The Oxford Book of Humorous Prose

The Oxford Book of Humorous Prose

Author: Frank Muir

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 1162

ISBN-13: 9780192803795

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In this magisterial collection, Frank Muir guides the reader on a journey of discovery and delight through five centuries of humorous prose in the English language.Starting in London with William Caxton and a Preface written and printed in 1477, and ending with P. G. Wodehouse whose last novel was published in 1977, the route is meandering: from England to Ireland and Scotland, back to England again, on to America, Canada, Australia, and New Zealand. There areexamples chosen from humorous fiction, letters, and journalism written by over 200 authors and ranging from medieval jests to the New Yorker and Beachcomber; from Thomas Nashe and Tom Brown's galloping bawdy to Jane Austen and on to Garrison Keillor and Arthur Marshall; from the jokes in SamuelJohnson's Dictionary to Kingsley Amis's Lucky Jim and his hangover. The great humorous writers such as Charles Dickens, Mark Twain, and P. G. Wodehouse are given a kind of mini-anthology of their own so that the range and versatility of their work can be appreciated.The extracts are embedded in a commentary that sets the writers in their historical context with items of contemporary gossip and anecdotal biography.As tour leader of this enjoyable enterprise, there could be no one better than Frank Muir to entertain, inform, and above all amuse the reader in his own distinctive fashion.


Oxford Dictionary of Humorous Quotations

Oxford Dictionary of Humorous Quotations

Author: Ned Sherrin

Publisher: Oxford University Press, USA

Published: 2008-09-25

Total Pages: 574

ISBN-13: 0199237166

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This hilarious collection of humorous quotations, full of wisecracks and wit, snappy comments and inspired fantasy, has been specially compiled by the late broadcaster and raconteur Ned Sherrin, with a foreword by leading British satirist, Alistair Beaton. Now packed with even more quotes and covering more subjects than before, from Weddings to the Supernatural, Australia to Headlines. Find the best lines from your favourite jokesters and wordsmiths, add that extra something to a speech or presentation, or just enjoy a good laugh. 'A chair is a piece of furniture. I am not a chair because no one has ever sat on me.' Ann Widdecombe on the announcement that Parliamentary language will now be gender-neutral. 'No wonder Bob Geldof is such an expert on famine. He's been feeding off 'I don't like Mondays' for 30 years.' Russell Brand On deciding to run for governor of California: 'The most difficult decision I've ever made in my entire life, except for the one in 1978 when I decided to get a bikini wax.' Arnold Schwarzenegger 'Wanting to know an author because you like his work is like wanting to know a duck because you like p--acirc--;t--eacute--;.' Margaret Atwood 'I am so sorry. We have to stop there. I have just come to the end of my personality.' Quentin Crisp, closing down an interview


Humour, Comedy and Laughter

Humour, Comedy and Laughter

Author: Lidia Dina Sciama

Publisher: Berghahn Books

Published: 2016-04-01

Total Pages: 220

ISBN-13: 1782385436

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Anthropological writings on humor are not very numerous or extensive, but they do contain a great deal of insight into the diverse mental and social processes that underlie joking and laughter. On the basis of a wide range of ethnographic and textual materials, the chapters examine the cognitive, social, and moral aspects of humor and its potential to bring about a sense of amity and mutual understanding, even among different and possibly hostile people. Unfortunately, though, cartoons, jokes, and parodies can cause irremediable distress and offence. Nevertheless, contributors’ cross-cultural evidence confirms that the positive aspects of humor far outweigh the danger of deepening divisions and fueling hostilities


The Oxford Handbook of Shakespearean Comedy

The Oxford Handbook of Shakespearean Comedy

Author: Heather Hirschfeld

Publisher: Oxford University Press

Published: 2018-09-06

Total Pages: 593

ISBN-13: 0191043451

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The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.


The Oxford Book of Theatrical Anecdotes

The Oxford Book of Theatrical Anecdotes

Author: Gyles Brandreth

Publisher: Oxford University Press

Published: 2020-10-08

Total Pages: 511

ISBN-13: 0191066524

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This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.