New York Times Saturday Review of Books and Art
New York Times Saturday Review of Books and Art

Author:

Publisher:

Published: 1969

Total Pages: 1238

ISBN-13:

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Presents extended reviews of noteworthy books, short reviews, essays and articles on topics and trends in publishing, literature, culture and the arts. Includes lists of best sellers (hardcover and paperback).

The Varieties of Religious Experience
The Varieties of Religious Experience

Author: William James

Publisher: The Floating Press

Published: 2009-01-01

Total Pages: 824

ISBN-13: 1877527467

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Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."

Poems and Carols (Oxford, Bodleian Library MS Douce 302)
Poems and Carols (Oxford, Bodleian Library MS Douce 302)

Author: John the Blind Audelay

Publisher: Medieval Institute Publications

Published: 2009-10-01

Total Pages: 406

ISBN-13: 158044444X

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Audelay's idiosyncratic devotional tastes, interesting personal life history, and declared political affiliations-loyalty to king, upholder of estates, anxiety over heresy-make him worthy of careful study beside his better-known contemporaries. Of particular note: MS Douce 302 preserves Audelay's own alliterative Marcolf and Solomon, a poem thought to be descended from Langland's Piers Plowman. The Audelay Manuscript also contains unique copies of other alliterative poems of the ornate style seen in Gawain and the Green Knight and The Pistel of Swete Susan. These pieces are Paternoster and Three Dead Kings, both set at the end of the book. Whether or not they are Audelay's own compositions, they seem certain to be his own selections. Audelay also displays a persistent habit of sequencing materials in generic and devotionally affective ways. His is a pious sensibility delicately honed by reverence for the liturgy and by an awe of God. That Audelay's poetry can awaken us to new poetic sensitivities in medieval devotional verse is reason enough to bring him into the ambit of canonical fifteenth-century English poets.