Irish Political Economy Vol1

Irish Political Economy Vol1

Author: Tom Boylan

Publisher: Routledge

Published: 2021-12-17

Total Pages: 384

ISBN-13: 1000549763

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First published in 2004. This is a collection of carefully selected works and material, attempts to extend the current state of scholarship in the area of Irish Political Economy. The range and variety of material presented should be of interest not only to students of economic thought but also to those working in such fields as Irish Studies, history, politics, sociology and intellectual history. Volume 1 includes the scope and methodology.


Economics and its Enemies

Economics and its Enemies

Author: William Oliver Coleman

Publisher: Springer

Published: 2002-10-23

Total Pages: 316

ISBN-13: 1403914354

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Anti-economics is described as the opposition to the main stream of economic thought that has existed from the Eighteenth-century to the present day. This book tells the story of anti-economics in relations to Smith, Ricardo, Mill, Walras, Keynes and Hicks as well as current economic thinkers. William Coleman examines how anti-economics developed from the Enlightenment to the present day and analyzes its various guises. Right anti-economics, Left anti-economics, Nationalist and Historicist anti-economics and Irrationalist, Moralist, Aesthetic and Environmental anti-economics.


The Art of Comparison

The Art of Comparison

Author: Catherine Brown

Publisher: Routledge

Published: 2017-12-02

Total Pages: 368

ISBN-13: 135119349X

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"Comparison underlies all reading. Readers compare words to words, and books to all the other books which they have read. Some books, however, demand a particular comparative effort - for example, novels which contain parallel plot lines. In this ambitious and important study Catherine Brown compares Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? Can their failure and success be understood on the same terms? How do the novels' uses of comparison compare to each other? How relevant is George Eliot's influence on Lev Tolstoi, and Tolstoi's on D. H. Lawrence? Does Tolstoi being a Russian make this a 'comparative' literary study? And what does the 'comparative' in 'comparative literature' actually mean? Criticism is combined with metacriticism, to explore how novels and critics compare."