Fabled in American history, the Scotch-Irish played a principal role in settling the Southern Appalachian Mountains. From the original settlers sprang a culture based on their Old World ways; along with their daily habits, they brought with them a reverence for the King James Bible and the land providing their sustenance. Isolated in mountain pockets, the culture existed on the periphery of mainstream America until the late 20th century. In Rediscovering the South's Celtic Heritage, author Barry Vann explores the roots and branches of America's pioneering Celts, following their influence through the ages to the present day, setting forth the bold theory that the Celts in America form a distinct ethnic group separate from the dominant Anglo-Saxon culture. -- from back cover.
Winner of the 2023 John Brinckerhoff Jackson Book Prize Winner of the 2023 UMW Center for Historic Preservation Book Prize For over eighty years, tourists have flocked to Natchez, Mississippi, seeking the “Old South,” but what they encounter is invention: a pageant and rewrite of history first concocted during the Great Depression. In Heritage and Hoop Skirts: How Natchez Created the Old South, author Paul Hardin Kapp reveals how the women of the Natchez Garden Club saved their city, created one of the first cultural tourism economies in the United States, changed the Mississippi landscape through historic preservation, and fashioned elements of the Lost Cause into an industry. Beginning with the first Natchez Spring Pilgrimage of Antebellum Homes in 1932, such women as Katherine Grafton Miller, Roane Fleming Byrnes, and Edith Wyatt Moore challenged the notion that smokestack industries were key to Natchez’s prosperity. These women developed a narrative of graceful living and aristocratic gentlepeople centered on grand but decaying mansions. In crafting this pageantry, they created a tourism magnet based on the antebellum architecture of Natchez. Through their determination and political guile, they enlisted New Deal programs, such as the WPA Writers’ Project and the Historic American Buildings Survey, to promote their version of the city. Their work did save numerous historic buildings and employed both white and African American workers during the Depression. Still, the transformation of Natchez into a tourist draw came at a racial cost and further marginalized African American Natchezians. By attending to the history of preservation in Natchez, Kapp draws on a rich archive of images, architectural documents, and popular culture to explore how meaning is assigned to place and how meaning evolves over time. In showing how and why the Natchez buildings of the “Old South” were first preserved, commercialized, and transformed into a brand, this volume makes a much-needed contribution to ongoing debates over the meaning attached to cultural patrimony.
The Nature of Heritage: The New South Africa is unique in revealing the conflicts inherent in preserving both natural and cultural heritage, by examining the archaeological, ethnographic and economic evidence of a nation's attempts to master its past and its future. Provides a classic example of how nations attempt to overcome a negative heritage through past mastering of their histories Evaluates the continuing dominance of nature and conservation over concerns for cultural heritage Employs ethnographic and archaeological methodologies to reveal how the past is processed into a new national heritage Identifies heritage as therapy, exemplified in the strategy for repairing legacies of racial and ethnic difference in post-apartheid South Africa Highlights the role of archaeological heritage sites, national parks and protected areas in economic development and social empowerment Explores how nature trumps culture and the global implications of the new configurations of heritage
In this innovative book, Duane Jethro creates a framework for understanding the role of the senses in processes of heritage making. He shows how the senses were important for crafting and successfully deploying new, nation-building heritage projects in South Africa during the post-apartheid period. The book highlights how heritage dynamics are entangled in evocative, changing sensory worlds. Heritage Formation and the Senses in Post-Apartheid South Africa features five case studies that correlate with the five main Western senses. Examples include touch and the ruination of a series of art memorials; how vision was mobilised to assert the authority of the state sponsored Freedom Park project in Pretoria; how small memories of apartheid era social life in Cape Town informed contemporary struggles for belonging after forced removal; how taste informed debates about the attempted rebranding of Heritage Day as barbecue day; and how the sound of the vuvuzela, popularised during the FIFA 2010 Football World Cup, helped legitimise its unofficial African and South African heritage status. This book makes a valuable contribution to the field of sensory studies and, with its focus on aesthetics and material culture, is in synch with the broader material turn in the humanities. This is important reading for students and scholars of anthropology, sociology, sensory studies, and transnational studies.
A descendant of Confederate General Robert E. Lee chronicles his story of growing up with the South's most honored name, and the moments that forced him to confront the privilege, racism, and subversion of human dignity that came with it. With a foreword by Rev. Dr. Bernice A. King. The Reverend Robert W. Lee was a little-known pastor at a small church in North Carolina until the Charlottesville protests, when he went public with his denunciation of white supremacy in a captivating speech at the MTV Video Music Awards. Support poured in from around the country, but so did threats of violence from people who opposed the Reverend's message. In this riveting memoir, he narrates what it was like growing up as a Lee in the South, an experience that was colored by the world of the white Christian majority. He describes the widespread nostalgia for the Lost Cause and his gradual awakening to the unspoken assumptions of white supremacy which had, almost without him knowing it, distorted his values and even his Christian faith. In particular, Lee examines how many white Christians continue to be complicit in a culture of racism and injustice, and how after leaving his pulpit, he was welcomed into a growing movement of activists all across the South who are charting a new course for the region. A Sin by Any Other Name is a love letter to the South, from the South, by a Lee—and an unforgettable call for change and renewal.
"Explores how Ole Miss and other Southern universities presently contend with an inherited panoply of Southern words and symbols and "Old South" traditions, everything that publicly defines these communities--from anthems to buildings to flags to monuments to mascots"--
South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.
Features more than five hundred sites of regional and national importance in the region accompanied by essays on geographic regions and landmark events
Each year, tens of thousands of people flock to Grandfather Mountain, North Carolina, and to more than two hundred other locations across the country to attend Scottish Highland Games and Gatherings. There, kilt-wearing participants compete in athletics, Highland dancing, and bagpiping, while others join clan societies in celebration of a Scottish heritage. As Celeste Ray notes, however, the Scottish affiliation that Americans claim today is a Highland Gaelic identity that did not come to characterize that nation until long after the ancestors of many Scottish Americans had left Scotland. Ray explores how Highland Scottish themes and lore merge with southern regional myths and identities to produce a unique style of commemoration and a complex sense of identity for Scottish Americans in the South. Blending the objectivity of the anthropologist with respect for the people she studies, she asks how and why we use memories of our ancestral pasts to provide a sense of identity and community in the present. In so doing, she offers an original and insightful examination of what it means to be Scottish in America.
