Ellie Haskell becomes drawn into a mystery with her moonlighting housekeeper when a modish matriarch reports that the surviving daughter of a late ex-employee may be seeking revenge by killing off her mother's former employers and their descendants.
Ernestine is in over her head. Monday through Sunday, Ernestine's week is packed with after-school lessons—tuba, knitting, sculpting, water ballet, yoga, yodeling, and karate. Overwhelmed and exhausted, Ernestine decides to take matters into her own hands and heads off to the park with her Nanny where she builds a fort, watches the clouds, and plays all kinds of unstructured and imaginative games. But when a teacher calls Ernestine's mom to report that she has not shown up for yodeling, her parents search everywhere until at last they hear their daughter's laughter coming from the park. Ernestine tells her parents what a wonderful afternoon she's had, and explains her plight, asking, "I like my lessons, but can't I stop some of them?" This saga hilariously captures the dilemma of the modern-day over-scheduled child in riotous color and absurd extremes. A delightful heroine, Ernestine will be sure to put “play” back on everyone's agenda, demonstrating that in today's overscheduled world, everyone needs the joy of play and the simple wonders of childhood.
Civic Work, Civic Lessons explains how and why people of all ages, and particularly young people, should engage in public service as a vocation or avocation. Its authors are 57 years apart in age, but united in their passion for public service, which they term “civic work.” The book provides unique intergenerational perspectives. Thomas Ehrlich spent much of his career in the federal government. Ernestine Fu started a non-profit organization at an early age and then funded projects led by youth. Both have engaged in many other civic activities. An introductory chapter is followed by seven key lessons for success in civic work. Each lesson includes a section by each author. The sections by Ehrlich draw mainly from his experiences. Those by Fu draw on her civic work and that of many young volunteers whom the co-authors interviewed. The concluding chapter focuses on leveraging technologies for civic work. All profits received by the authors from the sale of this book will be donated to philanthropic organizations.
In this tantalizing mystery that's "filled with laugh out loud moments" and "reads like a middle-grade version of the movie Clue", Ernestine is the smart, spunky, and fearless Nancy Drew for today's young readers! We all know and love Ramona, Matilda, and Harriet the Spy. Now meet Ernestine. When a series of suspicious accidents befalls the wealthy residents of the retired artists' home where she works, Ernestine is determined to piece together clues to find the real culprit. She suspects it might be a zombie, but maybe greedy relatives can be just as scary! Catastrophe has never been so much fun!
Heading for her young cousin Ariel's delightfully Gothic mansion on the Yorkshire moors, Ellie Haskell discovers that a mysterious villain is stalking the house's picturesque halls.
An empowering picture book set in the 1940s about a determined five-year-old girl who embarks on a journey to deliver milk to her neighbors in the holler. Every morning, Ernestine shouts out her window to the Great Smoky Mountains, "I'm five years old and a big girl!" When Mama asks Ernestine--who helps with chores around the farm while Papa is away at war--to carry two mason jars filled with milk to their neighbor, Ernestine isn't sure she can do it. After all, she'd need to walk through thickets of crabapple and blackberry by the creek, not to mention past vines of climbing bittersweet. But Ernestine is five years old and a big girl, so off she sets. Along the way, one mason jar slips from her arms and rolls down the mountainside into the river, and Ernestine is sure it's lost forever . . . until her neighbor's son shows up with a muddy jar--and there's a surprise inside! With tons of flavor and a can-do spirit, here is a celebration of American history and a plucky girl who knows that helping a family in need is worth the trouble.
