birds, rhinoceroses, even sea-monsters and other creatures - served people in Europe, England, the Americas, and Africa to defend, contest or transcend the boundaries of early modern identities. Developments in the methodologies employed by scholars to interrogate the past have opened up an intellectual and discursive space for - and a concomitant recognition of - the study of animals as a topic that significantly elucidates past and present histories. Relevant to a considerable array of disciplines, the study of animals also provides a means to surmount traditional disciplinary boundaries through processes of dynamic interchange and cross-fertilization.

The Pattern of Animal Communities
The Pattern of Animal Communities

Author: C. S. Elton

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 485

ISBN-13: 9400958722

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THE ECOLOGICAL SURVEY on which this book is based began to be planned in 1942, and since 1945 has been mainly centred upon Oxford University's estate at Wytham Woods, where a rich series of habitats from open ground and limestone to woodland with many springs and marshes interspersed occupies a hill set in riverine surroundings. Here biological research workers from the University have accumulated a considerable body of knowledge, some of which I have arranged in a general setting that allows one to comprehend some of the inter-related parts of the whole system. It is also intended to provide a framework for understanding animal communities elsewhere. The ecological inquirer is, more than most scien tific people, apt to fmd himself lost in a large labyrinth of interrelations and variables. The dictionary defmes a labyrinth as 'an intricate structure of inter communicating passages, through which it is difficult to fmd one's way without a clue'. This could equally be a figurative description of plant and animal communi ties. The present book seeks to provide a plan of construction of the labyrinth and a few new clues that may help the inquirer to know where he is on the gene ral ecological map. In presenting this blue-print of animal communities I have avoided giving long lists of species such as the botanist, with his smaller kingdom, can handle fairly well.

1668
1668

Author: Peter Sahlins

Publisher: Princeton University Press

Published: 2017-11-17

Total Pages: 496

ISBN-13: 1935408275

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Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.