Unbelievable heist! Con man attempts the impossible: selling the Eiffel Tower... twice. [Eiffel Tower and the Con Man Who Sold it Twice] unravels a hilarious true story.
It is said to be the most frequently spoken (or typed) word on the planet, more common than an infant's first word ma or the ever-present beverage Coke. It was even the first word spoken on the moon. It is "OK"--the most ubiquitous and invisible of American expressions, one used countless times every day. Yet few of us know the hidden history of OK--how it was coined, what it stood for, and the amazing extent of its influence. Allan Metcalf, a renowned popular writer on language, here traces the evolution of America's most popular word, writing with brevity and wit, and ranging across American history with colorful portraits of the nooks and crannies in which OK survived and prospered. He describes how OK was born as a lame joke in a newspaper article in 1839--used as a supposedly humorous abbreviation for "oll korrect" (ie, "all correct")--but should have died a quick death, as most clever coinages do. But OK was swept along in a nineteenth-century fad for abbreviations, was appropriated by a presidential campaign (one of the candidates being called "Old Kinderhook"), and finally was picked up by operators of the telegraph. Over the next century and a half, it established a firm toehold in the American lexicon, and eventually became embedded in pop culture, from the "I'm OK, You're OK" of 1970's transactional analysis, to Ned Flanders' absurd "Okeley Dokeley!" Indeed, OK became emblematic of a uniquely American attitude, and is one of our most successful global exports. "An appealing and informative history of OK." --Washington Post Book World "After reading Metcalf's book, it's easy to accept his claim that OK is 'America's greatest word.'" --Erin McKean, Boston Globe "Entertaininga treat for logophiles." --Kirkus Reviews "Metcalf makes you acutely aware of how ubiquitous and vital the word has become." --Jeremy McCarter, Newsweek
"A beautiful adventuress from the ancient city of New Dalli sets off to reclaim her missing lover. What secrets does she hide beneath her silk skirts? A gay cowboy flees the Great War in search of true love and the elusive undead poet Whit Waltman, but at what cost? A talking statue sends an abused boy spinning through a great metropolis, dodging pirates and search for a home. On these quests, you will meet macho firefighters, tiny fairies, collapsible musicians, lady devils and vengeful sea witches.""--Cover, p. [4].
Tales for those who never outgrew goosebumps Here are stories for lovers of chupacabras and hulders, griffins and gargoyles. Here be darkly cheery tales of ancient creatures beneath still waters, in the attic, or the shadows right by the bed. Herein an autistic hiker meets a cryptid who wants her camera; a Japanese tanuki seeks his fox daughter; and two women fall in love, never mind one's a swamp monster. Here be stories of changelings, nix, and demons adopted, of hungry kraken and cryptids we'd see if only, if only we looked into treetops, behind doors, or in our own back gardens. Here there be monsters. Thank all the gods.
Different individuals from various times and locations on Earth and space have seperate, yet connected adventures that will lead them to meet and face the largest threat to reality. They will have to gather themselves and prepare for the fight of their existence. This is the introcudtary novel for the series to be continued soon
The hero is Paco Jones, a biracial Mexican kid with few friends. He's recently transferred from his old junior high to a private school, and because he's the poor new kid, he soon finds himself the least popular. He's jeered at during lunch, called Paco Taco, and ridiculed for being different. So what hope is there for him when he falls for Naomi Fox, a popular girl already involved with a popular guy? Through dumb luck and a few clever moves, Paco soon finds himself on center stage amidst a twisted middle school mess.
The remarkable story of the 2019 World Series champion Washington Nationals told by the Washington Post writer who followed the team most closely. By May 2019, the Washington Nationals—owners of baseball’s oldest roster—had one of the worst records in the majors and just a 1.5 percent chance of winning the World Series. Yet by blending an old-school brand of baseball with modern analytics, they managed to sneak into the playoffs and put together the most unlikely postseason run in baseball history. Not only did they beat the Houston Astros, the team with the best regular-season record, to claim the franchise’s first championship—they won all four games in Houston, making them the first club to ever win four road games in a World Series. “You have a great year, and you can run into a buzz saw,” Nationals pitcher Stephen Strasburg told Washington Post beat writer Jesse Dougherty after the team advanced to the World Series. “Maybe this year we’re the buzz saw.” Dougherty followed the Nationals more closely than any other writer in America, and in Buzz Saw he recounts the dramatic year in vivid detail, taking readers inside the dugout, the clubhouse, the front office, and ultimately the championship parade. Yet he does something more than provide a riveting retelling of the season: he makes the case that while there is indisputable value to Moneyball-style metrics, baseball isn’t just a numbers game. Intangibles like team chemistry, veteran experience, and childlike joy are equally essential to winning. Certainly, no team seemed to have more fun than the Nationals, who adopted the kids’ song “Baby Shark” as their anthem and regularly broke into dugout dance parties. Buzz Saw is just as lively and rollicking—a fitting tribute to one of the most exciting, inspiring teams to ever take the field.
Having won 21 awards, The Improbable Wonders of Moojie Littleman is being lauded as a classic. A haunting, visionary tale spun in the magical realist tradition of Madeleine L'Engle's A Wrinkle in Time and Neil Gaiman's The Ocean at the End of the Lane, the profoundly unique voice and heart-stirring narrative recall great works of fiction that explore the universal desire to belong. Early 1900s, Western America. A lonely, disabled boy with a nasty temper and miraculous healing powers, Moojie is taken by his father to live at his grandfather's wilderness farm. There, Moojie meets otherworldly outcasts and wants to join them. Following a series of trials--magical and mystical--he is summoned by the call to a great destiny ... if only he can survive one last terrifying trial.
"We are all a little wild here with numerous projects of social reform," Ralph Waldo Emerson wrote in 1840 about the spirit of his time. "Not a reading man but has a draft of a new community in his waistcoat pocket." Almost a century later, five idealists, similarly committed to social reform, founded a new community, Camp Woodland, in upstate New York inspired by the spirit of their time. Some founders were educators. Others contributed administrative talents to the camp's operations. All were committed to racial and social justice and cultural diversity. Well before the currency of the Civil Rights Movement, Camp Woodland introduced a racially and ethnically diverse group of campers and staff into a traditional, rural community and succeeded in having its progressive vision accepted and embraced by its neighbors. How was a camp like Woodland able to become part of the rural community in which it was located? How did it earn the trust and acceptance of its mountain neighbors? And how was it able to harmonize potentially incompatible cultures? The Improbable Community tells the story of this achievement and recounts the collection of folk music, folklore and history by Camp Woodland that was an outgrowth of the friendships it formed.