This treatise provides incisive discussions on the protection of the expression of ideas. The forms portion helps you navigate through US Copyright Office practice, and provides examples of state-of-the-art agreements and outstanding litigation forms. These model litigation and transactional documents represent real-life agreements and court filings, as well as bare bones forms easily adapted to the needs of your clients. Two volumes of primary source materials contain the text of the US Copyright Act and the regulations adopted thereunder, and the text of relevant international treaties, including the Berne Convention and the WIPO Copyright Treaties.
A dramatic and fascinating account of aerial combat during World War I, revealing the terrible risks taken by the men who fought and died in the world's first war in the air. Little more than ten years after the first powered flight, aircraft were pressed into service in World War I. Nearly forgotten in the war's massive overall death toll, some 50,000 aircrew would die in the combatant nations' fledgling air forces. The romance of aviation had a remarkable grip on the public imagination, propaganda focusing on gallant air 'aces' who become national heroes. The reality was horribly different. Marked for Death debunks popular myth to explore the brutal truths of wartime aviation: of flimsy planes and unprotected pilots; of burning nineteen-year-olds falling screaming to their deaths; of pilots blinded by the entrails of their observers. James Hamilton-Paterson also reveals how four years of war produced profound changes both in the aircraft themselves and in military attitudes and strategy. By 1918 it was widely accepted that domination of the air above the battlefield was crucial to military success, a realization that would change the nature of warfare forever.
The impact of the unsung heroes of WWI—“a must for any aviation enthusiast to further complement work on aerial reconnaissance in modern warfare” (Roads to the Great War), Beyond the heroic deeds of the fighter pilots and bombers of World War I, the real value of military aviation lay elsewhere; aerial reconnaissance, observation, and photography impacted the fighting in many ways, but little has been written about it. Balloons and airplanes regulated artillery fire, infantry liaison aircraft followed attacking troops and the retreats of defenders, aerial photographers aided operational planners and provided the data for perpetually updated maps, and naval airplanes, airships, and balloons acted as aerial sentinels in a complex anti-submarine warfare organization. Reconnaissance crews at the Battles of the Marne and Tannenberg averted disaster. Eyes All Over the Sky fully explores all the aspects of aerial reconnaissance and its previously under-appreciated significance. Also included are the individual experiences of British, American, and German airmen—true pioneers of aviation warfare. “With an interesting selection of photos, the book is not only an excellent reference—it is historically important.” —Classic Wings “This well-researched history belongs on the shelf of anyone with a serious interest in the air war or the ground war of 1914-1918.” —Steve Suddaby, former president of the World War One Historical Association
"The Great Air War is the first comprehensive account of the battle fliers, their planes, and their vital role in World War I. Aerial combat in "the war to end war" was an utterly unprecedented new chapter in military potential of the flying machine was unfathomed. It had been only a decade since Orville Wright had made history's first successful airplane flight. High- ranking officers in all countries dismissed the use of the plane for any purpose except possible reconnoitering. But as the war progressed, aviation technology boomed, the plane became a lethal weapon - and a new warrior breed was born. The story of these men - the now legendary heroes and their man-to-man encounters, their breathtaking victories and heartbreaking defeats is spellbinding: Aaron Norman seats the reader right in the cockpit beside the great aces and many less famous but equally courageous airmen. Some of the individual stories rank with the classics of adventure literature. Colourful biographies of the top aces of each nation, and their victory scores, are a feature of the Great Air War. The various war planes are described in detail: the Sopwiths, Nieuports, Fokkers, Spads, Albatroses, SE-5's, and performance, strong points and weaknesses. The incredible story of Count Zeppelin's terrifying if vulnerable dirigibles is recounted at length. It was with this giant craft that the German high command hoped to bring Britain to her knees, and the dramatic picture of these monsters hovering ominously in the night skies over England is one of the many high spots of the book. For its complete story of the monumental action as the seesaw battle went on for supremacy in the sky, and for its many anecdotal stories in human terms throughout, The Great Air War is superb reading; the book in its entirely is also of major importance as history, since the chronicle of World War I is incomplete without this first full coverage of the part played in it by ariel combat. The illustrations add to the comprehensive coverage. There are two 16-page inserts of photographs - 65 photos in all - and 54 side -view drawings of the planes. With full index, appendices and bibliography". - Publisher
Starting in 1909 with the beginnings of military aviation and the aviation industry and ending with their catastrophic postwar contraction, the book examines the totality of the air war: its heroism, romantic myths, politics, strategies, and cost in men and materiel. John H. Morrow, Jr., also elaborates on the advancements in aircraft and engine technology and production during airpower's development into a viable and threatening military weapon within a decade of its origins.
