Medieval Illuminators and Their Methods of Work

Medieval Illuminators and Their Methods of Work

Author: Jonathan James Graham Alexander

Publisher: Yale University Press

Published: 1992-01-01

Total Pages: 230

ISBN-13: 9780300060737

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Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.


The Bible and Jews in Medieval Spain

The Bible and Jews in Medieval Spain

Author: Norman Roth

Publisher: Routledge

Published: 2021-03-30

Total Pages: 468

ISBN-13: 1000348113

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The Bible and Jews in Medieval Spain examines the grammatical, exegetical, philosophical and mystical interpretations of the Bible that took place in Spain during the medieval period. The Bible was the foundation of Jewish culture in medieval Spain. Following the scientific analysis of Hebrew grammar which emerged in al-Andalus in the ninth and tenth centuries, biblical exegesis broke free of homiletic interpretation and explored the text on grammatical and contextual terms. While some of the earliest commentary was in Arabic, scholars began using Hebrew more regularly during this period. The first complete biblical commentaries in Hebrew were written by Abraham Ibn ‘Ezra, and this set the standard for the generations that followed. This book analyses the approach and unique contributions of these commentaries, moving on to those of later Christian Spain, including the Qimhi family, Nahmanides and his followers and the esoteric-mystical tradition. Major topics in the commentaries are compared and contrasted. Thus, a unified picture of the whole fabric of Hebrew commentary in medieval Spain emerges. In addition, the book describes the many Spanish Jewish biblical manuscripts that have remained and details the history of printed editions and Spanish translations (for Jews and Christians) by medieval Spanish Jews. This book will appeal to scholars and students of medieval Spain, as well as those interested in the history of religion and cultural history.


Gleanings

Gleanings

Author: Cecil Roth

Publisher: New York : Published by Hermon Press for Bloch Publishing Company

Published: 1967

Total Pages: 360

ISBN-13:

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The Changing Book

The Changing Book

Author: Nancy E Kraft

Publisher: Routledge

Published: 2018-10-24

Total Pages: 234

ISBN-13: 1136754814

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Discover the changes in books in this digital age Evolving digital formats have forced libraries’ approaches to paper book collections to change in ways unforeseen even a few years ago. The Changing Book: Transition in Design, Production, and Preservation takes an insightful look at the evolution of books from its historical origins to completely digital. This visionary source examines the continuing role of the paper book, trends in print book production, and the future of the physical book. Electronic book technologies, on demand printing, book conservation, and traditions in bookmaking are discussed in detail. These superb selections of proceedings from The Changing Book Conference held in 2005 focus on the creativity and innovative ideas important to any library professional managing library collections. This resource provides numerous photographs and illustrations, and is extensively referenced. Topics in The Changing Book: Transition in Design, Production, and Preservation include: craft bookbinding historical background of book conservation the binding, repair, and conservation problems of the hundreds of years old Kennicott Bible from Spain the shift from print to digital collections the future of print collections electronic preservation and standardization the difficulties of book conservation in foreign lands traditions of Himalayan bookmaking graphic and book design alkaline paper use book preservation programs new technologies in on demand book production and more! The Changing Book: Transition in Design, Production, and Preservation is an enlightening resource for library professionals of all types, administrators, educators, and students.


Cultural Exchange

Cultural Exchange

Author: Joseph Shatzmiller

Publisher: Princeton University Press

Published: 2017-05-09

Total Pages: 203

ISBN-13: 0691176183

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Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.