This book takes issue with the tendency in twentieth-century Hawthorne-criticism to blur the distinction between symbolism and allegory. Rejecting the long-standing notion that Hawthorne is a symbolist in allegorical disguise, Ullén argues that allegory is the key to understanding how religion, sexuality, aesthetics and politics are interwoven in Hawthorne's writings. The study presents a model for allegorical interpretation of general applicability, which is brought to bear on each of Hawthorne's mature romances, and on the oft-neglected Wonder Books written for children. An unparalleled analysis of the formal intricacies of Hawthorne's writings, this book is an eloquent plea for the necessity of grounding ideological analysis in aesthetical considerations.
Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.
In the summer of 1860 Hawthorne returned to America and prepared for the Atlantic Monthly some sketches of England, which appeared in that magazine in 1862 and 1863, and with others were published in book form in 1863, under the title "Our Old Home." The opening article, "Consular Experiences," gives some curious incidents in his office at Liverpool, and describes queer Americans who came for the consular help. The closing one, "Civic Banquets," affords a glimpse at some of the public social intercourse to which his position introduced him. "Lichfield and Uttoxeter " is devoted largely to Dr. Johnson. Long before, Hawthorne had written for children the story of Johnson's penance in Uttoxeter market. The offense taken by the Uttoxeter people at an article published in Harper's Magazine is mentioned in the " English Note-Books," vol. ii., August 2,1857. " Recollections of a Gifted Woman " gives some notes on Stratford, together with reminiscences of Delia Bacon. In "Yesterdays with Authors" Mr. Fields says: " One of the most difficult matters he had to manage while in England was the publication of Miss Bacon's singular book on Shakespeare. The poor lady, after he had agreed to see the work through the press, broke off all correspondence with him in a storm of wrath, accusing him of pusillanimity in not avowing full faith in her theory; so that, as he told me, so far as her good-will was concerned, he had not gained much by taking the responsibility of her book upon his shoulders. It was a heavy weight for him to bear, in more senses than one, for he paid out of his own pocket the expenses of publication." The other articles of the book describe Warwick, Oxford, Leamington, Boston, Lincoln, some parts of London, and the haunts of Burns.
Nathaniel Hawthorne's compilation 'The Complete Works of Nathaniel Hawthorne' showcases his versatility as a writer, including his most famous novels such as 'The Scarlet Letter' and 'The House of the Seven Gables', as well as lesser-known works like his short stories, poetry, essays, letters, and memoirs. Hawthorne's literary style is characterized by intricate symbolism, exploration of moral and psychological themes, and deep psychological insight into his characters. This collection provides a comprehensive look into the literary context of 19th-century American literature, with Hawthorne's works reflecting the anxieties and conflicts of his era. The inclusion of illustrations adds a visual element to enhance the reader's experience of Hawthorne's rich imagination. Nathaniel Hawthorne drew inspiration for his stories from his Puritan ancestors, his own experiences growing up in Salem, Massachusetts, and his observations of human nature and society. His background in Transcendentalism and Romanticism heavily influenced his writing, as he delved into the darker aspects of the human soul. For readers interested in exploring the depths of American literature and delving into the complexities of human morality and psychology, 'The Complete Works of Nathaniel Hawthorne' is a must-read. This collection offers a comprehensive insight into one of America's most renowned literary figures and provides a rich tapestry of stories and poems that continue to captivate readers to this day.
Nathaniel Hawthorne was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His later writings also reflect his negative view of the Transcendentalism movement. Novels Fanshawe (published anonymously, 1828) The Scarlet Letter: A Romance (1850) The House of the Seven Gables: A Romance (1851) The Blithedale Romance (1852) The Marble Faun: Or, The Romance of Monte Beni (1860) The Dolliver Romance (1863) (unfinished) Septimius Felton; or, the Elixir of Life, (1872) Doctor Grimshawe's Secret: A romance (unfinished) (1882) Short Stories Twice-Told Tales (1837) The Whole History of Grandfather’s Chair (1840) Biographical Stories Mosses from an Old Manse (1846) Wonder Book For Girls and Boys (1851) The Snow Image and Other Twice Told Tales (1852) Tanglewood Tales For Girls and Boys (1853) The Dolliver Romance and Other Pieces, Tales and Sketches (1864) The Story Teller Sketches in Magazines (1830-1844) Poetry Address to the Moon The Darken'd Veil Earthly Pomp Forms of Heroes Go to the Grave My Low and Humble Home The Ocean Essays The British Matron: A Satire The Ancestral Footstep: Outlines of an English Romance Life Of Franklin Pierce Chiefly About War Matters Our Old Home Autobiographical Writings Letters Memoirs and Diaries
