San Francisco architect Stratton Fields has just discovered that a contest was rigged against him and that the man who engineered the cheat, Ty DeVere, is determined to keep Stratton from success. But when Stratton’s enemies, including Ty, start dying mysteriously—and Stratton encounters several apparitions—he wonders if he unknowingly made a deal with a supernatural force. Or maybe he murdered these people himself and has no memory of his deeds. Stratton must confront both the humans and the spirits who are causing mayhem to discover the destructive truth.
"Although gothic, almost ghoulish, this 1976 Spanish Literary Critics awards winner is also wildly imaginative and lyrically written, with a translation to match". -- Publishers Weekly-- 1995 Publishers Weekly Best Books of the Year-- 1995-96 Critics' Choice List
One of Canada’s most accomplished authors combines the best qualities of both the short story and the novel to create a lyrical evocation of the beauty, pain, and wonder of growing up. In eight interconnected, finely wrought stories, Margaret Laurence recreates the world of Vanessa MacLeod – a world of scrub-oak, willow, and chokecherry bushes; of family love and conflict; and of a girl’s growing awareness of and passage into womanhood. The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact. In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.
"Deserves a spot on the shelf next to the most beloved children's classics—yes, even The Secret Garden." —Shelf Awareness, Starred Review Described as "reminiscent of the Chronicles of Narnia" in a starred review, The Secret Horses of Briar Hill shows readers everywhere that there is color in our world—they just need to know where to look. There are winged horses that live in the mirrors of Briar Hill hospital—the mirrors that reflect the elegant rooms once home to a princess, now filled with sick children. Only Emmaline can see the creatures. It is her secret. One morning, Emmaline climbs over the wall of the hospital’s abandoned gardens and discovers something incredible: a white horse with a broken wing has left the mirror-world and entered her own. The horse, named Foxfire, is hiding from a dark and sinister force—a Black Horse who hunts by colorless moonlight. If Emmaline is to keep him from finding her new friend, she must surround Foxfire with treasures of brilliant shades. But where can Emmaline find color in a world of gray? A Kirkus Reviews Best Book of 2016 "Endearing characters, metaphors for life and death, and a slow revelation of the horrors of war give this slim novel a surprising amount of heft."—Booklist, Starred Review "In clear, gripping, flawless prose . . . this exquisite, beautifully illustrated middle-grade novel explodes with raw anguish, magic and hope, and readers will clutch it to their chests and not want to let go."—Shelf Awareness, Starred Review "Reminiscent of the Chronicles of Narnia, Elizabeth Goudge, or a child's version of Life of Pi. . . . Readers will love this to pieces." —Kirkus Reviews, Starred Review "Magical, terrifying, and full of heart. Open these pages, and ride true."—Newbery Honor-winning author Kathi Appelt "A remarkable book. Astonishing!"—Michael Morpurgo, author of War Horse
Dora is invited out to America to help set up a home of rest for horses. When she leaves and is given a horse to take back to Follyfoot, she can't believe her luck. But once they're home things start to go badly wrong. One of the horses falls ill. And it looks like the same epidemic that is sweeping America . . . Has Dora's horse brought the disease to England?
Although at times painfully insecure about her creative ability and achievement, Margaret Laurence nevertheless remained fiercely loyal to her artistic vision, an archetypal vision of loss, exile and redemption that sought comprehensive expression in the epic mode that shapes the Bible, Dante's Divine Comedy, Milton's Paradise Lost, and ultimately the Manawaka world of Hagar Shipley, Rachel Cameron, Stacey MacAindra, and Morag Gunn. Paul Comeau traces the development of Margaret Laurence's epic voice from its tentative beginnings in her African fiction to its culmination in the epic Manawaka Cycle, a Dantesque journey through an infernal state of self-destructive pride, out of a purgatorial paralysis of self-doubt, and on to a kind of paradisal fulfillment in self-knowledge. Laurence discovered in epic a fitting mode at once to requite her debt to the ancestors and to break free of their influence to portray the world through the sight of her own eyes. In so doing, she became the enduring epic voice of a country and a generation.
The Arabs created one of the world's finest breeds of saddle horses, the Arabian, and they have long possessed an immense store of knowledge regarding the care, training, and breeding of this splendid horse. In the nineteenth century, General Melchior Joseph Eugene Daumas had access to their knowledge even though, as he pointed out, "it requires a great deal of patience and tact for a Christian to obtain from the Mohammedans even the most insignificant of details . . ." General Daumas was, because of his unique relationship with the Arabs, probably the first European to produce a comprehensive study of Arabian horses. And to add even greater value to The Horses of the Sahara, he was able to secure for the ninth edition, here translated, extended commentaries on all aspects of Arabian horsemanship by the Emir Abd-el-Kadar, one of the most important nineteenth-century Arab leaders and certainly one of the foremost authorities on the subject. The Horses of the Sahara will be of interest not only to equestrians but also to historians and other scholars interested in the customs of the North African desert tribes and in the complex backgrounds of European–North African relations. General Daumas took part in the conquest of Algeria by France, so distinguishing himself that he was named Director of the Bureau of Algerian Affairs in the French Ministry of War. During the campaigns and the occupation that followed, he studied and attempted to understand the native peoples, with an objectivity and sympathy unusual among the colonialists of the period. His book provides fascinating sidelights on many aspects of Arab life, including customs, superstitions, religion, and family life. Sheila M. Ohlendorf was uniquely suited to translate The Horses of the Sahara. An excellent rider herself, thoroughly experienced with the animals and the techniques being discussed, she also spoke fluent French, having received her B.A. degree in languages from Texas Western University (now the University of Texas at El Paso). As curator of the Hall of the Horsemen, the large collection at the University of Texas at Austin, she had access to a wide variety of supplementary authorities, which enriched both her translation and the notes that accompany the book.
There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.
