The Improvisation Studies Reader

The Improvisation Studies Reader

Author: Ajay Heble

Publisher: Routledge

Published: 2014-08-07

Total Pages: 717

ISBN-13: 1136187138

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Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to performance. The Improvisation Studies Reader draws together the works of key artists and thinkers from a range of disciplines, including theatre, music, literature, film, and dance. Divided by keywords into eight sections, this book bridges the gaps between these fields. The book includes case studies, exercises, graphic scores and poems in order to produce a teaching and research resource that identifies central themes in improvisation studies. The sections include: Listening Trust/Risk Flow Dissonance Responsibility Liveness Surprise Hope Each section of the Reader is introduced by a newly commissioned think piece by a key figure in the field, which opens up research questions reflecting on the keyword in question. By placing key theoretical and classic texts in conversation with cutting-edge research and artists’ statements, this book answers the urgent questions facing improvising artists and theorists in the mediatized Twenty-First Century.


The Improvisation Studies Reader

The Improvisation Studies Reader

Author: Rebecca Caines

Publisher: Routledge

Published: 2014-08-07

Total Pages: 479

ISBN-13: 1136187146

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Interdisciplinary approach chimes with current teaching trends Each section opens with specially commissioned thinkpiece from major scholar The first reader to address improvisation from a performance studies perspective


Taken by Surprise

Taken by Surprise

Author: Ann Cooper Albright

Publisher: Wesleyan University Press

Published: 2003-10-24

Total Pages: 308

ISBN-13: 9780819566485

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First comprehensive overview of improvisation in dance.


The Routledge Dance Studies Reader

The Routledge Dance Studies Reader

Author: Alexandra Carter

Publisher: Taylor & Francis

Published: 2010

Total Pages: 424

ISBN-13: 0415485983

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Represents the range and diversity of writings on dance from the mid to late 20th century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.


The Routledge Dance Studies Reader

The Routledge Dance Studies Reader

Author: Jens Richard Giersdorf

Publisher: Routledge

Published: 2010-02-25

Total Pages: 424

ISBN-13: 1135173486

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Represents the range and diversity of writings on dance from the mid-to-late twentieth century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.


I Want to Be Ready

I Want to Be Ready

Author: Danielle Goldman

Publisher: University of Michigan Press

Published: 2010-05-04

Total Pages: 187

ISBN-13: 0472050842

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A conceptual framework for understanding the development of improvised dance in late 20th-century America


The Routledge Dance Studies Reader

The Routledge Dance Studies Reader

Author: Jens Richard Giersdorf

Publisher: Routledge

Published: 2018-12-07

Total Pages: 808

ISBN-13: 1351613847

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The Routledge Dance Studies Reader has been expanded and updated, giving readers access to thirty-seven essential texts that address the social, political, cultural, and economic impact of globalization on embodiment and choreography. These interdisciplinary essays in dance scholarship consider a broad range of dance forms in relation to historical, ethnographic, and interdisciplinary research methods including cultural studies, reconstruction, media studies, and popular culture. This new third edition expands both its geographic and cultural focus to include recent research on dance from Southeast Asia, the People’s Republic of China, indigenous dance, and new sections on market forces and mediatization. Sections cover: Methods and approaches Practice and performance Dance as embodied ideology Dance on the market and in the media Formations of the field. The Routledge Dance Studies Reader includes essays on concert dance (ballet, modern and postmodern dance, tap, kathak, and classical khmer dance), popular dance (salsa and hip-hop), site-specific performance, digital choreography, and lecture-performances. It is a vital resource for anyone interested in understanding dance from a global and contemporary perspective.


The Oxford Handbook of Critical Improvisation Studies, Volume 1

The Oxford Handbook of Critical Improvisation Studies, Volume 1

Author: George E. Lewis

Publisher: Oxford University Press

Published: 2016-08-22

Total Pages: 617

ISBN-13: 0199707936

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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.


The Oxford Handbook of Critical Improvisation Studies, Volume 2

The Oxford Handbook of Critical Improvisation Studies, Volume 2

Author: George E. Lewis

Publisher: Oxford University Press

Published: 2016-08-22

Total Pages: 592

ISBN-13: 0190627972

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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.