The Women of Country Music
The Women of Country Music

Author: Charles K. Wolfe

Publisher: University Press of Kentucky

Published: 2003-07-31

Total Pages: 250

ISBN-13: 9780813122809

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Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.

The Oxford Handbook of Country Music
The Oxford Handbook of Country Music

Author: Travis D. Stimeling

Publisher: Oxford University Press

Published: 2017-06-01

Total Pages: 800

ISBN-13: 0190683856

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Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.

Country Music Sources
Country Music Sources

Author: Guthrie T. Meade

Publisher: NC State University Language and Life Project

Published: 2002

Total Pages: 1252

ISBN-13:

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Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Music

Her Country
Her Country

Author: Marissa R. Moss

Publisher: Henry Holt and Company

Published: 2022-05-10

Total Pages: 358

ISBN-13: 1250793602

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In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.

Creating Country Music
Creating Country Music

Author: Richard A. Peterson

Publisher: University of Chicago Press

Published: 2013-04-26

Total Pages: 341

ISBN-13: 022611144X

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In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. "[Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'"—Ken Emerson, Los Angeles Times Book Review "A triumphal history and theory of the country music industry between 1920 and 1953."—Robert Crowley, International Journal of Comparative Sociology "One of the most important books ever written about a popular music form."—Timothy White, Billboard Magazine

The Comprehensive Country Music Encyclopedia
The Comprehensive Country Music Encyclopedia

Author: Country Music Magazine (Périodique)

Publisher: Crown

Published: 1994

Total Pages: 470

ISBN-13:

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Country music has come of age. It has a rich history in American culture, and its story is well told in this definitive encyclopedia, written with verve and insight by the editors of America's leading and most popular country music magazine. The background of all the major -- and minor -- performers in country music, their greatest hits, fascinating anecdotes about their childhoods, their rise to (or fall from) fame, the truth behind publicity releases and general rumor -- it's all here, from Roy Acuff and Billy Ray Cyrus to Patsy Cline and Reba McEntire. The Comprehensive Country Music Encyclopedia offers a fresh, absorbing portrait of country music from its folkloric origins to its present status as the popular music of choice for 42 percent of the adult population, according to industry estimates. Indeed, in the past decade, the country music audience has tripled. Between 1988 and 1990, sales of country records jumped 56 percent as sales of rock-'n'-roll records slumped 5 percent. Combining more than six hundred short descriptive entries with longer evaluative articles, the encyclopedia is informative, engaging, and a pleasure to read. The critical events and individuals that have shaped country music are all here in one indispensable volume. More than a reference book to be consulted simply for the dates or details of a particular artist's hits or career, the encyclopedia offers a virtual social history of country music. It distinguishes itself not only by the unassailable authority of its contributors -- the most knowledgeable and gifted writers in this field -- but by its in-depth portraits of country music's pioneers and contemporary stars. Individual entries are placedwithin a larger historical and musical context. Linking discrete facts, dates, and events through what amount to interpretive essays, The Comprehensive Country Music Encyclopedia presents the overarching themes and musical ideas that have animated the landscape of country music. An additional feature of the encyclopedia is the more than six hundred photographs, many rarely seen. These superb photographs convey the social and cultural spirit of the artists depicted. Together with the compelling text, the encyclopedia is certain to engage the curiosity, interests, and passions of every reader, and of every fan.

Rednecks, Queers, and Country Music
Rednecks, Queers, and Country Music

Author: Nadine Hubbs

Publisher: Univ of California Press

Published: 2014-03-18

Total Pages: 241

ISBN-13: 0520958349

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In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.