American anthropologist Ernestine McHugh arrived in the foothills of the Annapurna mountains in Nepal, and, surrounded by terraced fields, rushing streams, and rocky paths, she began one of several sojourns among the Gurung people whose ramro hawa-pani (good wind and water) not only describes the enduring bounty of their land but also reflects the climate of goodwill they seek to sustain in their community. It was in their steep Himalayan villages that McHugh came to know another culture, witnessing and learning the Buddhist appreciation for equanimity in moments of precious joy and inevitable sorrow. Love and Honor in the Himalayas is McHugh's gripping ethnographic memoir based on research among the Gurungs conducted over a span of fourteen years. As she chronicles the events of her fieldwork, she also tells a story that admits feeling and involvement, writing of the people who housed her in the terms in which they cast their relationship with her, that of family. Welcomed to call her host Ama and become a daughter in the household, McHugh engaged in a strong network of kin and friendship. She intimately describes, with a sure sense of comedy and pathos, the family's diverse experiences of life and loss, self and personhood, hope, knowledge, and affection. In mundane as well as dramatic rituals, the Gurungs ever emphasize the importance of love and honor in everyday life, regardless of circumstances, in all human relationships. Such was the lesson learned by McHugh, who arrived a young woman facing her own hardships and came to understand—and experience—the power of their ways of being. While it attends to a particular place and its inhabitants, Love and Honor in the Himalayas is, above all, about human possibility, about what people make of their lives. Through the compelling force of her narrative, McHugh lets her emotionally open fieldwork reveal insight into the privilege of joining a community and a culture. It is an invitation to sustain grace and kindness in the face of adversity, cultivate harmony and mutual support, and cherish life fully.
Known as "the queen of the platform," Ernestine Rose was more famous than her women's rights co-workers, Elizabeth Cady Stanton and Susan B. Anthony. By the 1850s, Rose had become an outstanding orator for feminism, free thought, and anti-slavery. Yet, she would gradually be erased from history for being too much of an outlier: an immigrant, a radical, and an atheist. In The Rabbi's Atheist Daughter, Bonnie S. Anderson recovers the unique life and career of Ernestine Rose. The only child of a Polish rabbi, Ernestine Rose rejected religion at an early age, successfully sued for the return of her dowry after rejecting an arranged betrothal, and left her family, Judaism, and Poland forever. In London, she became a follower of socialist Robert Owen and met her future husband, William Rose. Together they emigrated to New York in 1836. In the United States, Ernestine Rose rapidly became a leader in movements against slavery, religion, and women's oppression and a regular on the lecture circuit, speaking in twenty-three of the thirty-one states. She challenged the radical Christianity that inspired many nineteenth-century women reformers and yet, even as she rejected Judaism, she was both a victim and critic of antisemitism, as well as nativism. In 1869, after the Civil War, she and her husband returned to England, where she continued her work for radical causes. By the time women achieved the vote, for which she tirelessly advocated throughout her long career, her pioneering contributions to women's rights had been forgotten. The Rabbi's Atheist Daughter restores Ernestine Rose to her rightful place in history and offers an engaging account of her international activism.
In her first book, Blonde Indian, Ernestine Hayes powerfully recounted the story of returning to Juneau and to her Tlingit home after many years of wandering. The Tao of Raven takes up the next and, in some ways, less explored question: once the exile returns, then what? Using the story of Raven and the Box of Daylight (and relating it to Sun Tzu’s equally timeless Art of War) to deepen her narration and reflection, Hayes expresses an ongoing frustration and anger at the obstacles and prejudices still facing Alaska Natives in their own land, but also recounts her own story of attending and completing college in her fifties and becoming a professor and a writer. Hayes lyrically weaves together strands of memoir, contemplation, and fiction to articulate an Indigenous worldview in which all things are connected, in which intergenerational trauma creates many hardships but transformation is still possible. Now a grandmother and thinking very much of the generations who will come after her, Hayes speaks for herself but also has powerful things to say about the resilience and complications of her Native community.
Ernestine, the young heroine of Back Home, and her great-aunt Odessa often ride the trolley to the railroad station to watch the trains from North Carolina come in. When Ernestine finally travels on a train to the place of her birth, everyone in her family sacrifices something to make her trip possible. Gloria Jean and Jerry Pinkney together depict family warmth as bright as sunshine. Full color.