The Grimoire of Pope Honorius, or Le Grimoire du Pape Honorius, is an 17th to 19th century grimoire, claiming to be written by Pope Honorius III (1150 -1227). It is unique among grimoires in that it was specifically designed to be used by a priest, and some of the instructions include saying a Mass. While its name is derived from the 13th century Grimoire of Honorius, its content is closer to later grimories like the Key of Solomon and Grimorium Verum. Edited and translated into English by Edmund Kelly The Grimoire of Pope Honorius Is a book that holds its place in occult literature.
"I conjure thee, Oh BOOK to be useful and profitable unto all those who shall read thee for success in their affairs." Conjuration for the Book, Grimoire of Pope Honorius Description: The Grimoire of Pope Honorius is the first and most important of the French 'black magic' grimoires which proliferated across Europe in the 17th-19th centuries. Combining a grimoire of conjurations to demons of the four directions and seven days of the week with a Book of Secrets full of simple charms, the Grimoire of Pope Honorius was second only to the Key of Solomon in the influence it exerted on magicians, charmers and cunning-folk in both rural and urban France. This grimoire also played a role in social events which rocked France, being used in the Affair of the Poisons which scandalised the French royal court in 1679, and by the young priest who assassinated the archbishop of Paris in 1857. The Complete Grimoire of Pope Honorius contains material translated from all four of the different French editions of the Grimoire of Pope Honorius, including the complete text of one manuscript version never before seen in English (Wellcome 4666), and a new translation of the later corrupted German version of 1845. All of the material and its variations found in the five different editions of the Grimoire of Pope Honorius is contained in this work, presenting the entire corpus of this grimoire in print for the first time. In addition to tracing much of the material to sources such as the Heptameron, the works of Agrippa and earlier religious texts for the first time, the derivation of much of the material into later grimoires including the Grimorium Verum, the Grand Grimoire/Red Dragon and the Black Dragon is clearly demonstrated. As well as charms for health, wealth, sex and protection, the Grimoire of Pope Honorius also contains a substantial number of agrarian charms by the Norman magician Guidon for protecting livestock, emphasising the popular rural use of such charms until at least the 19th century. The corpus of charms comes from diverse sources, including Scot's Discoverie of Witchcraft (1584), and some like the Letter of St Anthony can be dated back to at least the 13th century. Including numerous illustrations, and tables tracing the derivation of the material through the different editions and into other grimoires, the Complete Grimoire of Pope Honorius demonstrates the versatility and significance of this grimoire, cutting past outdated misperceptions to a viewpoint which reflects more accurately the position of the Grimoire of Pope Honorius in the development of magic since the seventeenth century.
As the title testifies, students were sworn to secrecy before being given access to this magic text, and only a few manuscripts have survived. Bits of its teachings, such as the use of the magic whistle for summoning spirits, are alluded to in other texts. Another key element of its ritual, the elaborate “Seal of God,” has been found in texts and amulets throughout Europe. Interest in The Sworn Book of Honorius has grown in recent years, yet no modern translations have been attempted—until now. Purporting to preserve the magic of Solomon in the face of intense persecution by religious authorities, this text includes one of the oldest and most detailed magic rituals. It contains a complete system of magic including how to attain the divine vision, communicate with holy angels, and control aerial, earthly, and infernal spirits for practical gain. Largely ignored by historians until recently, this text is an important witness to the transmission of Kabbalah and Jewish mysticism to European Hermeticists.
The Grimoire of Pope Honorius is so named because it purports to be a short collection of prayers and invocations with rituals designed to call forth demons from Hell, allowing a holy conjurer to enslave them to their own designs. While it is not certain that Honorius is its author (and it may take its name from the "Sworn Book of Honorius" instead) it is well known within the occult world as a grimoire worth pursuing nonetheless. The lengthy invocations call upon various names ascribed to YHWH the God of the Hebrews- through this process, and other ritualism, it is thus claimed possible to draw forth even Lucifer himself from the abyssal regions for the purposes of one who is worthy and holy enough to command such powers.
The Grimoire of Pope Honorius first appeared in 1670. It is an instruction manual for invoking the demons of the four directions and the seven days of the week. These demons are known as Oriens, Amaymon, Paimon, Egyn, Lucifer, Frimost, Astaroth, Sirchade, Bechard, Guland, and Surgat. This edition of the grimoire contains images, sigils, and in depth information on each of the spirits, as well as instructions on how the book might be used in the modern age.
