• Covers the American invasion and settling of the Kentucky frontier • Includes such frontier personalities as Daniel Boone, John Redd, Michael Cassidy, and Nicholas Cresswell The Hunters of Kentucky covers a wide range of frontier existence, from daily life and survival to wars, exploits, and even flora and fauna. the pioneers and their lives are profiled in biographical sketches, giving a rich sampling of the personalities involved in the United States' westward expansion. Author Ted Franklin Belue's colorful, vivid prose brings these long-forgotten frontiersmen to life.
No longer willing to accept naval blockades, the impressment of American seamen, and seizures of American ships and cargos, the United States declared war on Great Britain. The aim was to frighten Britain into concessions and, if that failed, to bring the war to a swift conclusion with a quick strike at Canada. But the British refused to cave in to American demands, the Canadian campaign ended in disaster, and the U.S. government had to flee Washington, D.C., when it was invaded and burned by a British army. By all objective measures, the War of 1812 was a debacle for the young republic, and yet it was celebrated as a great military triumph. The American people believed they had won the war and expelled the invader. Oliver H. Perry became a military hero, Francis Scott Key composed what became the national anthem and commenced a national reverence for the flag, and the U.S.S. Constitution, "Old Ironsides," became a symbol of American invincibility. Every aspect of the war, from its causes to its conclusion, was refashioned to heighten the successes, obscure the mistakes, and blur embarrassing distinctions, long before there were mass media or public relations officers in the Pentagon. In this entertaining and meticulously researched book by America's leading authority on the War of 1812, Donald R. Hickey dispels the many misconcep-tions that distort our view of America's second war with Great Britain. Embracing military, naval, political, economic, and diplomatic analyses, Hickey looks carefully at how the war was fought between 1812 and 1815, and how it was remembered thereafter. Was the original declaration of war a bluff? What were the real roles of Canadian traitor Joseph Willcocks, Mohawk leader John Norton, pirate Jean Laffite, and American naval hero Lucy Baker? Who killed the Shawnee chief Tecumseh and who shot the British general Isaac Brock? Who actually won the war, and what is its lasting legacy? Hickey peels away fantasies and embellishments to explore why cer-tain myths gained currency and how they contributed to the way that the United States and Canada view themselves and each other.
The Battle of New Orleans proved a critical victory for the United States, a young nation defending its nascent borders, but over the past two hundred years, myths have obscured the facts about the conflict. In The Battle of New Orleans in History and Memory, distinguished experts in military, social, art, and music history sift the real from the remembered, illuminating the battle’s lasting significance across multiple disciplines. Laura Lyons McLemore sets the stage by reviewing the origins of the War of 1812, followed by essays that explore how history and memory intermingle. Donald R. Hickey examines leading myths found in the collective memory—some, embellishments originating with actual participants, and others invented out of whole cloth. Other essayists focus on specific figures: Mark R. Cheathem explores how Andrew Jackson’s sensational reputation derived from contemporary anecdotes and was perpetuated by respected historians, and Leslie Gregory Gruesbeck considers the role visual imagery played in popular perception and public memory of battle hero Jackson. Other contributors unpack the broad social and historical significance of the battle, from Gene Allen Smith’s analysis of black participation in the War of 1812 and the subsequent worsening of American racial relations, to Blake Dunnavent’s examination of leadership lessons from the war that can benefit the U.S. military today. Paul Gelpi makes the case that the Creole Battalion d’Orleans became protectors of American liberty in the course of defending New Orleans from the British. Examining the European context, Alexander Mikaberidze shows that America’s second conflict with Britain was more complex than many realize or remember. Joseph F. Stoltz III illustrates how commemorations of the battle, from memorials to schoolbooks, were employed over the years to promote various civic and social goals. Finally, Tracey E. W. Laird analyzes variations of the tune “The Battle of New Orleans,” revealing how it has come to epitomize the battle in the collective memory.
Spanning more than 400 years of America's past, this book brings together, for the first time, entries on the ways Americans have mythologized both the many wars the nation has fought and the men and women connected with those conflicts. Focusing on significant representations in popular culture, it provides information on fiction, drama, poems, songs, film and television, art, memorials, photographs, documentaries, and cartoons. From the colonial wars before 1775 to our 1997 peacekeeper role in Bosnia, the work briefly explores the historical background of each war period, enabling the reader to place the almost 500 entries into their proper context. The book includes particularly large sections dealing with the popular culture of the American Revolution, the Civil War, the Indian Wars West of the Mississippi, World War II, and Vietnam. It has been designed to be a useful reference tool for anyone interested in America's many wars, to provide answers, to teach, to inspire, and most of all, to be enjoyed.
The Civil War in Missouri In 1863, at fifteen, Matt Howard is old enough to join the Southern guerrillas and help protect Missouri from Union forces. But Matt would rather farm than fight – tending his beloved pa's land is the next best thing to having him still alive. What's more, to safeguard her six children, Matt's mother insists that the family take a neutral position. In Missouri's Civil War, which pits neighbor against neighbor, armed men often bang on doors in the middle of the night, shouting "Union or Secesh?" The wrong answer can get a civilian killed. Matt's mother is from the North, and when Ma decides to move them back, Matt is torn: Should he abandon his farm or his family? And what about his friend Jesse, who has no doubts about joining the guerrillas? What will Jesse say if Matt runs away? In this large, gripping examination of the Civil War in Missouri, a boy bewildered by the madness around him wrestles with questions about family ties, friendship, and loyalty. Guerrilla Season is a 2004 Bank Street - Best Children's Book of the Year.
