The Ideology of Genre

The Ideology of Genre

Author: Thomas O. Beebee

Publisher: Penn State Press

Published: 1994

Total Pages: 316

ISBN-13: 9780271025704

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In a series of comparative essays on a range of texts embracing both high and popular culture from the early modern era to the contemporary period, The Ideology of Genre counters both formalists and advocates of the &"death of genre,&" arguing instead for the inevitability of genre as discursive mediation. At the same time, Beebee demonstrates that genres are inherently unstable because they are produced intertextually, by a system of differences without positive terms. In short, genre is the way texts get used. To deny that genres exist is to deny, in a sense, the possibility of reading; if genres exist, on the other hand, then they exist not as essences but as differences, and thus those places within and between texts where genres &"collide&" reveal the connections between generic status, interpretive strategy, ideology, and the use-value of language.


Film Genre

Film Genre

Author: Barry Keith Grant

Publisher: Columbia University Press

Published: 2019-07-25

Total Pages: 168

ISBN-13: 0231850069

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This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.


The Ideology of Genre

The Ideology of Genre

Author: Thomas O. Beebee

Publisher: Penn State Press

Published:

Total Pages: 313

ISBN-13: 0271042095

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In a series of comparative essays on a range of texts embracing both high and popular culture from the early modern era to the contemporary period, The Ideology of Genre counters both formalists and advocates of the &"death of genre,&" arguing instead for the inevitability of genre as discursive mediation. At the same time, Beebee demonstrates that genres are inherently unstable because they are produced intertextually, by a system of differences without positive terms. In short, genre is the way texts get used. To deny that genres exist is to deny, in a sense, the possibility of reading; if genres exist, on the other hand, then they exist not as essences but as differences, and thus those places within and between texts where genres &"collide&" reveal the connections between generic status, interpretive strategy, ideology, and the use-value of language.


The Rhetoric and Ideology of Genre

The Rhetoric and Ideology of Genre

Author: Richard M. Coe

Publisher: Hampton Press (NJ)

Published: 2002

Total Pages: 408

ISBN-13:

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"This book takes up issues of current concern in composition studies, sociolinguistics, and ESL--issues concerning academic literacy, critical literacy, expressive versus cognitive approaches to the teaching of writing, and the like. It does so in a practical, experiential way, drawing on events in classrooms in universities in South Africa and the United States. The contrast between the South African context and the American, as well as their surprising parallels, highlight certain questions concerning the teaching of literacy in a dramatic way, so that theory and practice are brought together. In contrast to writing programs that follow a textbook or a planned sequence of study, the authors describe a narrative pedagogy that encourages students to find a direction and choose activities suggested by their own concerns and ongoing lives."--Publisher.


Francis Ford Coppola's The Godfather Trilogy

Francis Ford Coppola's The Godfather Trilogy

Author: Nick Browne

Publisher: Cambridge University Press

Published: 1999-11-13

Total Pages: 212

ISBN-13: 9780521559508

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The Godfather trilogy is among the most significant works of Hollywood cinema of the last quarter century. They provide a richly complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is re-examined from a variety of perspectives. Providing analyses on the form and significance of Coppola's achievement, they demonstrate how the filmmaker revised the conventions of the American crime film in the Viet Nam era, his treatment of the capitalism of the criminal underworld and its inherent violence, the power struggles within Hollywood over the film, and the contribution of opera to the epic force and cinematic style of Coppola's vision of an American criminal dynasty. The Godfather articulates the themes, styles, mythologies, performances, and underlying cultural values that have made the film a modern classic.


Travels of a Genre

Travels of a Genre

Author: Mary N. Layoun

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 286

ISBN-13: 1400860806

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If the modern Western novel is linked to the rise of a literate bourgeoisie with particular social values and narrative expectations, to what extent can that history of the novel be anticipated in non-Western contexts? In this bold, insightful work Mary Layoun investigates the development of literary practice in the Greek, Arabic, and Japanese cultures, which initially considered the novel a foreign genre, a cultural accoutrement of "Western" influence. Offering a textual and contextual analysis of six novels representing early twentieth-century and contemporary literary fiction in these cultures, Layoun illuminates the networks of power in which genre migration and its interpretations have been implicated. She also examines the social and cultural practice of constructing and maintaining narratives, not only within books but outside of them as well. In each of the three cultural traditions, the literary debates surrounding the adoption and adaption of the modern novel focus on problematic formulations of the "modern" versus the "traditional," the "Western" and "foreign" versus the "indigenous," and notions of the modern bourgeois subject versus the precapitalist or precolonial subject. Layoun textually situates and analyzes these formulations in the early twentieth-century novels of Alexandros Papadiamandis (Greece), Yahya Haqqi (Egypt), and Natsume Soseki (Japan) and in the contemporary novels of Dimitris Hatzis (Greece), Ghassan Kanafani (Palestine), and Oe Kenzaburo (Japan). Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Genre in a Changing World

Genre in a Changing World

Author: Charles Bazerman

Publisher: Parlor Press LLC

Published: 2009-09-16

Total Pages: 486

ISBN-13: 1643170015

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Genre studies and genre approaches to literacy instruction continue to develop in many regions and from a widening variety of approaches. Genre has provided a key to understanding the varying literacy cultures of regions, disciplines, professions, and educational settings. GENRE IN A CHANGING WORLD provides a wide-ranging sampler of the remarkable variety of current work. The twenty-four chapters in this volume, reflecting the work of scholars in Europe, Australasia, and North and South America, were selected from the over 400 presentations at SIGET IV (the Fourth International Symposium on Genre Studies) held on the campus of UNISUL in Tubarão, Santa Catarina, Brazil in August 2007—the largest gathering on genre to that date. The chapters also represent a wide variety of approaches, including rhetoric, Systemic Functional Linguistics, media and critical cultural studies, sociology, phenomenology, enunciation theory, the Geneva school of educational sequences, cognitive psychology, relevance theory, sociocultural psychology, activity theory, Gestalt psychology, and schema theory. Sections are devoted to theoretical issues, studies of genres in the professions, studies of genre and media, teaching and learning genre, and writing across the curriculum. The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work.


Love and Ideology in the Afternoon

Love and Ideology in the Afternoon

Author: Laura Stempel Mumford

Publisher: Georgetown University Press

Published: 1995

Total Pages: 180

ISBN-13: 9780253209658

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"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism--so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.


Phantom Formations

Phantom Formations

Author: Marc Redfield

Publisher: Cornell University Press

Published: 2018-03-15

Total Pages: 237

ISBN-13: 1501723170

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No detailed description available for "Phantom Formations".


Tracing Genres Through Organizations

Tracing Genres Through Organizations

Author: Clay Spinuzzi

Publisher: MIT Press

Published: 2003

Total Pages: 274

ISBN-13: 9780262194914

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A sociocultural study of workers' ad hoc genre innovations and their significance for information design.