Ever since they first set foot in the United States, Gitta and Joachim "Yogi" Reppmann have been a living Ưexample of the furthering of German-American friendship. Cultural exchanges between Germany and the American Midwest (the "Heartland"), formerly an important destination for German emigrants, have been a major focus of their lives. Drawing on his experiences of four decades spent in two continents, Yogi Reppmann describes differences in mentality and offers his Ưresearch on the legacy for America of the German democratic revolutionaries of 1848. Dieter E. Wilhelmy, a journalist with the Flensburg Journal, discusses German-American relations with this historian, who spends equal lengths of time in Northfield, Minnesota and in Flensburg, Germany. They analyze typical German images of America, the "soul" of the country, and what lies hidden behind these various notions
This book tells a story to shake the conscience of the world. It is the catalogue of the first-ever traveling exhibition about the Auschwitz concentration camp, where 1.1 million people—mostly Jews, but also non-Jewish Poles, Roma, and others—lost their lives. More than 280 objects and images from the exhibition are illustrated herein. Drawn from the Auschwitz-Birkenau State Museum and other collections around the world, they range from the intimate (such as victims’ family snapshots and personal belongings) to the immense (an actual surviving barrack from the Auschwitz III–Monowitz satellite camp); all are eloquent in their testimony. An authoritative yet accessible text weaves the stories behind these artifacts into an encompassing history of Auschwitz—from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance. Auschwitz: Not long ago. Not far away. is an essential volume for everyone who is interested in history and its lessons.
This timely new monograph takes as its starting point the provocative contention that Holocaust film scholarship has been marginalized academically despite the crucial role Holocaust film has played in fostering international awareness of the Nazi genocide and scholarly understandings of cinematic power. The book suggests political and economic motivations for this seeming paradox, the ideological parameters of which are evident in debates and controversies over Holocaust films themselves, and around Holocaust culture in general. Lending particular attention to four exemplary Holocaust “art” films (Korczak [Poland, 1990], The Quarrel [Canada, 1990], Entre Nous [France, 1983], and Balagan [Germany, 1994]), this book breaks disciplinary ground by drawing critical connections between public and scholarly debates over Holocaust representation, and the often sophisticated cinematic structures lending aesthetic shape to them in today’s global arena.
Over the years, Jeremy Bernstein has been in contact with many of the world’s most renowned physicists and other scientists, many of whom were involved in politics, literature, and language. In this diverse collection of essays, he reflects on their work, their personal relationships, their motives, and their contributions. Even for those people he writes about that he did not know personally, he provides important insights into their lives and work, and questions their character, their decisions, and the lives they led. In the first three essays, Professor Bernstein looks at economic theory and how some physicists who developed interesting economic models based on derivatives and hedge funds almost led to the country into bankruptcy. In later essays, he discusses a suspect visit to Poland by the great Heisenberg during the Nazi era, a visit that there is almost nothing written about. Included also are essays on ancient languages and a nuclear weapons program in South Africa that was supposedly dismantled. In one particularly humorous essay, he describes how an ill-conceived manned spaceship to be powered by an atomic bomb was being developed by some of the country’s most powerful intellects. The project never got off the ground. Dipping into these pages is like rummaging around in the mind of a genius who has a potpourri of interests and an abundance of fascinating experiences. Bernstein has not only rubbed elbows with some of the finest minds in world, he has worked and played with them. He has sometimes mourned with them and laughed at them. His sharp wit and even sharper analysis make for a fascinating read.
The challenging and exciting life of James Henry Breasted spanned the most important years of the early western exploration of ancient Egypt. He was at the center of turbulent and world-changing events, including World War I and the discovery of the tomb of Tutankhamun by Howard Carter. An immensely talented scholar, he explored the Nile Valley and its antiquities in the late 19th and early 20th centuries, recording inscriptions and participating in digs with men like Petrie. At his side was his wife, as well as his son Charles, who wrote this admiring work about the life and times of his father. James Breasted was consulted with by such men as General Allenby during WWI. When Howard Carter discovered Tut's tomb in 1922, one of the first men he and his patron, Lord Carnarvon, contacted was Breasted. He not only saw the tomb shortly after its discovery, his effort to mediate between Carter and the Egyptian government when Carter was later locked out of the tomb is detailed here. You cannot understand ancient Egypt or modern Egyptology without knowing about Breasted's remarkable life. He was the founder of the Oriental Institute at the University of Chicago. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers, tablets, and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
"Mayer's memoir is by far the most exciting Hutchins book ever. His style, wit, and passion--and his insight--put it into a class by itself."--Studs Terkel "Mayer's memoir is by far the most exciting Hutchins book ever. His style, wit, and passion--and his insight--put it into a class by itself."--Studs Terkel
Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary interventions. Digital Memory Studies seizes this challenge and pioneers an agenda that interrogates concepts, theories and histories of media and memory studies, to map a holistic vision for the study of the digital remaking of memory. Through the lenses of connectivity, archaeology, economy, and archive, contributors illuminate the uses and abuses of the digital past via an array of media and topics, including television, videogames and social media, and memory institutions, network politics and the digital afterlife.