The Illustrated American
Author:
Publisher:
Published: 1894
Total Pages: 852
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author:
Publisher:
Published: 1894
Total Pages: 852
ISBN-13:
DOWNLOAD EBOOKAuthor: Abner Dumont Jones
Publisher:
Published: 1853
Total Pages: 276
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1851
Total Pages: 184
ISBN-13:
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Publisher:
Published: 1891
Total Pages: 756
ISBN-13:
DOWNLOAD EBOOKAuthor: Abner Dumont Jones
Publisher:
Published: 1853
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOKAuthor: Frank Luther Mott
Publisher: Harvard University Press
Published: 1938
Total Pages: 652
ISBN-13: 9780674395510
DOWNLOAD EBOOKThe first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.
Author: Susan Shifrin
Publisher: Taylor & Francis
Published: 2017-07-05
Total Pages: 337
ISBN-13: 1315317575
DOWNLOAD EBOOKCrossing disciplinary and chronological boundaries, this volume integrates text and image, essays and object pages to explore the processes inherent in gender representation, rather than resituating women in particular categories or spheres as other scholarly publications and exhibitions have done. Taking its lead from the 'Picturing' Women project on which it reflects and builds, the volume makes a substantial methodological contribution to the analysis of gender discourse and visuality. It offers new and stimulating scholarship that confronts historical patterns of representation that have defined what women were and are seen to be, and presents new contexts for unveiling what art historian Linda Nochlin has called the 'mixed messages' of representations of women.