It is acknowledged Church doctrine that sorcery is the specific domain of the Devil. Yet occult tales are liberally sprinkled throughout the Old and New Testaments, from the spirit-invoking Witch of Endor to the story of Jesus raising Lazarus from the dead. Throughout its 2,000 year history, the Church has spawned numerous mystical religious orders, like the Knights Templar, that may have been engaged in supernatural pursuits, while no fewer than three popes were believed to be involved in occult practices. Christian scriptures tell us that the occult is real, while Catholic priests are thought to have spiritual power over ghosts and evil entities. But if a priest can cast out demons during the rites of exorcism, does it not imply he has the ability to summon them as well? In this eye-opening, provocative work, leading occult scholar Simon examines the Church's unspoken relationship with forbidden magic by exploring the infamous seventeenth-century document considered by some to be the most demonic of all occult texts—the Grimoire of Pope Honorius III—and illuminates the Vatican's darkest hidden corners.
The Enchiridion of Pope Leo III, also known as the Grimoire of Pope Leo, is a strange document which has appeared in multiple forms over the centuries, taking influence as it has been edited over and over from other occult traditions. In this edition, the document has been edited into modern form, the imagery significantly improved, and some material obviously not original to the Enchiridion itself has been removed as dubious. Here, it is also rendered into fully modern English. Containing predominantly a series of prayers meant to protect the user, it nonetheless also contains, strangely, a method by which the user is able to not merely contact Satan, but physically see the same and secure a pact with the Devil himself. 44 pages.
The Grand Grimoire is a foundational book of magic from the 19th century. This translation is the most accurate ever, and is presented with parallel French & English text. A comprehensive introduction covers the development of magic, the history of the grimoire, the witch trials & the Inquisition, the themes & key insights, and much more. The complete translation of a contemporary novel that provides relevant social context to the grimoire is also included. The foreword is by noted author and occultist Baal Kadmon. This edition incorporates the seals and images of the spirits of the Grand Grimoire, many never seen before. This will aid the magician in concentration and visualization of the spirits, so that they may be evoked for practical purposes. The grimoire describes the process of evoking and making pacts with Lucifuge Rofocale, the 'Infernal Prime Minister," who is above the hierarchy of twenty-six other spirits in this book. The grimoire also contains a process of necromancy and a collection of spells. This is a comprehensive resource for scholars, occultists, practicing magicians, witches and wizards. It is a valuable work both for its historical value, and its magical use. Our introduction contains notes on the various items used in the Grimoire, such as the herb Verbena, the Bloodstone, the Blasting Rod, and the Magic Circle. We have identified the actual items referenced in the Grimoire, which will be a significant leap in scholarship and magical practice, and we believe, give this grimoire a reestablished significance in occult circles. While numerous translations exist, as this book is in the public domain, we have not found any translations that have rigorously researched the terms and translated all parts of the content, from the interspersed Latin, Greek and the base French text. The authors are practicing magicians and researchers. From the Foreword by Baal Kadmon, "The beauty of this translation is not only its accuracy, but also that it is in a clear interlinear format. This provides the reader with the opportunity to see the original text, side-by-side with the English translation, something that does not exist in any other edition of this text. This alone is an invaluable benefit to the reader. However, this is not a mere translation of the text. It is also groundbreaking in its scholarship. For centuries, certain items mentioned in the text were a mystery. Aaman and Arundell were able to decipher them, which is a historic achievement unto itself.Due to the nature of The Grand Grimoire, accuracy should be of the utmost importance to any Magician and Sorcerer who wishes to delve into the secrets and powers of this text. You, the reader, can rest assured that this is by far the most accurate rendition of this text to-date.I am confident that this book will be referenced for many years to come. I know I will certainly refer to it time and time again as I further my own research on the subject of Solomonic Magic."
The Red Dragon has been variously treated as a grimoire, a piece of folk literature, and a joke manuscript; it comprises one part of what is loosely termed "The Grand Grimoire"- a collection of magickal works from the Renaissance such as the Black Pullet and Lesser Keys of Solomon. The Red Dragon however bears the title "Grand Grimoire" on its own. Multiple editions of it exist, some with material tacked on. It takes the form of a long ritualistic ceremony designed to secure communication with a demon known as "Lucifuge Rofocale" followed by various invocations and incantations and spells. The contents are heretical in the extreme, from rituals involving boiling a black cat to the use of toxic substances in ritual form. Small wonder, that this text has gained so much notoreity.
