Sixteen fractures and eight surgeries caused by brittle bone disease could not stop Ummul Kher from cracking the prestigious IAS exam and joining the civil services. The determination of homemaker Smrithy Rajesh to educate her child affected by autism and ADHD empowered her to forge a career path for herself. Inspired by a blind friend, Pancham Cajla successfully transformed several railway stations, making them accessible to the visually impaired. These are only a few of the umpteen stories of resilience, courage and remarkable determination that offer a sensitive, holistic view of the lives of persons with disabilities in this much-needed book for today's India. Navigating a range of topics with lucid ease - from history and laws to widespread social attitudes - it meticulously records and amplifies the diverse, vibrant voices of persons with disabilities. Equally, it turns its gaze on those inextricably linked to their lives - health professionals, educators, trainers, employers, caregivers and activists - highlighting the key roles they play. Insightful, informative and moving, The Invisible Majority: India's Abled Disabled is a timely and invaluable book that inspires societal transformation while addressing the crucial question: how do we make India a more inclusive nation?
Provides a rhetorical analysis of female spirit mediums autobiographies in the historical and social contexts of Victorian-era America. Invisible Hosts explores how the central tenets of Spiritualism influenced ways in which women conceived of their bodies and their civic responsibilities, arguing that Spiritualist ideologies helped to lay the foundation for the social and political advances made by women in the late nineteenth and early twentieth centuries. As public figures, female spirit mediums of the Victorian era were often accused of unfeminine (and therefore transgressive) behavior. A rhetorical analysis of nineteenth-century spirit mediums autobiographies reveals how these women convinced readers of their authenticity both as respectable women and as psychics. The author argues that these womens autobiographies reflect an attempt to emulate feminine virtues even as their interpretation and performance of these virtues helped to transform prevailing gender stereotypes. She demonstrates that the social performance central to the production of womens autobiography is uniquely complicated by Spiritualist ideology. Such complications reveal new information about how women represented themselves, gained agency, and renegotiated nineteenth-century gender roles.
Domesticating the Invisible examines how postwar notions of form developed in response to newly perceived environmental threats, in turn inspiring artists to model plastic composition on natural systems often invisible to the human eye. Melissa S. Ragain focuses on the history of art education in Cambridge, Massachusetts, to understand how an environmental approach to form inspired new art programs at Harvard and MIT. As they embraced scientistic theories of composition, these institutions also cultivated young artists as environmental agents who could influence urban design and contribute to an ecologically sensitive public sphere. Ragain combines institutional and intellectual histories to map how the emergency of environmental crisis altered foundational modernist assumptions about form, transforming questions about aesthetic judgment into questions about an ethical relationship to the environment.
Since the Second World War, Toronto's image as a rather staid, predominantly British community, has been transformed through massive immigration into what has been aptly described as a "salad bowl" of identifiable ethnic communities with their characteristic languages, neighbourhoods, shops, newspapers, radio programs and sporting events.
Through trial and error, Hillman and his company honed a seven-step process for creating concepts, and developing and designing new media. Often overlooked or unknown by designers, the methods in this book are distilled from years of experience and enhanced by Hillman's years as a leader in the design field. Divided into three parts - "Process," "Inspiration," and "Practice"--The book offers a practical methodology for successful artistic and professional work and also offers technical advice for translating this to the web.
Introduction -- The meanings of censorship -- The origins and evolution of media freedom in Switzerland -- Media and democracy today -- International obligations and the freedom of the media in Switzerland -- National standards -- The secretiveness of the military -- Media organisations and journalists' associations -- Education and training in journalism -- Print media -- Radio and television -- The Internet: progressing by fits and starts -- The power of advertising -- Playing with the truth -- Self-censorship and blind obedience -- The failure of media journalism -- Conclusion.