The Grove Book of Operas

The Grove Book of Operas

Author: Stanley Sadie

Publisher: Oxford University Press

Published: 2006-11-06

Total Pages: 788

ISBN-13:

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"The Grove Book of Operas is the ideal difference for the opera lover. First published in 1996 to great critical and popular success, it provides succinct yet insightful synopses of more than 250 operas. This second edition brings the book up to date with several recently composed operas, including John Adams's The Death of Klinghoffer, Poul Ruders's A Handmaid's Tale, and Mark Adamo's Little Women." "The second edition features a new, more readable design, and is illustrated in both colour and black and white. New images cover the history of opera from reproductions of the earliest libretti, to portraits of singers from the earliest days of photography, to productions staged in 2005. And in a new introductory essay, scholar and dramaturg David Levin surveys contemporary trends in opera performance, identifying their ancestors in early and mid-20th century performance and examining the current intellectual and cultural context in which they flourish." "In addition to a full synopsis of every plot, there is a cast list and information about the first production, as well as a discussion of the opera's history and its literary and social background. The index of first lines of arias will help you find your favourite, and the index of role names will come to your rescue when programme notes or reviews tell you that 'he sang Colline at the Met in 1992'."--BOOK JACKET.


The Grove Book of Opera Singers

The Grove Book of Opera Singers

Author: Laura Williams Macy

Publisher:

Published: 2008

Total Pages: 649

ISBN-13: 0195337654

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Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.


Operas in English

Operas in English

Author: Margaret Ross Griffel

Publisher: Scarecrow Press

Published: 2012-12-21

Total Pages: 1015

ISBN-13: 0810883252

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Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.


On Opera

On Opera

Author: Bernard Williams

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 195

ISBN-13: 0300142285

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A lifelong opera lover, Bernard Williams's articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. --From publisher's description.


New Grove Book of Operas

New Grove Book of Operas

Author: Stanley Sadie

Publisher:

Published:

Total Pages: 766

ISBN-13: 0195309073

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The world's defiinitive single volume of opera reference including: full plot synopses, cast lists, singers, composers, literary and social history, recordings, and much more. Covers over 250 operas performed over the last quarter-century, additional works selected for interest, merit, or historical significance, 64 pages of color plates, 100 black-and-white photographs, fully cross-referenced with indexes and a glossary.


Opera 101

Opera 101

Author: Fred Plotkin

Publisher: Hyperion

Published: 1994-12

Total Pages: 520

ISBN-13:

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Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.


A Dictionary of Opera Characters

A Dictionary of Opera Characters

Author: Joyce Bourne Kennedy

Publisher: Oxford University Press, USA

Published: 2008

Total Pages: 375

ISBN-13: 0199550395

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A unique reference work containing over 2,500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Plácido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.


The New Grove Masters of Italian Opera

The New Grove Masters of Italian Opera

Author: Philip Gossett

Publisher: W. W. Norton & Company

Published: 1983

Total Pages: 372

ISBN-13: 9780393303612

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These five biographies provide the first complete survey of Italian opera from the early buffo operas of Rossini to Verdi's great masterpieces, Otello and Falstaff, and the verismo operas of Puccini. Andrew Porter has been highly praised for his original and enlightening account of Verdi, and Philip Gossett has received similar acclaim for his treatment of Rossini. Porter, Gossett, William Ashbrooke, Julian Budden, Mosco Carner, and Friedrich Lippmann, all acknowledged experts in the field of Italian opera, combine to offer insight into the traditions and workings of one of the most fascinating periods in the history of opera. Book jacket.


Wagner in Performance

Wagner in Performance

Author: Jean-Jacques Nattiez

Publisher: Yale University Press

Published: 1992-01-01

Total Pages: 238

ISBN-13: 9780300057188

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This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.