This collection of papers, presented at the 2011 American Anthropological Association meetings in Montreal, Canada, represent the beginning of the anthropological investigation of the way in which anthropologist have been portrayed in popular culture. Frank A. Salamone provides an overview of the field today, looking for depictions of anthropologists in various genres – film, fiction, TV, and everyday life. The contributors look at specific portrayals of anthropologists in popular media, including using popular fiction to teach anthropology. The work is lively, accessible, and profound.
This book is an unprecedented collection of 29 original essays by some of the world’s most distinguished scholars of Japan. Covers a broad range of issues, including the colonial roots of anthropology in the Japanese academy; eugenics and nation building; majority and minority cultures; genders and sexualities; and fashion and food cultures Resists stale and misleading stereotypes, by presenting new perspectives on Japanese culture and society Makes Japanese society accessible to readers unfamiliar with the country
An investigation of society's heroes during any time period will reveal the personnel deemed worthy of being emulated at that particular time by that particular society. There will be many old and time-tested figures, sometimes with new faces and new profiles; there will also be a mix of new faces. Thus the hero--like history itself--is constantly in transition, and both the hero and the transition are fundamental to the study of a culture. These essays turn the pantheon of heroes around before our eyes and reveal the many complicated aspects of hero worship.
Drawing from ethnographic examples found throughout the world, this revised and updated text, hailed as the "best general text on religion in anthropology available," offers an introduction to what anthropologists know or think about religion, how they have studied it, and how...
The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africas building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
2020 Anisfield-Wolf Book Award Winner Finalist for the National Book Critics Circle Award From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered it—a sweeping chronicle of discovery and the fascinating origin story of our multicultural world. A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled "primitive" or "advanced." What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature. In Gods of the Upper Air, a masterful narrative history of radical ideas and passionate lives, Charles King shows how these intuitions led to a fundamental reimagining of human diversity. Boas's students were some of the century's most colorful figures and unsung visionaries: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is among the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now classic novel, Their Eyes Were Watching God. Together, they mapped civilizations from the American South to the South Pacific and from Caribbean islands to Manhattan's city streets, and unearthed an essential fact buried by centuries of prejudice: that humanity is an undivided whole. Their revolutionary findings would go on to inspire the fluid conceptions of identity we know today. Rich in drama, conflict, friendship, and love, Gods of the Upper Air is a brilliant and groundbreaking history of American progress and the opening of the modern mind.
Anyone who reads the newspaper, watches television, or listens to casual conversation on the street is aware of the ubiquitous nature of sport. It is everywhere. It flavors our national culture and permeates every corner of our daily lives. Sport in America, as in many countries, is big business, popular culture, and potent politics. It has become its own medium of communication and has important ramifications for international and multicultural relationships. There is no topic that should be of greater interest to social science in general and anthropology in particular than the study of human sport. This volume presents theory, history, practice, and institution of human sport.
American anthropology in the late twentieth century interrogated and depicted the worldsøof others, past and present, in subtle and incisive ways while increasingly questioning its own authority to do so. Marxist, symbolic, and structuralist thought shaped the fieldwork and conclusions of many researchers around the globe. Practicing anthropology blossomed and grew rapidly as a subdiscipline in its own right. There emerged a keener appreciation of both the history of the discipline and the histories of those studied. Archaeologists witnessed a resurgence of interest in the concept of culture. The American Anthropologist also made systematic efforts to represent the field as a whole, with biological anthropology and linguistics particularly adept at crossing subdiscipline boundaries. Proliferation of specialized areas within sociocultural anthropology encouraged work across the subdisciplines. The thirty selections in this volume reflect the notable trends and accomplishments in American anthropology during the closing decades of the millennium. An introduction by Regna Darnell offers a historical background and critical context that enable readers to better understand the changes and continuity in American anthropology during this time.
Aaron Gurevich has long been considered one of the world's leading medievalists and a pioneer in the field of historical anthropology. This book brings together eleven of his most important essays—many difficult to find and some never before available in English. Gurevich's writing, while informed by the history of mentalities as practiced by the French school of Le Goff and Duby, reflects a broader view of European culture outside France. He rejects reductionist concepts and operates with a total view of culture, using a wide range of sources—legal as well as ecclesiastical, popular as well as learned, oral and visual as well as literary. This collection amply demonstrates this breadth of Gurevich's work and highlights his ability to synthesize historical, anthropological, and semiotic approaches to culture. Especially valuable are pieces such as Gurevich's essay Wealth and Gift-Bestowal Among the Ancient Scandinavians, about the importance of gift exchange in the medieval world. One of the first studies for this practice, this classic essay has for years been unavailable. Other pieces range from the deities and heroes of Germanic poetry to the image of the Beyond in the Middle Ages.
