A dazzling performance (think Forrest Gump, think Curious Incident, think Anne Donovan's Buddha Da) from one of Scotland's brightest new talents. Adam Spark. Eighteen going on eight-and-a-half. Fast-food worker. Queen fan. Last in the queue for luck. On waking from an accident in which he saves a child, he has the distinct impression that all is far from right. What are these curious lights that seem to surround people? Why are animals and machines trying to speak to him? And can he really control time? Is it just his imagination, or has Adam Spark been chosen to become Scotland's first, and only, superhero? This, however, is the least of his problems. The local gang is luring him into deeper and darker peril. His sister and lone carer, Jude, is giving all her love to another woman. And if Jude abandons Adam - or Adam drives her away - all the superpowers in the world won't be able to save him.
An imaginative time travel mystery about a boy whose life is upeneded with the arrival of a stranger and a magical promise. Twelve-year-old Adam doesn't mind living at his uncle's bakery, the Biscuit Basket, on the Lower East Side in New York City. The warm, delicious smells of freshly baked breads and chocolate croissants make every day feel cozy, even if Adam doesn't have many friends and he misses his long dead parents very much. When a mysterious but cheerful customer tells Adam that adventures await him, it's too strange to be true. But days later, an unbelievable, incredible thing happens. Adam travels back in time, first to Times Square in 1935, then a candle factory fire in 1967. But how are these moments related? What do they have to do with his parents' death? And why is a tall man with long eyebrows and a thin mustache following Adam's every move? In her debut novel G. Z. Schmidt has crafted a world filled with serendipity, mystery, and adventure for readers of Roald Dahl and Lemony Snicket.
Since its first publication 10 years ago, Boyracers has established itself as a contemporary Scottish cult classic. It is a totally fresh, savvy, and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad, pop-culture world. It is fast, pacy and funny—an exhilarating joyride through the formative years of four Falkirk teenagers. The author has contributed an afterword to this special anniversary edition.
Adam Hawthorne is fine. Yeah, his mother left, his older sister went with her, and his dad would rather read Nicholas Sparks novels than talk to him. And yeah, he spends his nights watching self-curated porn video playlists. But Adam is fine. When a family friend discovers Adam’s porn addiction, he’s forced to join an addiction support group: the self-proclaimed Knights of Vice. He goes because he has to, but the honesty of the Knights starts to slip past his defenses. Combine that with his sister’s out-of-the-blue return and the attention of a girl he meets in an AA meeting, and all the work Adam has put into being fine begins to unravel. Now Adam has to face the causes and effects of his addiction, before he loses his new friends, his prodigal sister, and his almost semi-sort-of girlfriend.
We’ve been conditioned to think about creative genius as a dichotomy: dreamers versus doers, creativity versus discipline, the spark versus the grind. But what if we’re wrong? What if it’s the spark and the grind? We love people whose creative genius arrives in sudden sparks of inspiration. Think of Archimedes in his bathtub or Newton under his apple tree. But we also admire people who work incredibly hard and long for their creative breakthroughs. Think of Edison in his lab, grinding through hundreds of failed variations on the lightbulb. We remember his words in tough times: “Genius is 1 percent inspiration, 99 percent perspiration.” Now Erik Wahl, a visual artist, speaker, and entrepreneur, helps us unite the yin and yang of creativity— the dynamic new ideas with the dogged effort. He shows why we won’t get far if we rely on the spark without the grind, or the grind without the spark. What the world really needs are the creators who can hold the two in balance. Fortunately, it’s possible to get good at both, as Wahl knows from experience. After his corporate career suddenly ended, he pursued a spark—to paint photorealistic portraits—and ground it out until he got good enough to make very good art very quickly. That’s the basis of his riveting live shows, which have captivated skeptical audiences who never expected to be inspired by art—and taught them to embrace creativity in a whole new way. This book offers surprising insights and practical advice about how to fan the sparks and make the grind more productive. Wahl deftly synthesizes the wisdom of other artists, philosophers, scientists, and business visionaries throughout history, along with his own views. Here’s how he sums up his approach: The world needs people who enjoy swimming in ideas until they discover a great one. The world also needs doers who have a gift for activation, a.k.a. “getting s*** done.” But the most potent individual creators in any industry or environment have learned how to be both. They’ve learned how to spark their grind and they’ve learned how to grind their sparks. As a result, they not only make things happen, they make great things. If you want to ensure constant creativity in your life and produce your most innovative work—this is your guide.
