William Desmond sees religion, art, philosophy, and politics as essential and distinctive modes of human practice, manifestations of an intimate universality that illuminates individual and social being. They are also surprisingly permeable phenomena, and by observing their relations, Desmond captures notes of a clandestine conversation that transforms ontology.
This book explores the contested place of metaphysics since Kant and Hegel, arguing for a renewed metaphysical thinking about the intimate strangeness of being.
Long past the time when philosophers from different perspectives had joined the funeral procession that declared the death of God, a renewed interest has arisen in regard to the questions of God and religion in philosophy. This book brings some of these philosophical views together to present an overview of the philosophical scene in its dealings with religion, but also to move beyond the outsider's perspective. Reflecting on these philosophical interpretations from a fundamental theological perspective, the authors discover in what way these interpretations can challenge an understanding of today's faith.
The Irish philosopher William Desmond is one of the most compelling and adventurous Christian thinkers of our time. The essays gathered here undertake a journey through the Bible with Desmond that ranges across biblical theology, philosophy of religion, metaphysics, ethics, aesthetics, political theory, and literary studies. Some of the essays examine the place of the Bible in Desmond's thought, considering his readings of the creation, the Abraham cycle, and the Beatitudes. Other essays bring Desmond's ideas to bear on broad questions that emerge from the Bible about philosophy and revelation, exegesis, theopoetics, eschatology, and tyranny. Still others bring Desmond into conversation with influential philosophers who engage (or conspicuously do not engage) the Bible, such as Hegel, Schopenhauer, Kierkegaard, Heidegger, and Tillich. Together, these essays show the rich possibilities of approaching the Bible with Desmond. All take their bearings from Desmond's "metaxological" approach, which does not seek to claim the final word, which attends to the text rather than simply imposing on it, and which allows for an ongoing dialogue. / Contributors: Ryan G. Duns, SJ / Caitlin Smith Gilson / Joseph K. Gordon / William Christian Hackett / Steven E. Knepper / Renee Kohler-Ryan / Andrew Kuiper / Brendan Thomas Sammon / Terence Sweeney / Ethan Vanderleek / Erik van Versendaal / Robert Wyllie
Since ascending onto the world stage in the 1990s as one of the premier bassists and composers of his generation, William Parker has perpetually toured around the world and released over forty albums as a leader. He is one of the most influential jazz artists alive today. In Universal Tonality historian and critic Cisco Bradley tells the story of Parker’s life and music. Drawing on interviews with Parker and his collaborators, Bradley traces Parker’s ancestral roots in West Africa via the Carolinas to his childhood in the South Bronx, and illustrates his rise from the 1970s jazz lofts and extended work with pianist Cecil Taylor to the present day. He outlines how Parker’s early influences—Ornette Coleman, John Coltrane, Albert Ayler, and writers of the Black Arts Movement—grounded Parker’s aesthetic and musical practice in a commitment to community and the struggle for justice and freedom. Throughout, Bradley foregrounds Parker’s understanding of music, the role of the artist, and the relationship between art, politics, and social transformation. Intimate and capacious, Universal Tonality is the definitive work on Parker’s life and music.
Who among us hasn't eavesdropped on a stranger's conversation in a theater or restaurant? Indeed, scientists have found that even animals eavesdrop on the calls and cries of others. In Eavesdropping, John L. Locke provides the first serious look at this virtually universal phenomenon. Locke's entertaining and disturbing account explores everything from sixteenth-century voyeurism to Hitchcock's "Rear Window"; from chimpanzee behavior to Parisian cafe society; from private eyes to Facebook and Twitter. He uncovers the biological drive behind the behavior and highlights its consequences across history and cultures. Eavesdropping can be a good thing--an attempt to understand what goes on in the lives of others so as to know better how to live one's own. Even birds who listen in on the calls of distant animals tend to survive longer. But Locke also concedes that eavesdropping has a bad name. It can encompass cheating to get unfair advantage, espionage to uncover secrets, and secretly monitoring emails to maintain power over employees. In the age of CCTV, phone tapping, and computer hacking, this is eye-opening reading. "
With The Book of Intimate Grammar, leading Israeli novelist David Grossman gives us the story of the greatest and most universal tragedy, the loss of the world of childhood. At twelve, Aron Kleinfeld is the ringleader among the boys in his Jerusalem neighborhood, their inspiration in dreaming up games and adventures. But as his friends begin to mature, Aron remains imprisoned for three long years in the body of a child. While Israel inches toward the Six-Day War, and the voices of his friends change and become strange to him, Aron lives in his child body as though in a nightmare. Like a spy in enemy territory, he learns to decipher the internal codes of sexuality and desire, to understand the unyielding bureaucracy of the human body. Hurled between childhood and adulthood, between the pure and the profane, he is like a volcano of emotions and impulses. But, like his hero Houdini, Aron still struggles to escape from the trap of growing up. The Book of Intimate Grammar is about the alchemy of childhood, which transforms loneliness and fear into creation, and about the struggle to emerge an artist. Funny, painful, and passionate, it is a work of enormous intensity and beauty.
The bestselling author, speaker, and teacher of John Paul II's Theology of the Body explores the yearning we all have for God and each other. Fill These Hearts is a book about desire. Not trivial wants or superficial cravings, but the most vital powers of body and soul, sexuality and spirituality, that haunt us and compel us on our search for something. Weaving life-altering lessons together from classical and contemporary art, pop music, movies, and the Christian mystical tradition, popular theologian Christopher West explores the ancient but largely forgotten idea that the restless, erotic yearnings we feel in both our bodies and our spirits reveal the cry of our hearts for God. Along the way, West blows the lid off the idea of Christianity as a repressive, anti-sex religion by demonstrating that Christ came to stretch and inflame our desire for love and union to the point of infinity.
The intimate and long-awaited memoir of guitar legend Carlos Santana. In 1967 at San Francisco's Fillmore Auditorium, a young guitarist played a blistering solo that announced a prodigious talent. Two years later he played a historic set at Woodstock, and the world came to know Carlos Santana by name. THE UNIVERSAL TONE is a tale of musical self-determination and self-discovery. It traces his journey from his teen days playing in Tijuana, and the establishment of his signature guitar sound; his roles as husband, father and rock star; and his recording of some of the most influential rock albums of all time, up to and beyond the sensational SUPERNATURAL, which garnered nine Grammy awards. The book abounds with a fearlessness that finds humour in the world of high-flying fame, speaks plainly of personal revelations, and celebrates the divine and infinite possibility Santana sees in each person he meets.
