Draws on three decades of research to chart the history of slave ships, their crews, and their enslaved passengers, documenting such stories as those of a young kidnapped African whose slavery is witnessed firsthand by a horrified priest from a neighboring tribe responsible for the slave's capture. 30,000 first printing.
Most Christians know John Newton as a man who once captained a slave ship, was dramatically converted to Christ on the high seas, and later penned one of the greatest hymns of the faith, "Amazing Grace." But he also had a huge impact on his times as an icon of the evangelical movement, as a great preacher and theologian, and as a seminal influence on abolitionist William Wilberforce. Newton's friendship with Wilberforce is portrayed in the major motion picture Amazing Grace. Jonathan Aitken's new biography John Newton explores all these facets of Newton's life and character. It is the first biography to draw on Newton's unpublished diaries and correspondence, providing fresh insight into the life of this complex and memorable Christian. The result is a fascinating, colorful, and historically significant portrait of John Newton, a self-described "great sinner" redeemed by a great Savior through amazing grace.
The autobiography of Olaudah Equiano, a prominent African in late 18th-century Britain, is quoted, anthologized and interpreted in dozens of books and articles. More than any single contemporary, Equiano speaks for the fate of millions of Africans in the era of the transatlantic slave trade. This study attempts to create a rounded portrait of the man behind the literary image, and to study Equiano in the context of Atlantic slavery.
"From 1750 to 1754 John Newton was Master of slave ships (a quite respectable occupation), and the journal which he then kept has ever since been locked away, unseen by any historian and only quoted briefly by one of his biographers. It is unique as a record of the slave trade. It covers three voyages from England to Africa, giving details about months of trading on the west coast, the notorious 'middle passage' to the West Indies and the return voyages to England, and is an important addition to our information about slave trading, about the history of West Africa and, to a lesser extent, about life at sea in the mid-eighteenth century. The editors have omitted passages which are repetitive and have included a few extracts from Newton's diary and letters written from sea at the same time as the journal, so that Newton's character while he was engaged in this shocking trade is revealed to an astonishing degree. Later, when Newton was a clergyman and the intimate friend of the poet Cowper, he wrote hymns which are still popular and books which were reprinted again and again all through the nineteenth century. His flair for literature adds to the fascination of the journal. On the title page of the journal Newton wrote a Latin tag, 'It will be pleasant to remember these things hereafter,' but in middle age he described the slave trade as 'a business at which my heart now shudders.' He became an abolitionist and was largely responsible for bringing Wilberforce into the anti-slavery campaign. With the journal before him to refresh his memory, he also wrote Thoughts on the African Slave Trade, a pamphlet which supplements the journal and is included as an appendix."--Book jacket.
Annamaboe was the largest slave trading port on the eighteenth-century Gold Coast, and it was home to successful, wily African merchants whose unusual partnerships with their European counterparts made the town and its people an integral part of the Atlantic’s webs of exchange. Where the Negroes Are Masters brings to life the outpost’s feverish commercial bustle and continual brutality, recovering the experiences of the entrepreneurial black and white men who thrived on the lucrative traffic in human beings. Located in present-day Ghana, the port of Annamaboe brought the town’s Fante merchants into daily contact with diverse peoples: Englishmen of the Royal African Company, Rhode Island Rum Men, European slave traders, and captured Africans from neighboring nations. Operating on their own turf, Annamaboe’s African leaders could bend negotiations with Europeans to their own advantage, as they funneled imported goods from across the Atlantic deep into the African interior and shipped vast cargoes of enslaved Africans to labor in the Americas. Far from mere pawns in the hands of the colonial powers, African men and women were major players in the complex networks of the slave trade. Randy Sparks captures their collective experience in vivid detail, uncovering how the slave trade arose, how it functioned from day to day, and how it transformed life in Annamaboe and made the port itself a hub of Atlantic commerce. From the personal, commercial, and cultural encounters that unfolded along Annamaboe’s shore emerges a dynamic new vision of the early modern Atlantic world.
Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize “Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”—Ira Berlin From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America—and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica—belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, “mortuary politics” played a consequential role in determining the course of history. Insightful and powerfully affecting, The Reaper’s Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.
Surveys the message, homiletical method, and the effect of Newton's preaching during the Olney and London periods, along with Newton as hymnwriter and the influence of his Olney hymns. Includes many previously unpublished photographs and new data. --Publisher (mellenpress.com).
Hindmarsh draws upon archival and antiquarian sources to consider the life and religious thought of John Newton (1725-1807). He shows how Newton's life sheds light on little explored aspects of the eighteenth-century Evangelical Revival. Hindmarsh's discussion of historical theology, pastoralia, and spirituality as well as his consideration of conversion narrative, the familiar letter, and hymnody contribute to a fuller understanding of religion and culture in general.
From the celebrated historian and author of Europe: A History, a new life of George II George II, King of Great Britain and Ireland and Elector of Hanover, came to Britain for the first time when he was thirty-one. He had a terrible relationship with his father, George I, which was later paralleled by his relationship to his own son. He was short-tempered and uncultivated, but in his twenty-three-year reign he presided over a great flourishing in his adoptive country - economic, military and cultural - all described with characteristic wit and elegance by Norman Davies. (George II so admired the Hallelujah chorus in Handel's Messiah that he stood while it was being performed - as modern audiences still do.) Much of his attention remained in Hanover and on continental politics, as a result of which he was the last British monarch to lead his troops into battle, at Dettingen in 1744.
If We Must Die examines nearly five hundred shipboard rebellions that occurred over the course of the entire slave trade, directly challenging the prevailing thesis that such resistance was infrequent or insignificant. As Eric Robert Taylor shows, though most revolts were crushed quickly, others raged on for hours, days, or weeks, and, occasionally, the Africans captured the vessel and returned themselves to freedom. In recounting these rebellions, Taylor suggests that certain factors like geographic location, the involvement of women and children, and the timing of a shipboard revolt, determined the difference between success and failure. Taylor also explores issues like aid from other ships, punishment of slave rebels, and treatment of sailors captured by the Africans. If We Must Die expands the historical view of slave resistance, revealing a continuum of rebellions that spanned the Atlantic as well as the centuries. These uprisings, Taylor argues, ultimately helped limit and end the traffic in enslaved Africans and also served as crucial predecessors to the many revolts that occurred subsequently on plantations throughout the Americas.