The Iconography of Carved Altar Tusks from Benin, Nigeria
Author: Barbara Winston Blackmun
Publisher:
Published: 1992
Total Pages: 430
ISBN-13:
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Author: Barbara Winston Blackmun
Publisher:
Published: 1992
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Kate Ezra
Publisher: Metropolitan Museum of Art
Published: 1992
Total Pages: 346
ISBN-13: 0870996339
DOWNLOAD EBOOKTantalizing trivia. this Hitler, spoiling everything?"
Author: Barbara Winston Blackmun
Publisher:
Published: 1985
Total Pages: 237
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn Wysocki Gunsch
Publisher: Routledge
Published: 2017-12-15
Total Pages: 276
ISBN-13: 1351254596
DOWNLOAD EBOOKThe 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.
Author: Paula Ben-Amos
Publisher:
Published: 1995
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOKStudy of the role of art in the ancient African kingdom of Benin
Author: Kathy Curnow
Publisher: University of Pennsylvania Museum
Published: 2024-06-05
Total Pages: 149
ISBN-13: 1949057208
DOWNLOAD EBOOKThis guide examines America's oldest collection of Benin art, and one of its least published. Ivory, brass, and wooden art from one of the greatest African precolonial states--the only sub-Saharan polity with 500 years of surviving art--are examined through contextual lenses that provide insight into the Ẹdo people's creativity and world view. The guide also considers the collection's specific history and growth, and current plans to repatriate the artworks back to Nigeria's Benin Kingdom. For readers unfamiliar with Benin and its art, this introduces the complexities of the palace, its successive monarchs and chiefs, and interprets metaphorical motifs such as mudfish, leopards, and elephants. Artworks refer to family and court rivalries, as well as the strict court hierarchies that dictated who could use which materials and wear particular regalia. Interactions with the Portuguese in the 15th and 16th centuries, their impact on trade and luxury goods, and their introduction of Catholicism paint a portrait of a society that absorbed only what they found useful and flourished in both war and peace. Original fieldwork illuminates Benin art and culture and previously published archival material provides insight regarding major collectors and individuals who shaped the field of African art history.
Author: Rolf Denk
Publisher: tredition
Published: 2021-03-17
Total Pages: 370
ISBN-13: 3347284879
DOWNLOAD EBOOKProf . Dr Rolf Denk, born in Düsseldorf in 1935, worked as a dermatologist in the Mainz University Hospital and afterwards in his own specialist practice in Rüsselsheim. In 1978 he and other collectors were among the founders of the European Union to Search for, Collect, and Preserve Primitive and Curious Money (EUCOPRIMO). In 1981 he took over the editing of the journal Der Primitivgeldsammler. After completing his medical career, he devoted himself more to the research of early indigenous means of payment. 110 own publications have appeared on this topic. In 2017 he published the monograph "Das Manillen-Geld West Afrikas" of which he now presents a revised and extended edition in English. The currency manillas discussed in this book are open metal rings that were used by Europeans as means of payment in trade with the local population from the mid-15th to mid-20th century in various areas of the West Coast of Africa. All currency manillas were made in Europe and are not indigenous products. Therefore is not correct and misleading to designate the foot, arm and neck rings produced in the country itself as manillas. The early Portuguese manillas, also called tacoais, were largely produced according to Portuguese specifications in Flanders and Germany. They are heavier and larger than the so-called Birmingham manillas, which originated in England and were mainly exported to southern Nigeria, where they were in circulation as market money with the Igbo and Ibibo. An intermediate position in terms of shape, weight and metal composition is occupied by the popo manillas, probably produced in England and France and mainly used in the Ivory Coast. On the basis of extensive literature research, an attempt is made to obtain more precise data on the production, use and typification of the different currency manillas and to show their clear distinction from the indigenous metal rings.
Author: Gitti Salami
Publisher: John Wiley & Sons
Published: 2013-12-24
Total Pages: 650
ISBN-13: 1444338374
DOWNLOAD EBOOKOffering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Author: Gore Charles Gore
Publisher: Edinburgh University Press
Published: 2019-07-30
Total Pages: 256
ISBN-13: 1474468586
DOWNLOAD EBOOKThis book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions which underpin current interpretations and presents an original and revisionist account of Benin art history.
Author: Henry Ling Roth
Publisher:
Published: 1903
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKOctober 2004