The Illustrated Beatus: The 9th and 10th centuries

The Illustrated Beatus: The 9th and 10th centuries

Author: John Williams

Publisher: Harvey Miller

Published: 1994

Total Pages: 326

ISBN-13:

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The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.


The Illustrated Beatus: The 9th and 10th centuries

The Illustrated Beatus: The 9th and 10th centuries

Author: John Williams

Publisher: Harvey Miller

Published: 1994

Total Pages: 328

ISBN-13:

DOWNLOAD EBOOK

The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.


Balancing the Scales

Balancing the Scales

Author: Marie A. Conn

Publisher: University Press of America

Published: 2003

Total Pages: 172

ISBN-13: 9780761825135

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Balancing the Scales, a book of essays by faculty members of Chestnut Hill College in Philadelphia, is an exploration of the manipulation and transformation of symbolic concepts of women. A multidisciplinary collection, representing Art History, English, Spanish Language and Literature, Psychology, and Theology, this book hopes to raise awareness of the historical perception of women before and after the so-called patriarchal revolution. In the eighth century BCE, the Greek poet Hesiod changed the character of Pandora, a manifestation of the Great Earth Mother, into Pandora, the bringer of evil. This fundamental change in the nature of the female archetype influenced the biblical writers and their depiction of Eve. In the medieval period, artistic renderings of the Whore of Babylon and the Woman Clothed with the Sun resulted in cultic images of women as either whore (Eve) or pure virgin (Mary). The apparitions and miraculous images of the Black Madonna at Montserrat and Guadalupe show the persistence of the divine feminine in popular culture even as institutional religion denies her existence. The story of Cleopatra breaks open the question of why strong women are seen as frightening. The essays conclude with psychological study of the imbalance induced by millennia of patriarchal domination, resulting in the loss of the sacred feminine.


Cartography in Antiquity and the Middle Ages

Cartography in Antiquity and the Middle Ages

Author: Richard J. A. Talbert

Publisher: BRILL

Published: 2008

Total Pages: 341

ISBN-13: 9004166637

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There was no sharp break between classical and medieval map making. Contributions by thirteen scholars offer fresh insight that demonstrates continuity and adaptation over the long term. This work reflects current thinking in the history of cartography and opens new directions for the future.


Fifty Early Medieval Things

Fifty Early Medieval Things

Author: Deborah Deliyannis

Publisher: Cornell University Press

Published: 2019-03-15

Total Pages: 415

ISBN-13: 1501730290

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This important book [...] is a helpful guide to thinking with things and teaching with things. Each entry challenges the reader to approach objects as historical actors that can speak to the changes and continuities of life in the late antique and early medieval world.― Early Medieval Europe Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable. Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects—artifacts, structures, and archaeological features—created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era. Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading.


The Absent Image

The Absent Image

Author: Elina Gertsman

Publisher: Penn State Press

Published: 2021-06-24

Total Pages: 599

ISBN-13: 0271089016

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Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.


The End(s) of Time(s)

The End(s) of Time(s)

Author: Hans-Christian Lehner

Publisher: BRILL

Published: 2021-05-25

Total Pages: 403

ISBN-13: 9004462430

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Crises and end time expectations are closely linked to one another. The present volume collates interdisciplinary research from specialists in the study of apocalyptic and eschatological subjects worldwide and overcomes the existing Euro-centrism by incorporating a broader perspective.


Church, State, Vellum, and Stone

Church, State, Vellum, and Stone

Author: Therese Martin

Publisher: BRILL

Published: 2005-12-01

Total Pages: 584

ISBN-13: 904741618X

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The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.