When we think of Scottish literature we think first of the urban grit which came from Edinburgh and Glasgow or the rural poetry of the Highlands and Islands. No-one thinks of Falkirk. Who ever came out of Falkirk? The place may be on the map due to engineering innovations such as the Falkirk Wheel and the iconic Kelpies sculpture but the town’s contribution to our nation’s literature has so far been underlooked. Edited and introduced by author and playwright, Alan Bissett - originally from Hallglen in Falkirk - this collection features established writers from the area such as Aidan Moffat, the lyrical genius behind the band Arab Strap; Gordon Legge, who was key to the ‘Rebel Inc’ movement of the 1990s; Janet Paisley, one of Scotland’s leading Scots language voices; and Brian McCabe, arguably one of Scotland’s most accomplished short-story writers. Alongside them are a host of new and young talents, as well as unseen poetry unearthed from Falkirk Archives. Together, these voices create a compelling picture of Falkirk.
By day, Charlie Bain is the school's most inspiring teacher. By night he prowls the stylish bars of Glasgow seducing women. Fuelled by art, drugs and fantasies of being an indie star, Charlie journeys further into hedonism, unable to see the destruction his desires are leading everyone towards.
“Suspenseful…emotionally compelling. I found myself eagerly following in a way I hadn’t remembered for a long time, impatient for the next twist and turn of the story."—NPR An Afghan American woman returns to Kabul to learn the truth about her family and the tragedy that destroyed their lives in this brilliant and compelling novel from the bestselling author of The Pearl That Broke Its Shell, The House Without Windows, and When the Moon Is Low. Kabul, 1978: The daughter of a prominent family, Sitara Zamani lives a privileged life in Afghanistan’s thriving cosmopolitan capital. The 1970s are a time of remarkable promise under the leadership of people like Sardar Daoud, Afghanistan’s progressive president, and Sitara’s beloved father, his right-hand man. But the ten-year-old Sitara’s world is shattered when communists stage a coup, assassinating the president and Sitara’s entire family. Only she survives. Smuggled out of the palace by a guard named Shair, Sitara finds her way to the home of a female American diplomat, who adopts her and raises her in America. In her new country, Sitara takes on a new name—Aryana Shepherd—and throws herself into her studies, eventually becoming a renowned surgeon. A survivor, Aryana has refused to look back, choosing instead to bury the trauma and devastating loss she endured. New York, 2008: Thirty years after that fatal night in Kabul, Aryana’s world is rocked again when an elderly patient appears in her examination room—a man she never expected to see again. It is Shair, the soldier who saved her, yet may have murdered her entire family. Seeing him awakens Aryana’s fury and desire for answers—and, perhaps, revenge. Realizing that she cannot go on without finding the truth, Aryana embarks on a quest that takes her back to Kabul—a battleground between the corrupt government and the fundamentalist Taliban—and through shadowy memories of the world she loved and lost. Bold, illuminating, heartbreaking, yet hopeful, Sparks Like Stars is a story of home—of America and Afghanistan, tragedy and survival, reinvention and remembrance, told in Nadia Hashimi’s singular voice.
The Edinburgh Companion to Contemporary Scottish Literature examines the ways in which the cultural and political role of Scottish writing has changed since the country's successful referendum on national self-rule in 1997. In doing so, it makes a convincing case for a distinctive post-devolution Scottish criticism. Introducing over forty original essays under four main headings - 'Contexts', 'Genres', 'Authors' and 'Topics' - the volume covers the entire spectrum of current interests and topical concerns in the field of Scottish studies and heralds a new era in Scottish writing, literary criticism and cultural theory. It records and critically outlines prominent literary trends and developments, the specific political circumstances and aesthetic agendas that propel them, as well as literature's capacity for envisioning new and alternative futures. Issues under discussion include class, sexuality and gender, nationhood and globalisation, the New Europe and cosmopolitan citizenship, postcoloniality,