Michael Neiberg offers a concise history based on the latest research and insights into the soldiers, commanders, battles, and legacies of the Great War.
'May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves"'. When World War I broke out in the summer of 1914, the Canadian chaplain Frederick George Scott volunteered for service despite his fears. He spent four long years in the trenches on the western front, where he developed close bonds with his fellow soldiers and sought to maintain his faith while the world around him collapsed into chaos. In evocative language befitting his background as a poet, Scott lays bare the horrors of modern warfare. Filled with heart-wrenching descriptions and tragic detail, The Great War as I Saw It is a powerful meditation on the Canadian experience during World War I and an important look into the life of the ordinary soldier.
The vivid account of the young Americans who fought and died in the aerial battles of World War I, told in their own words. The Unsubstantial Air is the gripping story of the Americans who fought and died in the aerial battles of World War I. Much more than a traditional military history, it is an account of the excitement of becoming a pilot and flying in combat over the Western Front, told through the voices and words of the aviators themselves. A World War II pilot himself, the memoirist and critic Samuel Hynes revives the adventurous young men who inspired his own generation to take to the sky. By drawing on the letters sent home, diaries kept, and memoirs published in the years that followed, he brings to life their emotions, anxieties, and triumphs. They gasp in wonder at the world seen from a plane, struggle to keep their hands from freezing in open-air cockpits, party with actresses and aristocrats, rest of Voltaire’s castle, and search for their friends’ bodies on the battlefield. The young pilots’ romantic war becomes more than that—a harsh but often thrilling reality. Weaving together their testimonies, The Unsubstantial Air is a moving portrait of a generation coming of age under new and extreme circumstances. Praise for The Unsubstantial Air “Samuel Hynes is simultaneously a great gift to his complicated country and to our English language. He vividly brings to life our earliest air warriors and does so with a seemingly effortless but exhilarating prose that soars in much the same way his aviators do. Masterful.” —Ken Burns “A beautifully written evocation of the Ivy Leaguers, farm boys, and wild men who flew avions de chasse from (mainly) French airfields, based on their letters, flight diaries and memories.” —Roy Foster, The Times Literary Supplement Books of the Year (2014)
In a few short years after 1914 the Royal Navy practically invented naval air warfare, not only producing the first effective aircraft carriers, but also pioneering most of the techniques and tactics that made naval air power a reality. By 1918 the RN was so far ahead of other navies that a US Navy observer sent to study the British use of aircraft at sea concluded that any discussion of the subject must first consider their methods. Indeed, by the time the war ended the RN was training for a carrier-borne attack by torpedo-bombers on the German fleet in its bases over two decades before the first successful employment of this tactic, against the Italians at Taranto.Following two previously well-received histories of British naval aviation, David Hobbs here turns his attention to the operational and technical achievements of the Royal Naval Air Service, both at sea and ashore, from 1914 to 1918. Detailed explanations of operations, the technology that underpinned them and the people who carried them out bring into sharp focus a revolutionary period of development that changed naval warfare forever. Controversially, the RNAS was subsumed into the newly created Royal Air Force in 1918, so as the centenary of its extinction approaches, this book is a timely reminder of its true significance.
"The First World War demanded revolutionary technology to break the vicious stalemate in which the armies of Europe found themselves, as soon as static, or trench warfare became established. One such technology was aerial reconnaissance and photography, which together with the growing intelligence use of phone tapping and radio intercepts, changed the nature of war forever. Colonel Terry J. Finnegan's Shooting the Front reviews the entire evolution of Allied aerial photography and photographic interpretation during the Great War, in a text packed with data and based upon meticulous research in archives worldwide. The photographs included are both informative and spectacular, charting perforce the early years of aviation itself. Shooting the Front shows not only how important aerial reconnaissance was to the war effort, but also how it became the foundation for modern-day exploitation of imagery and geospatial intelligence used to guide today's decision makers on global issues, and shaped intelligence work for generations to come."--Publisher.
