Comes The Period Between 1720 To 1856 And Provides An Analysis On Aspects Of Awadh Administration Such As Revenue, Justice, Police, Military, Education, Health And Forests Etc. Also Contains A Brief Dimension About Art, Music, Architecture, Literature.
This Book Initially Delineates The Name Of Nawabi Or Kingship And The Extent Of The Territories Enjoyed By Different Rulers Of Awadh. It Also Includes Biographical Sketches Of Some Great Personalities Viz. Khwaja Hasan Nizami, Molana Iqbal Ahmadi Khan, Suhail, Jan Nisar Akhtar And Molana Imtiaz Ali Khan Arshi.
This book takes a fascinating journey, connecting dates and events to the evolution of costumes, textiles, colours, motifs and ornamentations from the eighteenth century up to present-day India.
This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.
This traces the history of the Mughal empire from its creation in 1526 to its breakup in 1720. It stresses the quality of Mughal territorial expansion, their innovation in land revenue, military organization, and the relationship between the emperors and I
The Last King in India is the story of an extraordinary man whose memory still divides opinion sharply today. Was he, as the British described him, a debauched ruler who spent his time with "fiddlers, eunuchs and women' instead of running the kingdom? Or, as most Indians believe, a gifted poet whose works are still quoted today, and who was robbed of his throne by the East India Company? Somewhere in between the two extremes lies a complex character: a man who married over 350 women, directed theatrical events lasting a month, and built a fairytale palace in Lucknow. Wajid Ali Shah was written out of the history books after his kingdom was annexed in 1856. Some even thought he had been killed during the mutiny the following year. But he lived on in Calcutta where he spent the last thirty years of his life trying to recreate his lost paradise. He remained a constant problem for the government of India, with his extravagance, his menagerie and his wives-in that order. For the first time his story is told here using original documents from Indian and British archives and meetings with his descendants.
The thousands of mourners who lined Wajid Ali Shah’s funeral route on 21 September, 1887, with their loud wailing and shouted prayers, were not only marking the passing of the last king but also the passing of an intangible connection to old India, before the Europeans came. This is the story of a man whose memory continues to divide opinion today. Was Wajid Ali Shah, as the British believed, a debauched ruler who spent his time with fiddlers, eunuchs and fairies, when he should have been running his kingdom? Or, as a few Indians remember him, a talented poet whose songs are still sung today, and who was robbed of his throne by the English East India Company? Somewhere between these two extremes lies a gifted, but difficult, character; a man who married more women than there are days in the year; who directed theatrical extravaganzas that took over a month to perform, and who built a fairytale palace in Lucknow, which was inhabited for less than a decade. He remained a constant thorn in the side of the ruling British government with his extravagance, his menagerie and his wives. Even so, there was something rather heroic about a man who refused to bow to changing times, and who single-handedly endeavoured to preserve the etiquette and customs of the great Mughals well into the period of the British Raj. India’s last king Wajid Ali Shah was written out of the history books when Awadh was annexed by the Company in February 1856. After long years of painstaking research, noted historian Rosie Llewellyn-Jones revives his memory and returns him his rightful place as one of India’s last great rulers.
Subalterns and Raj presents a unique introductory history of India with an account that begins before the period of British rule, and pursues the continuities within that history up to the present day. Its coverage ranges from Mughal India to post-independence Pakistan, Bangladesh and Sri Lanka, with a focus on the ‘ordinary’ people of India and South Asia. Subalterns and Raj examines overlooked issues in Indian social history and highlights controversies between historians. Taking an iconoclastic approach to the elites of South Asia since independence, it is critical of the colonial regime that went before them. This book is a stimulating and controversial read and, with a detailed guide to further reading and end-of-chapter bibliographies, it is an excellent guide for all students of the Indian subcontinent.
Timeless recipes from the stately kitchens of the Awadh regionDastarkhwan (noun): A meticulously laid out ceremonial spread of food. The nawabs of Awadh were renowned for their extravagance and their patronage of the best craftsmen. Of all the arts that flourished then, cooking was considered one of the finest, and its practitioners were among the most sought after. Famous for its nafaasat (refinement) and nazaakat (delicateness), Awadhi cuisine blends spices over a slow fire to achieve seasonal harmony with nature. Retelling anecdotes and secrets long held by the descendants of the nawabs, talukdars, bawarchis and rakabdars of the region, Sangeeta Bhatnagar and R.K. Saxena recreate the culture and cuisine of a culturally and imaginatively rich era.